<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>As an emerging product of the rapid development of science and technology in the era of big data, digital media art is the application of various technologies, such as computer processing and digital special effects in film and television animation creation. This paper firstly takes digital media art as the research base and discusses the path of advancing digital media art in film and television animation. Secondly, the Web 3D interaction technology in digital media art is applied to the model building and animation generation of film and television animation, and the human body movements are captured to get the form reconstruction to generate SMPL human model parameters. Finally, a three-factor repeated measurement experiment and ablation experiment verified the feasibility and effectiveness of applying digital media art to film and television animation. The results show that the interaction of <italic>AOS</italic> and <italic>TT</italic> has a significant main effect on the total interaction time <italic>MT</italic> and <italic>F</italic>(15,43.213) = 62.329. In the ablation experiment, the increase points are 1.98, 1.63, and 1.52, which are greater than 1.5 on average. The application of digital media art to film and television animation proposed in this paper verifies the scheme’s feasibility through the ablation experiment and the three-factor repetition test. It also lays the foundation for the international development of Chinese film and animation.</p>
</abstract>

As an emerging product of the rapid development of science and technology in the era of big data, digital media art is the application of various technologies, such as computer processing and digital special effects in film and television animation creation. This paper firstly takes digital media art as the research base and discusses the path of advancing digital media art in film and television animation. Secondly, the Web 3D interaction technology in digital media art is applied to the model building and animation generation of film and television animation, and the human body movements are captured to get the form reconstruction to generate SMPL human model parameters. Finally, a three-factor repeated measurement experiment and ablation experiment verified the feasibility and effectiveness of applying digital media art to film and television animation. The results show that the interaction of AOS and TT has a significant main effect on the total interaction time MT and F(15,43.213) = 62.329. In the ablation experiment, the increase points are 1.98, 1.63, and 1.52, which are greater than 1.5 on average. The application of digital media art to film and television animation proposed in this paper verifies the scheme’s feasibility through the ablation experiment and the three-factor repetition test. It also lays the foundation for the international development of Chinese film and animation.

The application of digital media art in film and television animation based on three-dimensional interactive technology

Zhengzhou University of Economics and Business

Applied Mathematics and Nonlinear Sciences

This work is licensed under the Creative Commons Attribution 4.0 International License.

As an emerging product of the rapid development of science and technology in the era of big data, digital media art is the application of various technologies,...

The application of digital media art in film and television animation based on three-dimensional interactive technology

Publié en ligne: 09 sept. 2023

Pages: -

Reçu: 28 oct. 2022

Accepté: 20 mars 2022

DOI: https://doi.org/10.2478/amns.2023.2.00313

Mots clés
Digital media art, Film and television animation, Web 3D interactive technology, Motion capture, Form reconstruction

© 2023 Yang Gao, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

The application of digital media art in film and television animation based on three-dimensional interactive technology

Publié en ligne: 09 sept. 2023

Pages: -

Reçu: 28 oct. 2022

Accepté: 20 mars 2022

DOI: https://doi.org/10.2478/amns.2023.2.00313

Mots clésDigital media art, Film and television animation, Web 3D interactive technology, Motion capture, Form reconstruction

© 2023 Yang Gao, published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Mots clés
Digital media art, Film and television animation, Web 3D interactive technology, Motion capture, Form reconstruction