<abstract xmlns="http://www.w3.org/1999/xhtml"><p> The raw material of Caryl Churchill’s Mad Forest was extracted from the 1989 Revolution in Romania and chiselled to the essence. The play bridges reality and fiction through a cross-cultural perspective, which implies documentation, collaborative work and emotional detachment. The British playwright used innovative devices and adapted pictorial techniques to turn the Romanian Revolution into a work of art, to preserve what she considered particular and also connect the event to several of the cultural symbols Romania is associated with.</p></abstract>

The raw material of Caryl Churchill’s Mad Forest was extracted from the 1989 Revolution in Romania and chiselled to the essence. The play bridges reality and fiction through a cross-cultural perspective, which implies documentation, collaborative work and emotional detachment. The British playwright used innovative devices and adapted pictorial techniques to turn the Romanian Revolution into a work of art, to preserve what she considered particular and also connect the event to several of the cultural symbols Romania is associated with.

A Revolution for the Stage – Mad Forest by Caryl Churchill

Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

{"article-title":"A Revolution for the Stage \u2013 Mad Forest by Caryl Churchill"}

The raw material of Caryl Churchill’s Mad Forest was extracted from the 1989 Revolution in Romania and chiselled to the essence. The play bridges reality and...

A Revolution for the Stage – Mad Forest by Caryl Churchill

Publié en ligne: 18 janv. 2019

Pages: 1 - 8

DOI: https://doi.org/10.1515/rjes-2018-0001

Mots clés
British drama, cross-cultural perspective, dramatic devices, reality and fiction

© 2019 Florentina Anghel, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

A Revolution for the Stage – Mad Forest by Caryl Churchill

Publié en ligne: 18 janv. 2019

Pages: 1 - 8

DOI: https://doi.org/10.1515/rjes-2018-0001

Mots clésBritish drama, cross-cultural perspective, dramatic devices, reality and fiction

© 2019 Florentina Anghel, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Mots clés
British drama, cross-cultural perspective, dramatic devices, reality and fiction