The Piano’s Sound Apperception in Havasi Balázs’s Compositions, with Some Remarks from Alfred Whitehead and Theodore Ziolkowski

Publicado en línea: 17 ago 2019

Páginas: 137 - 148

DOI: https://doi.org/10.2478/saec-2019-0013

Palabras clave

Havasi Balázs, piano, perception, phenomenology of the music, apperception, conscience, symbolism, classicism

© 2019 Maria-Roxana Bischin, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.