[Alhabash, Saleem and Mengyan Ma. 2017. A Tale of Four Platforms: Motivations and Uses of Facebook, Twitter, Instagram, and Snapchat Among College Students? Social Media + Society vol. 3, no. 1: 1–13.]Search in Google Scholar
[Atkinson, Paul. 2012. Why Pause?: The Fine Line between Reading and Contemplation. Studies in Comics vol. 3, no. 1: 63–81.]Search in Google Scholar
[Bayer, Joseph B., Nicole B. Ellison, Sarita Y. Schoenebeck and Emily B. Falk. 2016. Sharing the Small Moments: Ephemeral Social Interaction on Snapchat. Information, Communication & Society vol. 19, no. 7: 956–977.]Search in Google Scholar
[Bellour, Raymond. 2007. The Pensive Spectator. In The Cinematic, ed. David Campany, 119–123. Cambridge, MA: The MIT Press.]Search in Google Scholar
[Carr, Caleb T. and Rebecca A. Hayes. 2015. Social Media: Defining, Developing, and Divining. Atlantic Journal of Communication vol. 23, no. 1: 46–65.]Search in Google Scholar
[Chen, Kuan-Ju and Hoi Ling Cheung. 2019. Unlocking the Power of Ephemeral Content: The Roles of Motivations, Gratification, Need for Closure, and Engagement. Computers in Human Behavior vol. 97 (August): 67–74.10.1016/j.chb.2019.03.007]Search in Google Scholar
[Clement, J. 2020a. Instagram Stories Daily Active Users 2019. Statista. https://www.statista.com/statistics/730315/instagram-stories-dau/. Last accessed 08. 01. 2020.]Search in Google Scholar
[Clement, J. 2020b. Global Social Media Ranking 2019. Statista. https://www.statista.com/statistics/272014/global-social-networks-ranked-by-number-of-users/. Last accessed 01. 02. 2020.]Search in Google Scholar
[Duin, J. van. 2018. Instagram Stories: Giving Shape to a New Ephemeral Photographic Experience. Masters’ thesis. http://dspace.library.uu.nl/handle/1874/369185. Last accessed 28. 01. 2021.]Search in Google Scholar
[Fallman, Daniel. 2008. The Interaction Design Research Triangle of Design Practice, Design Studies, and Design Exploration. Design Issues vol. 24, no. 3: 4–18.]Search in Google Scholar
[Goswamy, B. N. 2014. The Spirit of Indian Painting: Close Encounters with 100 Great Works 1100–1900. New Delhi: Penguin.]Search in Google Scholar
[Groys, Boris. 2011. Going Public. Berlin – New York: Sternberg Press.]Search in Google Scholar
[Hammer, Espen. 2004. Being Bored: Heidegger on Patience and Melancholy. British Journal for the History of Philosophy vol. 12, no. 2: 277–295.]Search in Google Scholar
[Hand, Martin. 2016. #Boredom: Technology, Acceleration, and Connected Presence in the Social Media Age. In Boredom Studies Reader: Frameworks and Perspectives, ed. Michael E. Gardiner and Julian Jason Haladyn, 115–130. Oxfordshire: Taylor & Francis.]Search in Google Scholar
[Heidegger, Martin. 1962. Being and Time. New York, NY: Harper and Row Publishers.]Search in Google Scholar
[Heidegger, Martin. 1996. The Fundamental Concepts of Metaphysics: World, Finitude, Solitude. Bloomington: Indiana University Press.10.2307/j.ctvswx8mg]Search in Google Scholar
[Helsinger, Elizabeth. 2002. Turner and the Representation of England. In Landscape and Power, ed. W. J. T. Mitchell, 103–126. Chicago: University of Chicago Press.]Search in Google Scholar
[Illing, Sean. 2019. Bored and Lonely? Blame Your Phone. Vox. https://www.vox.com/recode/2019/5/2/18510958/social-media-addiction-boredom-loneliness-society-technology-smart-phones. Last accessed 02. 05. 2019.]Search in Google Scholar
