<abstract xmlns="http://www.w3.org/1999/xhtml">
<p>In Algeria, the city of Tlemcen is home to 60% of the country’s Arab-Islamic architectural heritage, also known as Moorish. During the French colonization, the rich Moorish historical and architectural heritage was largely diminished. The architecture of Tlemcen’s historic old town was gradually replaced by classical architecture in the early days of colonization, and then by modern architecture from 1940 onwards. After the independence in 1962, the city has carried out huge programs of facilities and new housing, based on modern architectural principles. In 2011, Tlemcen was designated a “Capital of Islamic Culture” and, in preparation for this international cultural event, new cultural facilities and hotels have been built, inspired by Moorish heritage. Given the heterogeneity of references and in particular the identity crisis ensuing in architecture in Tlemcen, this event was the key moment for validating a stylistic choice, which directly recounts the history of the city. The question is: what authenticity is expressed by the current use of the Moorish referent? Is it technical and material authenticity, or merely symbolic and cultural genuineness? This study delves into the question of identity in architecture. It analyses the new Moorish-style buildings in Tlemcen and highlights their contribution to the quest for a local identity and the ambition to produce local architecture. The article supports the hypothesis that architecture is an effective means of expressing identity and that it has always had, and continues to have, a close relationship with memory. The methodology is based on a combination of several investigative tools: surveys, photographs and archive consultation. These tools helped develop a building analysis grid, which serves as a repertory for describing the buildings, according to two levels of reading of the architectural work. We have chosen three Moorish and four contemporary buildings to which the different criteria of the analysis grid are applied. The results of the analysis of the new buildings show that, in a way, they enabled to establish continuity and dialogue with the Moorish heritage.</p>
</abstract>

In Algeria, the city of Tlemcen is home to 60% of the country’s Arab-Islamic architectural heritage, also known as Moorish. During the French colonization, the rich Moorish historical and architectural heritage was largely diminished. The architecture of Tlemcen’s historic old town was gradually replaced by classical architecture in the early days of colonization, and then by modern architecture from 1940 onwards. After the independence in 1962, the city has carried out huge programs of facilities and new housing, based on modern architectural principles. In 2011, Tlemcen was designated a “Capital of Islamic Culture” and, in preparation for this international cultural event, new cultural facilities and hotels have been built, inspired by Moorish heritage. Given the heterogeneity of references and in particular the identity crisis ensuing in architecture in Tlemcen, this event was the key moment for validating a stylistic choice, which directly recounts the history of the city. The question is: what authenticity is expressed by the current use of the Moorish referent? Is it technical and material authenticity, or merely symbolic and cultural genuineness? This study delves into the question of identity in architecture. It analyses the new Moorish-style buildings in Tlemcen and highlights their contribution to the quest for a local identity and the ambition to produce local architecture. The article supports the hypothesis that architecture is an effective means of expressing identity and that it has always had, and continues to have, a close relationship with memory. The methodology is based on a combination of several investigative tools: surveys, photographs and archive consultation. These tools helped develop a building analysis grid, which serves as a repertory for describing the buildings, according to two levels of reading of the architectural work. We have chosen three Moorish and four contemporary buildings to which the different criteria of the analysis grid are applied. The results of the analysis of the new buildings show that, in a way, they enabled to establish continuity and dialogue with the Moorish heritage.

New Moorish architectural identity in Tlemcen, Algeria

Architecture Papers of the Faculty of Architecture and Design STU

This work is licensed under the Creative Commons Attribution 4.0 International License.

{"article-title":"New Moorish architectural identity in Tlemcen, Algeria"}

In Algeria, the city of Tlemcen is home to 60% of the country’s Arab-Islamic architectural heritage, also known as Moorish. During the French colonization, the...

New Moorish architectural identity in Tlemcen, Algeria

Publié en ligne: 19 mars 2024

Pages: 9 - 18

Reçu: 31 déc. 2023

Accepté: 05 mars 2024

DOI: https://doi.org/10.2478/alfa-2024-0003

Mots clés
Moorish-style, revival, authenticity, identity, contemporaneity

© 2024 Fatima Mazouz et al., published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

New Moorish architectural identity in Tlemcen, Algeria

Publié en ligne: 19 mars 2024

Pages: 9 - 18

Reçu: 31 déc. 2023

Accepté: 05 mars 2024

DOI: https://doi.org/10.2478/alfa-2024-0003

Mots clésMoorish-style, revival, authenticity, identity, contemporaneity

© 2024 Fatima Mazouz et al., published by Sciendo

This work is licensed under the Creative Commons Attribution 4.0 International License.

Mots clés
Moorish-style, revival, authenticity, identity, contemporaneity