Acceso abierto

1. Neuro-Psychological Benefits of Music Education


Cite

1. Ayotte, J., Peretz, I., Rousseau, I., Bard, C., Bojanowski, M. (2000). Patterns of Music Agnosia Associated with Middle Cerebral Artery Infarcts, Brain, 123, 9, 1926-193810.1093/brain/123.9.1926 Search in Google Scholar

2. Bever, T.G., Chiarello, R.J. (1974). Cerebral Dominance in Musicians and Non-Musicians, Science, 185, 537-910.1126/science.185.4150.537 Search in Google Scholar

3. Bosnyak, D., Eaton, R., Roberts, L. (2004). Distributed Auditory Cortical Representations Are Modified when Non-Musicians Are Trained at Pitch Discrimination with 40hz Amplitude Modulated Tones, Cerebral Cortex, 14, 10, 1088-109910.1093/cercor/bhh068 Search in Google Scholar

4. Evers, S., Dannert, J., Rodding, D., Rotter, G., Ringelstein, E.B. (1999). The Cerebral Hemodynamics of Music Perception: A Transcranial Doppler Sonography Study, Brain, 122, 1, 75-8510.1093/brain/122.1.75 Search in Google Scholar

5. Forgeard, M., Winner, E., Norton, A., Schlaug, G. (2008). Practicing a Musical Instrument in Childhood Is Associated with Enhanced Verbal Ability and Nonverbal Reasoning, Plus One, 3, 10, 245-26010.1371/journal.pone.0003566 Search in Google Scholar

6. Fujioka T., Ross, B., Kakigi, R., Pantev, C., Trainor, L. (2006). One Year of Musical Training Affect Development of Auditory Cortical-Evoked Fields in Young Children, Brain, 129, 2593-260810.1093/brain/awl247 Search in Google Scholar

7. Gagnon, L. (1998). High-Volume Cerebral Blood Flow Is Music to Your Ears; Key to Absolute Pitch Also Accompanied by Anatomical Anomalies, Medical Post, 34, 15, 5 Search in Google Scholar

8. Hassler, M. (1990). Functional Cerebral Asymmetries and Cognitive Abilities in Musicians, Painters, and Controls, Brain and Cognition, 13, 1-1710.1016/0278-2626(90)90036-N Search in Google Scholar

9. Khalfa, S. Et Al (2008). Positive and Negative Recognition Reveals a Specialization of Medio-Temporal Structures in Epileptic Patients, Music Perception, 25, 4, 295-30210.1525/mp.2008.25.4.295 Search in Google Scholar

10. Kimura, D. (1961). Cerebral Dominance and the Perception of Verbal Stimuli, Canadian Journal of Psychology, 15, 166-7110.1037/h0083219 Search in Google Scholar

11. Kimura, D. (1964). Left-Right Differences in the Perception of Melodies, Quarterly Journal Experimental Psychology, 16, 355-810.1080/17470216408416391 Search in Google Scholar

12. Kuriki, S., Isahai, N., Ohtsuka A. (2005). Spatiotemporal Characteristics of the Neural Activities Processing Consonant/Dissonant Tones in Melody, Brain, 162, 46-5510.1007/s00221-004-2114-8 Search in Google Scholar

13. Lebrun-Guillaud, G. (2007). Influence of the Tone’s Tonal Function on Temporal Change Detection, Perception and Psychophysics, 69, 8, 1450-910.3758/BF03192959 Search in Google Scholar

14. Lebrun-Guillaud, G., Tillmann, B., Justus, T. (2008). Perception of Tonal and Temporal Structures in Chord Sequences by Patients with Cerebral Damage, Music Perception, 25, 4, 271-273, 277-28310.1525/mp.2008.25.4.271 Search in Google Scholar

15. Levitin, D. (2005). The Neural Locus of Temporal Structure and Expectancies in Music: Evidence from a Functional Neuroimaging at 3 Tesla, Music Perception, 22, 3, 563-57510.1525/mp.2005.22.3.563 Search in Google Scholar

