<abstract xmlns="http://www.w3.org/1999/xhtml"><p>This article draws on a long-term ethnographical survey. It aims to discuss the social conditions of possibility in the artistic calling of contemporary dancers from working class backgrounds. In this regard, it shades light on the resources – notably cultural – underlying atypical trajectories of mobility – all the more fragile for being reversible. As will be seen, the acquisition of legitimate cultural capital contributes to change aesthetic tastes without excluding discrepancy, most evident during the creative process.</p></abstract>

This article draws on a long-term ethnographical survey. It aims to discuss the social conditions of possibility in the artistic calling of contemporary dancers from working class backgrounds. In this regard, it shades light on the resources – notably cultural – underlying atypical trajectories of mobility – all the more fragile for being reversible. As will be seen, the acquisition of legitimate cultural capital contributes to change aesthetic tastes without excluding discrepancy, most evident during the creative process.

“You’re Not a Real Contemporary Dancer.” Discrepancy and Appropriation of the Artists’ Status by Dancers from a Working Class Background

Swiss Journal of Sociology

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

This article draws on a long-term ethnographical survey. It aims to discuss the social conditions of possibility in the artistic calling of contemporary...

“You’re Not a Real Contemporary Dancer.” Discrepancy and Appropriation of the Artists’ Status by Dancers from a Working Class Background

Publié en ligne: 29 mai 2017

Pages: 375 - 400

DOI: https://doi.org/10.1515/sjs-2017-0020

Mots clés
vocation, artistic profession, social mobility, working class

© 2017 Pierre-Emmanuel Sorignet, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

“You’re Not a Real Contemporary Dancer.” Discrepancy and Appropriation of the Artists’ Status by Dancers from a Working Class Background

Publié en ligne: 29 mai 2017

Pages: 375 - 400

DOI: https://doi.org/10.1515/sjs-2017-0020

Mots clésvocation, artistic profession, social mobility, working class

© 2017 Pierre-Emmanuel Sorignet, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
vocation, artistic profession, social mobility, working class