<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Photographer David Monahan’s <italic>Leaving Dublin</italic> serves as a lens for examining the roles played by networks of affect and aesthetics in the contemporary Irish experience of migration. This article explores the series from the perspective of Actor-Network Theory. I will consider how the Internet has changed both experiences of migration and the creation and distribution of art by altering networks of affect. I will also discuss the role contemporary art plays in these networks, serving as a nexus between personal and public experiences of migration.</p>
</abstract>

Photographer David Monahan’s Leaving Dublin serves as a lens for examining the roles played by networks of affect and aesthetics in the contemporary Irish experience of migration. This article explores the series from the perspective of Actor-Network Theory. I will consider how the Internet has changed both experiences of migration and the creation and distribution of art by altering networks of affect. I will also discuss the role contemporary art plays in these networks, serving as a nexus between personal and public experiences of migration.

Art and contemporary Irish emigrants: Aesthetics and networks of affect in David Monahan’s ‘Leaving Dublin’

Borderlands Journal

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Photographer David Monahan’s Leaving Dublin serves as a lens for examining the roles played by networks of affect and aesthetics in the contemporary Irish...

Art and contemporary Irish emigrants: Aesthetics and networks of affect in David Monahan’s ‘Leaving Dublin’

Publié en ligne: 30 avr. 2020

Pages: 12 - 38

DOI: https://doi.org/10.21307/borderlands-2019-002

Mots clés
ANT, affect, aesthetics, Ireland, migration

© 2019 Rachel L. Williams published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Art and contemporary Irish emigrants: Aesthetics and networks of affect in David Monahan’s ‘Leaving Dublin’

Publié en ligne: 30 avr. 2020

Pages: 12 - 38

DOI: https://doi.org/10.21307/borderlands-2019-002

Mots clésANT, affect, aesthetics, Ireland, migration

© 2019 Rachel L. Williams published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Mots clés
ANT, affect, aesthetics, Ireland, migration