21 Artículos
Acceso abierto | 14 feb 2014
MALE VS. FEMALE / MIND VS. BODY: A COGNITIVE DISCOURSE APPROACH TO TWO PLAYS BY SHAKESPEARE
Acceso abierto | 14 feb 2014
WHO IS THE REAL EVIL?: THE FEMALE CHALLENGING THE MALE IN THE MERCHANT OF VENICE AND MEASURE FOR MEASURE
Acceso abierto | 14 feb 2014
THE UNFOLDING OF TRUTH AND SELF-REPRESENTATION WITHIN THE CRACKED MIRROR IN SHAKESPEARE’S RICHARD II
Acceso abierto | 14 feb 2014
“A THING LIKE DEATH”: MEDICAL REPRESENTATIONS OF FEMALE BODIES IN SHAKESPEARE’S PLAYS
Acceso abierto | 14 feb 2014
“SYCORAX ON STAGE”: THE UNVOICED SHAKESPEAREAN FEMALE OTHER FINALLY SPEAKS IN SUNITI NAMJOSHI’S POETRY
Acceso abierto | 14 feb 2014
READING LIKE THE JAPANESE: THE GOTHIC AESTHETICS OF HORROR IN SHAKESPEARE’S TITUS ANDRONICUS
Acceso abierto | 14 feb 2014
BREAKING STEREOTYPES: MALE VIEW OF THE FEMALE PRINCIPLE IN RAJA RAO’S THE CAT AND SHAKESPEARE
Acceso abierto | 14 feb 2014
TAMING THE HEART OF THE WILD: THE DOMESTICATION OF WOMEN IN JOHN FLETCHER’S TRAGEDIE OF BONDUCA
Acceso abierto | 14 feb 2014
THE CONSTRUCTION OF GENDER-SPECIFIC AUDIENCES IN THE WORKS OF EARLY 17TH CENTURY WRITERS
Acceso abierto | 14 feb 2014
FEDERICO GARCÍA LORCA’S YERMA (1937) AND RUTH CARTER’S A YEARNING (1999): THE OPPRESSION OF WOMEN THROUGH SPACE AND TIME
Acceso abierto | 14 feb 2014
“UNDER THE MOON” – IMAGES AND FORMS OF ‘FEMALENESS’ IN ADRIENNE KENNEDY’S PLAYS
Acceso abierto | 14 feb 2014
ANIMAL METAPHORS AND SEMANTIC DEROGATION – DO WOMEN THINK DIFFERENTLY FROM MEN?
Acceso abierto | 14 feb 2014
GENDER AND POLITICS AS THE DOMINANT FACTORS IN THE PERCEPTIONS OF MULTICULTURAL EDUCATION
, y
Buscar
Todos los volúmenes y ediciones en esta revista
Volumen 23 (2024)
Volumen 22 (2023)
Volumen 21 (2022)
Volumen 20 (2021)
Volumen 19 (2020)
Volumen 18 (2019)
Volumen 17 (2018)
Volumen 16 (2017)
Volumen 15 (2016)
Volumen 14 (2015)
Volumen 13 (2014)
Volumen 12 (2013)
Volumen 11 (2012)