<abstract xmlns="http://www.w3.org/1999/xhtml"><p> So far largely unnoticed, a right-wing extremist current within the rock music oriented subculture of Japan can be observed. This subcultural phenomenon bears resemblance in appearance to a phenomenon that is commonly referred to as ‘right-wing rock’ (Rechtsrock) in German-speaking countries. On the basis of a substantial compilation of relevant lyrics, the present paper seeks to examine whether this resemblance can also be located in terms of the ideological contents. Focussing on the linguistic inventory of the sample of lyrics, how a particular vocabulary is used to construct a collective identity and to convey a range of rightist topics will be examined. It will be shown that various terms that are frequently used in the analysed lyrics contain references to nationalistic and/or militaristic thought. Some lyrics propagate historical revisionist or negationist views on history and on the whole the analysed lyrics glorify martial concepts of maleness. The analysis thus justifies the conclusion that the musical phenomenon in question can be defined as a Japanese form of right-wing rock.</p></abstract>

So far largely unnoticed, a right-wing extremist current within the rock music oriented subculture of Japan can be observed. This subcultural phenomenon bears resemblance in appearance to a phenomenon that is commonly referred to as ‘right-wing rock’ (Rechtsrock) in German-speaking countries. On the basis of a substantial compilation of relevant lyrics, the present paper seeks to examine whether this resemblance can also be located in terms of the ideological contents. Focussing on the linguistic inventory of the sample of lyrics, how a particular vocabulary is used to construct a collective identity and to convey a range of rightist topics will be examined. It will be shown that various terms that are frequently used in the analysed lyrics contain references to nationalistic and/or militaristic thought. Some lyrics propagate historical revisionist or negationist views on history and on the whole the analysed lyrics glorify martial concepts of maleness. The analysis thus justifies the conclusion that the musical phenomenon in question can be defined as a Japanese form of right-wing rock.

Japanese ‘Right-wing Rock’? A Lyrics Content Analysis

Vienna Journal of East Asian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

{"article-title":"Japanese \u2018Right-wing Rock\u2019? A Lyrics Content Analysis"}

So far largely unnoticed, a right-wing extremist current within the rock music oriented subculture of Japan can be observed. This subcultural phenomenon bears...

Japanese ‘Right-wing Rock’? A Lyrics Content Analysis

Publicado en línea: 05 dic 2018

Páginas: 75 - 124

DOI: https://doi.org/10.2478/vjeas-2014-0009

Palabras clave
Japanese popular culture, right-wing extremism, rock music, masculinities

© 2018 Stefan Fuchs, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Japanese ‘Right-wing Rock’? A Lyrics Content Analysis

Publicado en línea: 05 dic 2018

Páginas: 75 - 124

DOI: https://doi.org/10.2478/vjeas-2014-0009

Palabras claveJapanese popular culture, right-wing extremism, rock music, masculinities

© 2018 Stefan Fuchs, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

Palabras clave
Japanese popular culture, right-wing extremism, rock music, masculinities