<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The present study revisits one of American television’s most famous and influential shows, <italic>Twin Peaks</italic>, which ran on ABC between 1990 and 1991. Its unique visual style, its haunting music, the idiosyncratic characters and the mix of mythical and supernatural elements made it the most talked-about TV series of the 1990s and generated numerous parodies and imitations. <italic>Twin Peaks</italic> was the brainchild of America’s probably least mainstream director, David Lynch, and Mark Frost, who was known to television audiences as one of the scriptwriters of the highly popular detective series <italic>Hill Street Blues.</italic> When <italic>Twin Peaks</italic> ended in 1991, the show’s severely diminished audience were left with one of most puzzling cliffhangers ever seen on television, but the announcement made by Lynch and Frost in October 2014, that the show would return with nine fresh episodes premiering on Showtime in 2016, quickly went viral and revived interest in <italic>Twin Peaks</italic>’ distinctive world. In what follows, I intend to discuss the reasons why <italic>Twin Peaks</italic> was considered a highly original work, well ahead of its time, and how much the show was indebted to the legacy of classic American film noir; finally, I advance a few speculations about the possible plotlines the series might explore upon its return to the small screen.</p></abstract>

The present study revisits one of American television’s most famous and influential shows, Twin Peaks, which ran on ABC between 1990 and 1991. Its unique visual style, its haunting music, the idiosyncratic characters and the mix of mythical and supernatural elements made it the most talked-about TV series of the 1990s and generated numerous parodies and imitations. Twin Peaks was the brainchild of America’s probably least mainstream director, David Lynch, and Mark Frost, who was known to television audiences as one of the scriptwriters of the highly popular detective series Hill Street Blues. When Twin Peaks ended in 1991, the show’s severely diminished audience were left with one of most puzzling cliffhangers ever seen on television, but the announcement made by Lynch and Frost in October 2014, that the show would return with nine fresh episodes premiering on Showtime in 2016, quickly went viral and revived interest in Twin Peaks’ distinctive world. In what follows, I intend to discuss the reasons why Twin Peaks was considered a highly original work, well ahead of its time, and how much the show was indebted to the legacy of classic American film noir; finally, I advance a few speculations about the possible plotlines the series might explore upon its return to the small screen.

“That Show You Like Might Be Coming Back in Style”: How <italic>Twin Peaks</italic> Changed the Face of Contemporary Television

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

“That Show You Like Might Be Coming Back in Style”: How  Changed the Face of Contemporary Television

The present study revisits one of American television’s most famous and influential shows, Twin Peaks, which ran on ABC between 1990 and 1991. Its unique...

“That Show You Like Might Be Coming Back in Style”: How Twin Peaks Changed the Face of Contemporary Television

Publié en ligne: 21 août 2015

Pages: 44 - 68

DOI: https://doi.org/10.1515/abcsj-2015-0003

Mots clés
television series, film noir, David Lynch

© ABC Studies, Journal of the Academic Anglophone Society of Romania

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

“That Show You Like Might Be Coming Back in Style”: How Twin Peaks Changed the Face of Contemporary Television

Publié en ligne: 21 août 2015

Pages: 44 - 68

DOI: https://doi.org/10.1515/abcsj-2015-0003

Mots cléstelevision series, film noir, David Lynch

© ABC Studies, Journal of the Academic Anglophone Society of Romania

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Mots clés
television series, film noir, David Lynch