<abstract xmlns="http://www.w3.org/1999/xhtml">

The paper is an introduction to my thesis entitled “Author’s Conceptions in the European Architecture of the 20th Century”. Specifically, the objective of my study is monographic research into VAL, a Slovak artistic-architectural group, which was active from the 1970s to the 1990s. The group consists of the artist Alex Mlynárčik, and architects Viera Mecková and Ľudovít Kupkovič, who gradually began to develop their visions together. During the years 1968 (1970) – 1994 they produced eight projects illustrating possibilities for our environment of tomorrow.
The 1960s were accompanied by a discussion critically thematizing the main ideas of modernism. Visionary, utopian or dystopian trends, which presented various scenarios for the near future, were an integral part of this discussion. Their subject was the relationship between man and the environment, man and the society, architecture and landscape, or man and the cosmos. These visionaries have generated a whole series of architectural concepts, which even today are an inspiration for thinking about architecture and the environment. VAL was a valuable part of this global movement, and thus an important phenomenon from the point of view of local architectural discourse.
This paper deals with the current state of research on the topic. It is a summary of formative moments and theories for the group’s work, a summary of the critical reflection and public presentations of their work throughout their active period up to the present day.
</abstract>

The paper is an introduction to my thesis entitled “Author’s Conceptions in the European Architecture of the 20th Century”. Specifically, the objective of my study is monographic research into VAL, a Slovak artistic-architectural group, which was active from the 1970s to the 1990s. The group consists of the artist Alex Mlynárčik, and architects Viera Mecková and Ľudovít Kupkovič, who gradually began to develop their visions together. During the years 1968 (1970) – 1994 they produced eight projects illustrating possibilities for our environment of tomorrow.
The 1960s were accompanied by a discussion critically thematizing the main ideas of modernism. Visionary, utopian or dystopian trends, which presented various scenarios for the near future, were an integral part of this discussion. Their subject was the relationship between man and the environment, man and the society, architecture and landscape, or man and the cosmos. These visionaries have generated a whole series of architectural concepts, which even today are an inspiration for thinking about architecture and the environment. VAL was a valuable part of this global movement, and thus an important phenomenon from the point of view of local architectural discourse.
This paper deals with the current state of research on the topic. It is a summary of formative moments and theories for the group’s work, a summary of the critical reflection and public presentations of their work throughout their active period up to the present day.

Overview of past and present discourse on VAL

Architecture Papers of the Faculty of Architecture and Design STU

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Overview of past and present discourse on VAL"}

The paper is an introduction to my thesis entitled “Author’s Conceptions in the European Architecture of the 20th Century”. Specifically, the objective of my...

Overview of past and present discourse on VAL

Publié en ligne: 17 déc. 2021

Pages: 27 - 35

Reçu: 10 oct. 2021

Accepté: 11 nov. 2021

DOI: https://doi.org/10.2478/alfa-2021-0022

Mots clés
prospective architecture, conceptual art, utopia, visionary architecture, modernism, late modernism

© 2021 Gabriela Smetanová, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Overview of past and present discourse on VAL

Publié en ligne: 17 déc. 2021

Pages: 27 - 35

Reçu: 10 oct. 2021

Accepté: 11 nov. 2021

DOI: https://doi.org/10.2478/alfa-2021-0022

Mots clésprospective architecture, conceptual art, utopia, visionary architecture, modernism, late modernism

© 2021 Gabriela Smetanová, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
prospective architecture, conceptual art, utopia, visionary architecture, modernism, late modernism