Accès libre

The Inheritance and Innovation Path of Wuhua Tea Casting Opera Music under the Perspective of Chinese Modernization

   | 09 juil. 2024
À propos de cet article

Citez

Forrester, & Eros. (2020). Nontraditional students in traditional music education programs: a case study. Bulletin of the Council for Research in Music Education(223), 42. Search in Google Scholar

Zhao, J., & Zhou, S. (2018). Social network and place: the inheritance and development of beijing crosstalk performing art. Sustainability, 10(5), 1541. Search in Google Scholar

Yang, J., Luo, J. M., & Lai, I. K. W. (2021). Construction of leisure consumer loyalty from cultural identity—a case of cantonese opera. Sustainability, 13. Search in Google Scholar

Tseng, M. Y. (2024). What do chinese bidirectional life–xì (‘drama’) similes/metaphors tell us about metaphorical bidirectionality?. Lingua, 303. Search in Google Scholar

Stock, J. P. J. (2018). Review: chinatown opera theater in north america, by nancy yunhwa rao. Journal of the American Musicological Society(3). Search in Google Scholar

Choi, W. (2020). The selectivity of musical advantage: musicians exhibit perceptual advantage for some but not all cantonese tones. Music Perception, 37(5), 423-434. Search in Google Scholar

Chen, Q., Zhao, W., Wang, Q., & Zhao, Y. (2022). The sustainable development of intangible cultural heritage with ai: cantonese opera singing genre classification based on cogcnet model in china. Sustainability, 14. Search in Google Scholar

Cheung, A. L. (2019). The voices of the voiceless: the cantonese opera music community in guangzhou, china. Asian Education and Development Studies. Search in Google Scholar

Yung, B. (2017). An audience of one : the private music of the chinese literati. Ethnomusicology, 61(3), 506. Search in Google Scholar

D’Agostino, M. E. (2020). Reclaiming and preserving traditional music: aesthetics, ethics and technology. Organised Sound(1). Search in Google Scholar

Ma, H. (2018). Traditional opera consumption as the new game of distinction for the chinese middle class. International Journal of Cultural Studies(7), 136787791875971. Search in Google Scholar

He, C. (2020). ‘the most traditional and the most pioneering’: new concept kun opera. New Theatre Quarterly, 36(3), 223-236. Search in Google Scholar

Liu, S. (2018). The great traditional/modern divide of regional chinese theatrical genres in the 1950s. Theatre Journal, 70(2), 153-172. Search in Google Scholar

Yung. (2020). A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional cantonese opera. Ethnomusicology, 64(1), 110. Search in Google Scholar

Zhao, S., Kirk, D., Bowen, S., & Wright, P. (2019). Cross-cultural understanding of chinese traditional puppetry: integrating digital technology to enhance audience engagement. International Journal of Intangible Heritage(14). Search in Google Scholar

eISSN:
2444-8656
Langue:
Anglais
Périodicité:
Volume Open
Sujets de la revue:
Life Sciences, other, Mathematics, Applied Mathematics, General Mathematics, Physics