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Paweł Szymański’s Self-Analyses Reread

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Musicology Today
The Musical Languages of Contemporary Polish Composers: Self-Reflections
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The article is an attempt to present important categories of composer Paweł Szymański’s musical language, based on his self-analytical statements, which were in major part answers to musicologists’ questions. Luciano Berio pointed out why the situation of a composer who would like to address questions about his or her music is difficult - a lack of necessary detachment would be one of the reasons. A musicologist, on the other hand, is tempted to construct their own supposedly objective analytical view of a composer’s musical language. The dialogistic approach proposed by anthropological musicology may be a solution to these dilemmas. Other main topics mentioned in the article are related to the role of meta-concepts in Szymański’s musical language.

eISSN:
2353-5733
ISSN:
1734-1663
Langue:
Anglais
Périodicité:
Volume Open
Sujets de la revue:
Music, general