<abstract xmlns="http://www.w3.org/1999/xhtml"><p> One of the challenges which an arts‟ professor faces in the XXIth century is “the need to refresh”. Therefore, it is essential to find out efficient teaching-learning methods which imply the creative involvement of the students, in order to get an organic learning as a result, but also in order to provoke a superior degree of responsibility towards the process itself and, last but not least, towards their future profession. That‟s why we chose to work with a group of students based on the theatre-laboratory system, they getting involved in every step, from the choice of the text to the improvisation, until the making of the final show.</p></abstract>

One of the challenges which an arts‟ professor faces in the XXIth century is “the need to refresh”. Therefore, it is essential to find out efficient teaching-learning methods which imply the creative involvement of the students, in order to get an organic learning as a result, but also in order to provoke a superior degree of responsibility towards the process itself and, last but not least, towards their future profession. That‟s why we chose to work with a group of students based on the theatre-laboratory system, they getting involved in every step, from the choice of the text to the improvisation, until the making of the final show.

Part II. Drama / Choreography2. Medea. A Mother – Creation Laboratory

„George Enescu“ National University of Arts from Iaşi,

Review of Artistic Education

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

{"article-title":"Part II. Drama / Choreography2. Medea. A Mother \u2013 Creation Laboratory"}

One of the challenges which an arts‟ professor faces in the XXIth century is “the need to refresh”. Therefore, it is essential to find out efficient...

Part II. Drama / Choreography2. Medea. A Mother – Creation Laboratory

Publié en ligne: 16 mars 2017

Pages: 104 - 108

DOI: https://doi.org/10.1515/rae-2017-0013

Mots clés
laboratory, workshop, Ancient Greek Theater, mask, marionette

© 2017

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Part II. Drama / Choreography2. Medea. A Mother – Creation Laboratory

Publié en ligne: 16 mars 2017

Pages: 104 - 108

DOI: https://doi.org/10.1515/rae-2017-0013

Mots cléslaboratory, workshop, Ancient Greek Theater, mask, marionette

© 2017

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Mots clés
laboratory, workshop, Ancient Greek Theater, mask, marionette