<abstract xmlns="http://www.w3.org/1999/xhtml"><p>This article<xref ref-type="fn" rid="j_jef-2016-0012_fn_001_w2aab2b8b1b1b7b1ab1aaAa">*</xref> focuses on the recent history and contemporary practice of a kind of traditional tapestry weaving known as <italic>smettvev</italic> in the rural county of Jølster in mountainous western Norway. Jølster has a rich fibre arts tradition and a rapidly changing society and economy, which make it an exemplary study in material culture as its fibre arts transform to accommodate these changes. This article draws on ethnographic research and interviews with representative practitioners and community members to examine how conceptions about producer and audience identity and the role of this art form in everyday life have evolved in light of changing context. The article furthermore discusses the ways in which the forms and motifs associated with <italic>smettvev</italic> are being re-appropriated by local contemporary artists working in other mediums, as well as by individuals and institutions who see <italic>smettvev</italic> as a symbol of local identity and heritage.</p></abstract>

This article* focuses on the recent history and contemporary practice of a kind of traditional tapestry weaving known as smettvev in the rural county of Jølster in mountainous western Norway. Jølster has a rich fibre arts tradition and a rapidly changing society and economy, which make it an exemplary study in material culture as its fibre arts transform to accommodate these changes. This article draws on ethnographic research and interviews with representative practitioners and community members to examine how conceptions about producer and audience identity and the role of this art form in everyday life have evolved in light of changing context. The article furthermore discusses the ways in which the forms and motifs associated with smettvev are being re-appropriated by local contemporary artists working in other mediums, as well as by individuals and institutions who see smettvev as a symbol of local identity and heritage.

Woven Identities: Socioeconomic Change, Women’s Agency, and the Making of a Heritage Art in Jølster, Norway

PhD Candidate in Folklore Studies, Department of Comparative Literature and Folklore Studies, University of Wisconsin-Madison, 2402 Sterling Hall, 475 North Charter Street, Madison, WI 53706-1507,

Journal of Ethnology and Folkloristics

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

This article* focuses on the recent history and contemporary practice of a kind of traditional tapestry weaving known as smettvev in the rural county of...

Woven Identities: Socioeconomic Change, Women’s Agency, and the Making of a Heritage Art in Jølster, Norway

Publié en ligne: 30 déc. 2016

Pages: 81 - 101

DOI: https://doi.org/10.1515/jef-2016-0012

Mots clés
material culture, fibre arts, weaving, heritage, identity, rural studies

© 2016 Sallie Anna Steiner, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Woven Identities: Socioeconomic Change, Women’s Agency, and the Making of a Heritage Art in Jølster, Norway

Publié en ligne: 30 déc. 2016

Pages: 81 - 101

DOI: https://doi.org/10.1515/jef-2016-0012

Mots clésmaterial culture, fibre arts, weaving, heritage, identity, rural studies

© 2016 Sallie Anna Steiner, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
material culture, fibre arts, weaving, heritage, identity, rural studies