<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>This study conducts a comprehensive examination of the Fibonacci sequence’s mathematical model and its integration into contemporary design frameworks. It delineates the morphological aesthetic principles inherent in modern design, accentuating the visual aesthetic attributes governed by the Fibonacci sequence. The investigation further delves into color and contrast as principal aesthetic elements influenced by this sequence. The paper provides a brief analysis of the Fibonacci sequence’s impact on artistic and design practices across Eastern and Western cultures, introducing a concept of art and design communication. A least-squares measurement model is constructed to assess the impact of digital development and communicative elements on public receptivity towards design works that incorporate the Fibonacci sequence. Selected modern sofa designs based on the Fibonacci sequence serve as the focal point of this research, examining market reception and consumer preferences for the embedded mathematical aesthetics. The findings reveal a marked preference for monochromatic sofa upholstery in both Eastern and Western regions, underscoring a significant consistency. This preference suggests that the integration of Fibonacci-based mathematical aesthetics into modern product design is not only viable but also enhances the visual appeal and color coordination of the products.</p>
</abstract>

This study conducts a comprehensive examination of the Fibonacci sequence’s mathematical model and its integration into contemporary design frameworks. It delineates the morphological aesthetic principles inherent in modern design, accentuating the visual aesthetic attributes governed by the Fibonacci sequence. The investigation further delves into color and contrast as principal aesthetic elements influenced by this sequence. The paper provides a brief analysis of the Fibonacci sequence’s impact on artistic and design practices across Eastern and Western cultures, introducing a concept of art and design communication. A least-squares measurement model is constructed to assess the impact of digital development and communicative elements on public receptivity towards design works that incorporate the Fibonacci sequence. Selected modern sofa designs based on the Fibonacci sequence serve as the focal point of this research, examining market reception and consumer preferences for the embedded mathematical aesthetics. The findings reveal a marked preference for monochromatic sofa upholstery in both Eastern and Western regions, underscoring a significant consistency. This preference suggests that the integration of Fibonacci-based mathematical aesthetics into modern product design is not only viable but also enhances the visual appeal and color coordination of the products.

Fibonacci sequences and the aesthetics of nature’s forms in modern design

Applied Mathematics and Nonlinear Sciences

This work is licensed under the Creative Commons Attribution 4.0 International License.

{"article-title":"Fibonacci sequences and the aesthetics of nature\u2019s forms in modern design"}

This study conducts a comprehensive examination of the Fibonacci sequence’s mathematical model and its integration into contemporary design frameworks. It...

Fibonacci sequences and the aesthetics of nature’s forms in modern design

Publié en ligne: 05 juil. 2024

Pages: -

Reçu: 27 févr. 2024

Accepté: 17 mai 2024

DOI: https://doi.org/10.2478/amns-2024-1689

Mots clés
Fibonacci sequence, Least squares measure, Morphological aesthetics, Modern design

© 2024 Huiyun He et al., published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Fibonacci sequences and the aesthetics of nature’s forms in modern design

Publié en ligne: 05 juil. 2024

Pages: -

Reçu: 27 févr. 2024

Accepté: 17 mai 2024

DOI: https://doi.org/10.2478/amns-2024-1689

Mots clésFibonacci sequence, Least squares measure, Morphological aesthetics, Modern design

© 2024 Huiyun He et al., published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Mots clés
Fibonacci sequence, Least squares measure, Morphological aesthetics, Modern design