<abstract xmlns="http://www.w3.org/1999/xhtml"><p>Inherently connected to movement and to a sequential spatial experience in time, the picturesque has been considered as a precursor of the cinematic. In addition, the idea of the picturesque is closely connected to Heinrich Wölfflin’s notion of <italic>das Malerische</italic> or “the painterly,” which stands for a dynamic style of painting characterized by qualities of colour, stroke, and texture rather than of contour or line. Based on the keynote lecture delivered at the conference, <italic>The Picturesque: Visual Pleasure and Intermediality in-between Contemporary Cinema, Art and Digital Culture</italic> (Sapientia Hungarian University of Transylvania, 25–26 October, 2019), <sup>1</sup> the essay disentangles the complex network of connections between image and landscape, painting and film, the picturesque and the painterly.</p></abstract>

Inherently connected to movement and to a sequential spatial experience in time, the picturesque has been considered as a precursor of the cinematic. In addition, the idea of the picturesque is closely connected to Heinrich Wölfflin’s notion of das Malerische or “the painterly,” which stands for a dynamic style of painting characterized by qualities of colour, stroke, and texture rather than of contour or line. Based on the keynote lecture delivered at the conference, The Picturesque: Visual Pleasure and Intermediality in-between Contemporary Cinema, Art and Digital Culture (Sapientia Hungarian University of Transylvania, 25–26 October, 2019), 1 the essay disentangles the complex network of connections between image and landscape, painting and film, the picturesque and the painterly.

Screening Landscapes: Film between the Picturesque and the Painterly

Acta Universitatis Sapientiae, Film and Media Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Screening Landscapes: Film between the Picturesque and the Painterly"}

Inherently connected to movement and to a sequential spatial experience in time, the picturesque has been considered as a precursor of the cinematic. In...

Screening Landscapes: Film between the Picturesque and the Painterly

Publié en ligne: 03 avr. 2021

Pages: 1 - 16

DOI: https://doi.org/10.2478/ausfm-2021-0001

Mots clés
picturesque, photoresque, painting and film, stillness and movement in film

© 2021 Steven Jacobs, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Screening Landscapes: Film between the Picturesque and the Painterly

Publié en ligne: 03 avr. 2021

Pages: 1 - 16

DOI: https://doi.org/10.2478/ausfm-2021-0001

Mots cléspicturesque, photoresque, painting and film, stillness and movement in film

© 2021 Steven Jacobs, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
picturesque, photoresque, painting and film, stillness and movement in film