16. Miller, B.L., Boone, K., Cummings, J.L., Read, S.L., Mishkin, F. (2000). Functional Correlates of Musical and Visual Ability in Frontotemporal Dementia, Journal of Psychiatry, 176, 458-6310.1192/bjp.176.5.458 Search in Google Scholar

17. Peretz, I. (1996). Can We Lose Memory for Music? A Case of Music Agnosia in a Non-Musician, Journal of Cognitive Neuroscience, 8, 481-9610.1162/jocn.1996.8.6.481 Search in Google Scholar

18. Peretz, I., Morais, J. (1980). Modes of Processing Melodies and Ear Asymmetry in Non-Musicians, Neuropsychologia, 18, 477-8910.1016/0028-3932(80)90150-5 Search in Google Scholar

19. Pfordresher, P. (2007). Music, Motor Control and The Brain, Music Perception, 25, 1, 75-8010.1525/mp.2007.25.1.75 Search in Google Scholar

20. Piccirilli, M., Sciarma, T., Luzzi, S. (2000). Modularity of Music: Evidence from A Case of Pure Amusia, Journal of Neurology, Neurosurgery and Psychiatry, 69, 4, 541-510.1136/jnnp.69.4.541 Search in Google Scholar

21. Rammsayer, T. Altenmuller, E. (2006). Temporal Information Processing in Musicians and Non-Musicians, Music Perception, 24, 1, 37-4710.1525/mp.2006.24.1.37 Search in Google Scholar

22. Rauscher, F., Shaw, G., Levine, L., Wright, E., Dennis, W. (1997). Music Training Causes Long-Term Enhancement of Preschool Children’s Spatial-Temporal Reasoning, Neurological Research, 19, 2-810.1080/01616412.1997.11740765 Search in Google Scholar

23. Schlaug, G., Jancke, L., Huang, Y., Staiger, J.F., Steinmetz, H. (1995). Increased Corpus Callosum Size in Musicians, Neuropsychologia, 33, 1047-105510.1016/0028-3932(95)00045-5 Search in Google Scholar

24. Schneider, P., Scherg, M., Dosch, M., Specht, H.J., Gutschalk, A., Rupp, A. (2002). Morphology of Heschl’s Gyrus Reflects Enhanced Activation in the Auditory Cortex of Musicians, Nature Neuroscience, 5, 688-69410.1038/nn871 Search in Google Scholar

25. Schuppert, M., Munte, T., Wieringa, B.M., Altenmuller, E. (2000). Receptive Amusia: Evidence for Cross-Hemispheric Neural Networks Underlying Music Processing Strategies, Brain, 123, 3, 546-55910.1093/brain/123.3.546 Search in Google Scholar

26. Stoesz, B., Jakobson, L., Kilgour, A., Lewycky, S. (2007). Local Processing Advantage in Musicians: Evidence from Disembedding and Constructional Tasks, Music Perception, 25, 2, 153-16510.1525/mp.2007.25.2.153 Search in Google Scholar

27. Tramo, M. (2001). Music of The Hemispheres, Science, 291, 5410.1126/science.10.1126/SCIENCE.1056899 Search in Google Scholar

28. Wagner, C. (1971). The Influence of the Tempo of Playing on the Rhythmic Structure Studied at Pianist’s Playing Scale, Medicine and Sport, 6, 129-13210.1159/000392159 Search in Google Scholar

29. Weinberger, N. (2006). Music and The Brain, Scientific American, 16, 3, 36-4310.1038/scientificamerican0906-36sp Search in Google Scholar

30. Wilson, S., Saling, M. (2008). Contributions of the Right and Left Mesial Temporal Lobes to Music Memory: Evidence from Melodic Learning Difficulties, Music Perception, 25, 4, 307-31410.1525/mp.2008.25.4.303 Search in Google Scholar