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Street-Level Multiculturalism: Cultural Integration and Identity Politics of African Migrants in Hong Kong

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06 juil. 2018
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Figure 1:

Makha, a Senegalese, demonstrated how to play djembe drum in his studio. The drums are all made in Africa (Photo was taken by the author on 27th October 2016).
Makha, a Senegalese, demonstrated how to play djembe drum in his studio. The drums are all made in Africa (Photo was taken by the author on 27th October 2016).

Figure 2:

Kaze, a Cameroon, was talking about the history of djembe drum to Hong Kong Chinese after his performance. (Photos was taken by the author on 9th October 2016).
Kaze, a Cameroon, was talking about the history of djembe drum to Hong Kong Chinese after his performance. (Photos was taken by the author on 9th October 2016).

Figure 3:

Kaze, a Cameroon, taught a group of Hong Kong Chinese how to play djembe drum in a church. (Photo was taken by the author on 13th October 2016).
Kaze, a Cameroon, taught a group of Hong Kong Chinese how to play djembe drum in a church. (Photo was taken by the author on 13th October 2016).

图 1:

来自塞内加尔的 Makha 在他的工作室里演示如何打金贝鼓。这些鼓都是非洲造的。(图片来源:作者,2016 年 10 月 27 日)。
来自塞内加尔的 Makha 在他的工作室里演示如何打金贝鼓。这些鼓都是非洲造的。(图片来源:作者,2016 年 10 月 27 日)。

图 2:

来自喀麦隆的 Kaze 在表演后,向香港人介绍金贝鼓的历史。(图片来源:作者,2016 年 10 月 9 日)。
来自喀麦隆的 Kaze 在表演后,向香港人介绍金贝鼓的历史。(图片来源:作者,2016 年 10 月 9 日)。

图 3:

来自喀麦隆的 Kaze 在教会里教一群香港人如何打金贝鼓。(图片来源:作者,2016 年 10月 13日)。
来自喀麦隆的 Kaze 在教会里教一群香港人如何打金贝鼓。(图片来源:作者,2016 年 10月 13日)。
Langues:
Anglais, Chinese