[Javed, Sabih. 2019. 7 Tips for Your Instagram Story Size. Lumen5 Learning Center (blog). https://lumen5.com/learn/instagram-story-size/. Last accessed 21. 05. 2019.]Search in Google Scholar
[Jurgenson, Nathan. 2013a. Temporary Social Media. https://newsroom.snap.com/temporary-social-media/. Last accessed 06. 03. 2021.]Search in Google Scholar
[Jurgenson, Nathan. 2013b. Pics and It Didn’t Happen. The New Inquiry (blog). February 7. https://thenewinquiry.com/pics-and-it-didnt-happen/. Last accessed 03. 02. 2020.]Search in Google Scholar
[Kant, Immanuel. 2008 [1790]. Critique of Judgement. Revised edition. Oxford – New York: Oxford University Press.]Search in Google Scholar
[Khalil, Israfilzade, and Babayev Najaf. 2019. Millennials versus Non-Millennials: The Context of Engagement Levels on Instagram Stories. In Challenges of Globalization in Economics and Business, The 4th International Scientific Conference, 163–170. Tbilisi, Georgia.]Search in Google Scholar
[Kofoed, Jette and Malene Charlotte Larsen. 2016. A Snap of Intimacy: Photo-Sharing Practices among Young People on Social Media. First Monday vol. 21, no. 11. https://firstmonday.org/article/view/6905/5648. Last accessed 06. 03. 2021.]Search in Google Scholar
[Kracauer, Siegfried. 1995. The Mass Ornament: Weimar Essays. Cambridge, MA: Harvard University Press.]Search in Google Scholar
[Kress, Gunther and Theo van Leeuwen. 1996. Reading Images: The Grammar of Visual Design. Abingdon: Routledge.]Search in Google Scholar
[Ladly, Martha. 2007. Being There: Heidegger and the Phenomenon of Presence in Telematic Performance. International Journal of Performance Arts and Digital Media vol. 3, no. 2–3: 139–150.]Search in Google Scholar
[Lee, Eunji, Jung-Ah Lee, Jang Ho Moon and Yongjun Sung. 2015. Pictures Speak Louder than Words: Motivations for Using Instagram. Cyberpsychology, Behavior, and Social Networking vol. 18, no. 9: 552–556.]Search in Google Scholar
[Lyotard, Jean-François. 1999. Postmodern Fables. Minneapolis, MN: University of Minnesota Press.]Search in Google Scholar
[Manovich, Lev. 2016. Instagram and Contemporary Image. Cultural Analytics Lab. http://manovich.net/index.php/projects/instagram-and-contemporary-image. Last accessed 15. 11. 2020.]Search in Google Scholar
[Misek, Richard. 2010. Dead Time: Cinema, Heidegger, and Boredom. Continuum vol. 24, no. 5: 777–785.]Search in Google Scholar
[Mitchell, W. J. T., ed. 2002. Landscape and Power. Chicago, Illinois: University of Chicago Press.]Search in Google Scholar
[Mulvey, Laura. 2007. Stillness in the Moving Image. In The Cinematic, ed. David Campany, 134–140. Cambridge, MA: The MIT Press.]Search in Google Scholar
[Petro, Patrice. 1993. After Shock / Between Boredom and History. Discourse vol. 16, no. 2: 77–92.]Search in Google Scholar
[Preece, Jennifer, Helen Sharp and Yvonne Rogers. 2015. Interaction Design: Beyond Human-Computer Interaction. Hoboken, New Jersey: John Wiley & Sons.]Search in Google Scholar
[Reckwitz, Andreas. 2002. Toward a Theory of Social Practices: A Development in Culturalist Theorizing. European Journal of Social Theory vol. 5, no. 2: 243–263.]Search in Google Scholar
