<abstract xmlns="http://www.w3.org/1999/xhtml">

<p><italic>The Octagonal Heart</italic> (1956) depicts Ariadne Thompson’s memories of the happy summers she spent as a child with her extended family in the octagonal house, Parnassus, a private residence near St. Louis, USA. A strong sense of Greekness permeates the intertwining layers of the memoir, the physical one (the house with its Greek-style decorated rooms arranged in an octagonal shape and its surroundings) and the emotional one (which captures the relationships among the family members and their reactions to significant moments in their lives). This essay proposes a close reading of the memoir with a view to examining how gender, ethnic expectations, and attitudes towards assimilation have impacted the hyphenated identities of three generations of women in Thompson’s family.</p>
</abstract>

The Octagonal Heart (1956) depicts Ariadne Thompson’s memories of the happy summers she spent as a child with her extended family in the octagonal house, Parnassus, a private residence near St. Louis, USA. A strong sense of Greekness permeates the intertwining layers of the memoir, the physical one (the house with its Greek-style decorated rooms arranged in an octagonal shape and its surroundings) and the emotional one (which captures the relationships among the family members and their reactions to significant moments in their lives). This essay proposes a close reading of the memoir with a view to examining how gender, ethnic expectations, and attitudes towards assimilation have impacted the hyphenated identities of three generations of women in Thompson’s family.

“That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s <italic>The Octagonal Heart</italic><sup>i</sup>

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

“That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s 

The Octagonal Heart (1956) depicts Ariadne Thompson’s memories of the happy summers she spent as a child with her extended family in the octagonal house,...

“That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Heartⁱ

Publié en ligne: 26 janv. 2024

Pages: 58 - 79

DOI: https://doi.org/10.2478/abcsj-2023-0007

Mots clés
Ariadne Thompson, ethnicity, gender roles and expectations, acculturation, memoir, first- and second-generation Greek Americans

© 2023 Anca-Luminiţa Iancu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

“That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Hearti

Publié en ligne: 26 janv. 2024

Pages: 58 - 79

DOI: https://doi.org/10.2478/abcsj-2023-0007

Mots clésAriadne Thompson, ethnicity, gender roles and expectations, acculturation, memoir, first- and second-generation Greek Americans

© 2023 Anca-Luminiţa Iancu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

“That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Heartⁱ

Mots clés
Ariadne Thompson, ethnicity, gender roles and expectations, acculturation, memoir, first- and second-generation Greek Americans