<abstract xmlns="http://www.w3.org/1999/xhtml"><p>This article seeks to explore the interrelationship of two facets characterising eighteenth-century travel writing – art commentaries and national discourse. It is demonstrated that one of the reasons behind the travellers’ repetitious attempts to fashion themselves as connoisseurs was a need to re-affirm their national identity. To this end it offers an analysis of two travel texts coming from two different political moments – Daniel Defoe’s <italic>A Tour thro’ the Whole Island of Great Britain</italic> (1724–1726), constituting an attempt to read the British as a “great” and prosperous nation after the union of 1707, and Tobias Smollett’s idiosyncratic <italic>Travels through France and Italy</italic> (1766), shedding light on the British attitude towards the South in the aftermath of the Seven Years’ War and at the outset of the cult of feeling in Britain. It will also be argued that the numerous art commentaries throughout the narratives had a political agenda and supported the national discourse underpinning the texts.</p></abstract>

This article seeks to explore the interrelationship of two facets characterising eighteenth-century travel writing – art commentaries and national discourse. It is demonstrated that one of the reasons behind the travellers’ repetitious attempts to fashion themselves as connoisseurs was a need to re-affirm their national identity. To this end it offers an analysis of two travel texts coming from two different political moments – Daniel Defoe’s A Tour thro’ the Whole Island of Great Britain (1724–1726), constituting an attempt to read the British as a “great” and prosperous nation after the union of 1707, and Tobias Smollett’s idiosyncratic Travels through France and Italy (1766), shedding light on the British attitude towards the South in the aftermath of the Seven Years’ War and at the outset of the cult of feeling in Britain. It will also be argued that the numerous art commentaries throughout the narratives had a political agenda and supported the national discourse underpinning the texts.

Travellers, Connoisseurs, and Britons: Art Commentaries and National Discourse in the Travel Writings of Daniel Defoe and Tobias Smollett

Studia Anglica Posnaniensia

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

This article seeks to explore the interrelationship of two facets characterising eighteenth-century travel writing – art commentaries and national discourse....

Travellers, Connoisseurs, and Britons: Art Commentaries and National Discourse in the Travel Writings of Daniel Defoe and Tobias Smollett

Publié en ligne: 01 mars 2018

Pages: 365 - 375

DOI: https://doi.org/10.1515/stap-2017-0014

Mots clés
Daniel Defoe, Tobias Smollett, travel writing, art commentary, national identity, Britishness

© 2017 Jakub Lipski, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Travellers, Connoisseurs, and Britons: Art Commentaries and National Discourse in the Travel Writings of Daniel Defoe and Tobias Smollett

Publié en ligne: 01 mars 2018

Pages: 365 - 375

DOI: https://doi.org/10.1515/stap-2017-0014

Mots clésDaniel Defoe, Tobias Smollett, travel writing, art commentary, national identity, Britishness

© 2017 Jakub Lipski, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Mots clés
Daniel Defoe, Tobias Smollett, travel writing, art commentary, national identity, Britishness