Accès libre

The Phenomenology of Trauma. Sound and Haptic Sensuality in Son of Saul

   | 18 févr. 2017
À propos de cet article

Citez

Bonitzer, Pascal. 2008 [1976]. A képmezőn kívüli tér. [The Off-Screen Space.] Apertúra vol. 3, no. 3. http://www.apertura.hu/2008/tavasz/bonitzer. Last accessed 25. 11. 2016.Search in Google Scholar

Branigan, Edward. 1997. Sound, Epistemology, Film. In Film Theory and Philosophy, eds. Richard Allen and Murray Smith, 95–125. Oxford: Clarendon Press.10.1093/acprof:oso/9780198159216.003.0005Search in Google Scholar

Branigan, Edward. 2010. Soundtrack in Mind. Projections vol. 4, no. 1: 41–67.Search in Google Scholar

Chion, Michel. 1994. Audio-Vision: Sound on Screen. New York: Columbia University Press.Search in Google Scholar

Cytowic, Richard E. 2002. Synesthesia: A Union of the Senses. Cambridge, MA: MIT Press.10.7551/mitpress/6590.001.0001Search in Google Scholar

Doane, Mary Ann. 1980. The Voice in the Cinema: The Articulation of Body and Space. Yale French Studies no. 60: 33–50.10.2307/2930003Search in Google Scholar

Dolar, Mladen. 2006. A Voice and Nothing More. Cambridge, MA–London: The MIT Press.10.7551/mitpress/7137.001.0001Search in Google Scholar

Elsaesser, Thomas and Malte Hagener. 2010. Film Theory: An Introduction through the Senses. New York: Routledge.10.4324/9780203876879Search in Google Scholar

Engelking, Barbara. 2001. Holocaust and Memory. London and New York: Leicester University Press.Search in Google Scholar

Fahlenbrach, Kathrin. 2008. Emotions in Sound: Audiovisual Metaphors in the Sound Design of Narrative Films. Projections vol. 2, no. 2 (Winter): 85–103.Search in Google Scholar

Fiske, Susan T. and Shelley E. Taylor. 1991. Social Cognition, 2nd ed. New York: McGraw-Hill.Search in Google Scholar

Herschberger, Paul J. 1992. Information Loss: The Primary Psychological Trauma of the Loss of Vision. Perceptual and Motor Skills vol. 74, no. 2: 509–510.Search in Google Scholar

Kremer, S. Lillian. 2001. Women’s Holocaust Writing: Memory and Imagination. Lincoln and London: University of Nebraska Press.Search in Google Scholar

Marks, Laura U. 2000. The Skin of the Film. Intercultural Cinema, Embodiment, and the Senses. Durham–London: Duke University Press.10.2307/j.ctv1198x4cSearch in Google Scholar

Quinlivan, Davina. 2012. The Place of Breath in Cinema. Edinburgh: Edinburgh University Press.10.1515/9780748649006Search in Google Scholar

Recuber, Tim. 2007. Immersion Cinema: The Rationalization and Reenchantment of Cinematic Space. Space and Culture vol. 10, no. 3: 315–330.Search in Google Scholar

Robertson, Lynn C. and Noam Sagiv, eds. 2004. Synesthesia: Perspectives from Cognitive Neuroscience. Oxford: Oxford University Press.Search in Google Scholar

Schaub, Mirjam. 2005. Bilder aus dem Off: Zum philosophischen Stand der Kinotheorie. [Images from the Off: On the Philosophical State of Film Theory] Weimar: VDG.Search in Google Scholar

Sobchack, Vivian. 2004. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press.10.1525/9780520937826Search in Google Scholar

Sobchack, Vivian. 1992. The Address of the Eye: A Phenomenology of Film Experience. Princeton, NJ: Princeton University Press.10.1515/9780691213279Search in Google Scholar

Williams, Linda. 1991. Film Bodies: Gender, Genre, and Excess. Film Quarterly vol. 44, no. 4 (Summer): 2–13.Search in Google Scholar

eISSN:
2066-7779
Langue:
Anglais
Périodicité:
2 fois par an
Sujets de la revue:
Library and Information Science, Book Studies, Media and Press