<abstract xmlns="http://www.w3.org/1999/xhtml"><p>In <italic>Among Others</italic>, Jo Walton’s fairy story about a science-fiction fan, science fiction as a genre and archive serves as an adoptive parent for Morwenna Markova as much as the extended family who provide the more conventional parenting in the absence of the father who deserted her as an infant and the presence of the mother whose unacknowledged psychiatric condition prevented appropriate caregiving. Laden with allusions to science fictional texts of the nineteen-seventies and earlier, this epistolary novel defines and redefines both family and community, challenging the groups in which we live through the fairies who taught Mor about magic and the texts which offer speculations on alternative mores. This article argues that Mor’s approach to the magical world she inhabits is productively informed and futuristically oriented by her reading in science fiction. <italic>Among Others</italic> demonstrates a restorative power of agency in the formation of all social and familial groupings, engaging in what Donna J. Haraway has described as a transformation into a Chthulucene period which supports the continuation of kin-communities through a transformation of the outcast. In <italic>Among Others,</italic> the free play between fantasy and science fiction makes kin-formation an ordinary process thereby radically transforming the social possibilities for orphans and others.</p></abstract>

In Among Others, Jo Walton’s fairy story about a science-fiction fan, science fiction as a genre and archive serves as an adoptive parent for Morwenna Markova as much as the extended family who provide the more conventional parenting in the absence of the father who deserted her as an infant and the presence of the mother whose unacknowledged psychiatric condition prevented appropriate caregiving. Laden with allusions to science fictional texts of the nineteen-seventies and earlier, this epistolary novel defines and redefines both family and community, challenging the groups in which we live through the fairies who taught Mor about magic and the texts which offer speculations on alternative mores. This article argues that Mor’s approach to the magical world she inhabits is productively informed and futuristically oriented by her reading in science fiction. Among Others demonstrates a restorative power of agency in the formation of all social and familial groupings, engaging in what Donna J. Haraway has described as a transformation into a Chthulucene period which supports the continuation of kin-communities through a transformation of the outcast. In Among Others, the free play between fantasy and science fiction makes kin-formation an ordinary process thereby radically transforming the social possibilities for orphans and others.

You’re an Orphan When Science Fiction Raises You

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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In Among Others, Jo Walton’s fairy story about a science-fiction fan, science fiction as a genre and archive serves as an adoptive parent for Morwenna Markova...

You’re an Orphan When Science Fiction Raises You

Publié en ligne: 01 mars 2021

Pages: 68 - 85

DOI: https://doi.org/10.2478/abcsj-2020-0017

Mots clés
adoption, Chthulucene, community, fairy tales, fantasy, genre, intertextuality, kin-formation, orphans, science fiction

© 2020 Jenni G. Halpin, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

You’re an Orphan When Science Fiction Raises You

Publié en ligne: 01 mars 2021

Pages: 68 - 85

DOI: https://doi.org/10.2478/abcsj-2020-0017

Mots clésadoption, Chthulucene, community, fairy tales, fantasy, genre, intertextuality, kin-formation, orphans, science fiction

© 2020 Jenni G. Halpin, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
adoption, Chthulucene, community, fairy tales, fantasy, genre, intertextuality, kin-formation, orphans, science fiction