Accès libre

Food for Thought: Of Tables, Art and Women in Virginia Woolf’s To the Lighthouse

À propos de cet article

Citez

Ahmed, Sara. “A Phenomenology of Whiteness.” Feminist Theory 8.2 (2007): 149-68.10.1177/1464700107078139Search in Google Scholar

Allen, Judith. Virginia Woolf and the Politics of Language. Edinburgh: Edinburgh UP, 2010.10.3366/edinburgh/9780748636754.001.0001Search in Google Scholar

Berger, Harry, Jr. Caterpillage: Reflections on Seventeenth-Century Dutch Still Life Painting. New York: Fordham UP, 2011.Search in Google Scholar

Bordo, Susan. “Feminist Skepticism and the ‘Maleness’ of Philosophy.” Journal of Philosophy 85.11 (1988): 619-29.10.5840/jphil198885118Search in Google Scholar

Bradshaw, David. “The Socio-Political Vision of the Novels.” Sellers, ed., 2010. 124-41.10.1017/CCOL9780521896948.007Search in Google Scholar

Briggs, Julia. Reading Virginia Woolf. Edinburgh: Edinburgh UP, 2006.10.3366/edinburgh/9780748624348.001.0001Search in Google Scholar

Bryson, Norman. Looking at the Overlooked: Four Essays on Still Life Painting. Essays in Art and Culture. London: Reaktion, 1990.Search in Google Scholar

Ciobanu, Estella Antoaneta. “Forever Eating the Past in the Present? Virginia Woolf’s To the Lighthouse and Tom Forsythe’s Food Chain Barbie.” The Past in the Present. Proceedings of 15th international conference “Language, Literature, and Cultural Policies.” Forthcoming.Search in Google Scholar

De Lauretis, Teresa. “The Violence of Rhetoric: Considerations on Representation and Gender.” The Violence of Representation: Literature and the History of Violence. Ed. Nancy Armstrong and Leonard Tennenhouse. London: Routledge, 1989. 239-58.Search in Google Scholar

Descartes, Rene. Meditations on First Philosophy. In The Philosophical Writings of Descartes II. Trans. John Cottingham, Robert Stoothoof and Dugald Muldoch. New York: Cambridge UP, 1984.Search in Google Scholar

Fernald, Anne E. Virginia Woolf: Feminism and the Reader. New York: Palgrave Macmillan, 2006.10.1057/9780230600874Search in Google Scholar

Humm, Maggie. “Virginia Woolf and Visual Culture.” Sellers, ed., 2010. 214-30.10.1017/CCOL9780521896948.011Search in Google Scholar

Husserl, Edmund. Collected Works II: Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy. First Book: General Introduction to a Pure Phenomenology. Trans. F. Kersten. The Hague: Martinus Nijhoff, 1983.Search in Google Scholar

Le Doeuff, Michele. The Philosophical Imaginary. Trans. Colin Gordon. London: Continuum, 2002.Search in Google Scholar

Leppert, Richard. Art and the Committed Eye: The Cultural Functions of Imagery. Boulder, CO: Westview P, 1996.Search in Google Scholar

McNeillie, Andrew. “Bloomsbury.” Sellers, ed., 2010. 1-28.10.1017/CCOL9780521896948.001Search in Google Scholar

Mulvey, Laura. “Visual Pleasure and Narrative Cinema” (1975). Film Theory and Criticism: Introductory Readings. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 833-44.Search in Google Scholar

Quigley, Megan. Modernist Fiction and Vagueness: Philosophy, Form, and Language. New York: Cambridge University Press, 2015. 10.1017/CBO9781316105597Search in Google Scholar

Reid, Su. To the Lighthouse. The Critics Debate Series. London: Macmillan, 1991. Rooney, Phyllis. “Gendered Reason: Sex Metaphor and Conceptions of Reason.” Hypatia 6.2 (1991): 77-103.10.1111/j.1527-2001.1991.tb01394.xSearch in Google Scholar

Rubenstein, Mary-Jane. “A Certain Disavowal: The Pathos and Politics of Wonder.” Princeton Theological Review 12.2 (2006): 11-17.Search in Google Scholar

---. “The Twilight of the Doxai: Or, How to Philosophize with a Whac-A-Mole™ Mallet.” Method and Theory in the Study of Religion 24 (2012): 64-70.10.1163/157006812X634511Search in Google Scholar

Schulz, Muriel L. “The Semantic Derogation of Woman” (1975). Rpt. in The Routledge Language and Cultural Theory Reader. Ed. Lucy Burke, Tony Crowley, and Alan Girvin. London: Routledge, 2000. 82-91.Search in Google Scholar

Sellers, Susan, ed. The Cambridge Companion to Virginia Woolf. 2nd ed. Cambridge Companions to Literature. New York: Cambridge UP, 2010.10.1017/CCOL9780521896948Search in Google Scholar

Simpson, Kathryn. Gifts, Markets and Economies of Desire in Virginia Woolf. New York: Palgrave Macmillan, 2009.10.1057/9780230228436Search in Google Scholar

Thompson, Patricia J. “Dismantling the Master’s House: A Hestian-Hermean Deconstruction of Classic Texts.” Hypatia 9.3 (1994): 38-56. 10.1111/j.1527-2001.1994.tb00648.xSearch in Google Scholar

Woolf, Virginia. Collected Novels of Virginia Woolf: Mrs. Dalloway, To the Lighthouse, The Waves. Ed. Stella McNichol. London: Macmillan, 1992.10.1007/978-1-349-22364-0Search in Google Scholar

eISSN:
1841-964X
Langue:
Anglais