[Robinson, Sidney. 1988. The Picturesque: Sinister Dishevelment. In Restructuring Architectural Theory, ed. Marco Diani and Catherine Ingraham, 74–79. Evanston, Illinois: Northwestern University Press.]Search in Google Scholar
[Rosa, Hartmut and William Scheuerman. 2009. High-Speed Society: Social Acceleration, Power, and Modernity. University Park, PA: Penn State University Press.]Search in Google Scholar
[Sheldon, Pavica. 2008. The Relationship Between Unwillingness-to-Communicate and Students’ Facebook Use. Journal of Media Psychology Theories Methods and Applications vol. 20, no. 2: 67–75.]Search in Google Scholar
[Sheldon, Pavica and Katherine Bryant. 2016. Instagram: Motives for Its Use and Relationship to Narcissism and Contextual Age. Computers in Human Behavior vol. 58: 89–97.10.1016/j.chb.2015.12.059]Search in Google Scholar
[Sheldon, Pavica, Philipp A. Rauschnabel, Mary Grace Antony and Sandra Car. 2017. A Cross-Cultural Comparison of Croatian and American Social Network Sites: Exploring Cultural Differences in Motives for Instagram Use. Computers in Human Behavior vol. 75: 643–651.10.1016/j.chb.2017.06.009]Search in Google Scholar
[Smith, Aaron. 2015. A ‘Week in the Life’ Analysis of Smartphone Users. U.S. Smartphone Use in 2015. Pew Research Center. https://www.pewresearch.org/internet/2015/04/01/us-smartphone-use-in-2015/. Last accessed 06. 03. 2021.]Search in Google Scholar
[Souza Silva, Thiago Alexandre de, Glívia Angélica Rodrigues Barbosa, Ismael Santana Silva and Flavio Roberto dos Santos Coutinho. 2018. Ephemeral Narrative Systems’ Sociability Mediated by User Experience: A Case Study of Instagram Stories. IADIS International Journal on WWW/Internet vol. 16, no. 2: 34–49.]Search in Google Scholar
[Valentini, Chiara, Stefania Romenti, Grazia Murtarelli and Marta Pizzetti. 2018. Digital Visual Engagement: Influencing Purchase Intentions on Instagram. Journal of Communication Management vol. 22, no. 4: 362–381.]Search in Google Scholar
[Verstraete, Ginette. 2016. It’s about Time. Disappearing Images and Stories in Snapchat. Image & Narrative vol. 17, no. 4: 104–113.]Search in Google Scholar
[Virilio, Paul. 2005. The Information Bomb. Brooklyn, New York: Verso Books.]Search in Google Scholar
[Virilio, Paul. 2012. The Administration of Fear. Los Angeles, CA: Semiotext.]Search in Google Scholar
[Westgeest, Helen. 2015. Video Art Theory: A Comparative Approach. Malden, MA: Wiley-Blackwell.]Search in Google Scholar
[Whiting, Anita and David Williams. 2013. Why People Use Social Media: A Uses and Gratifications Approach. Qualitative Market Research: An International Journal vol. 16, no. 4: 362–369.]Search in Google Scholar
[Xu, Bin, Pamara Chang, Christopher L Welker, Natalya N. Bazarova and Dan Cosley. 2016. Automatic Archiving versus Default Deletion: What Snapchat Tells Us About Ephemerality in Design. In Proceedings of the 19th ACM Conference on Computer-Supported Cooperative Work & Social Computing - CSCW ’16, 1660–1673. San Francisco, California: ACM Press.10.1145/2818048.2819948]Search in Google Scholar
[Zimmerman, John, Jodi Forlizzi and Shelley Evenson. 2007. Research through Design as a Method for Interaction Design Research in HCI. In Proceedings of the SIGCHI Conference on Human Factors in Computing Systems - CHI ’07, 493–502. San Jose, California: ACM Press.10.1145/1240624.1240704]Search in Google Scholar