[
Abrams, Thomas. 2014. «Is Everyone Upright? Erwin Straus’ «The Upright Posture» and Disabled Phenomenology.» Human Affairs Vol.24:4, 564-57310.2478/s13374-014-0249-2
]Search in Google Scholar
[
Assael, Brenda. 2005. Circus and Victorian Society. London: University of Virginia.
]Search in Google Scholar
[
Carter, Katarina. 2018. «Freaks No More: Rehistoricizing Disabled Circus Artists.» Performance Matters, vol.4.
]Search in Google Scholar
[
Downey, Greg. 2015.»Balancing between Cultures: Equilibrium in Capoeira.» In The Encultured Brain: An Introduction to Neuroanthropology, edited by Daniel H. Lende and Greg Downey, 169-194. London: MIT Press.10.7551/mitpress/9219.003.0009
]Search in Google Scholar
[
Downey, Greg, Monica Dalidowicz, and Paul H Mason. 2015.»Apprenticeship as method: embodied learning in ethnographic practice.» Qualitative Research, 183-200.10.1177/1468794114543400
]Search in Google Scholar
[
Foucault, Michel. Discipline and Punish: The Birth of the Prison. London: Penguin, 1992.
]Search in Google Scholar
[
Fricker, Karen, and Hayley Malouin. 2018. «Introduction: Circus and Its Others.» Performance Matters, 1-18.
]Search in Google Scholar
[
Gallagher, Shaun. 2017 «The Upright Posture: Its Current Standing.» In Enactivist Interventions: Rethinking the Mind. Oxford: Oxford Scholarship Online.10.1093/oso/9780198794325.003.0009
]Search in Google Scholar
[
Gilman, Sander L. 2014.»Stand Up Straight: Notes Towards a History of Posture.» J Med Humanit (35), 57-83.10.1007/s10912-013-9266-0
]Search in Google Scholar
[
Jacob, Pascal. 2008. La souplesse du dragon: repères et références pour une historie du théâtre acrobatique en Chine. Paris: Magellan & Cie.
]Search in Google Scholar
[
Jacob, Pascal. 2002. Le cirque: du théâtre équestre aux arts de la piste. Paris: Larousse.
]Search in Google Scholar
[
Lavers, Katie, Louis Patrick Leroux, and Jon Burtt. 2019. Contemporary Circus. London: Routledge.10.4324/9781315564074
]Search in Google Scholar
[
Mauclair, Dominique. 2002. Planète cirque: une histoire planétaire du cirque et de l’acrobacie. Paris: Balzac Éditeur.
]Search in Google Scholar
[
Nicholls, David. 2018. The End of Physiotherapy. London: Routledge.10.4324/9781315561868
]Search in Google Scholar
[
Niemitz, Carsten. 2010. «The evolution of the upright posture and gait - a review and a new synthesis.» Naturwissenschaften (97), 241-263.10.1007/s00114-009-0637-3
]Search in Google Scholar
[
O’Connor, Camille. 2014. «Fluidity and Intersubjectivity: A Feminist Perspective on Embodying Uprightness.» The Humanistic Psychologist (42), 88-93.10.1080/08873267.2013.841496
]Search in Google Scholar
[
Rusczek, Jake. 2014. «Living the Upright Posture With a Disability: Challenges and Lessons for a Philosophical Anthropology.» The Humanistic Psychologist (42), 98-101.10.1080/08873267.2013.841499
]Search in Google Scholar
[
Stoddard, Helen. 2002. Rings of Desire: Circus History and Representation. Manchester: Manchester University Press.
]Search in Google Scholar
[
Straus, Erwin. 1952. «The Upright Posture.» Psychiatric Quarterly vol. 26(1), 529-561.10.1007/BF01568490
]Search in Google Scholar
[
Wacquant, Loïc. 2006. Body & Soul: Notebooks of an Apprentice Boxer. Oxford: Oxford University Press.
]Search in Google Scholar
[
Vigarello, Georges. Le corps redressé: histoire d’un pouvoir pédagogique. Paris: Jean-Pierre Delarge, 1978.
]Search in Google Scholar
