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Research on the Creative Application of Origami Performance Techniques in Clothing

Chenlu Wang
Chenlu Wang
, 
Chen Yang
Chen Yang
, 
Junlan Li
Junlan Li
 y 
Mingxuan Zhu
Mingxuan Zhu
   | 11 dic 2022
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Article Category: Research Article
Publicado en línea: 11 dic 2022
Páginas: 43 - 53
DOI: https://doi.org/10.2478/ftee-2022-0035
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© 2022 Chenlu Wang et al., published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Fig. 1

Origami sewing bag
Origami sewing bag

Fig. 2

Satellite solar panel
Satellite solar panel

Fig. 3

Crimping method
Crimping method

Fig. 4

Shadow folding method
Shadow folding method

Fig. 5

Comparison of different fabric styles in stitching texture moulding
Comparison of different fabric styles in stitching texture moulding

Fig. 6

Moulding effect and drawings of the two types
Moulding effect and drawings of the two types

Fig. 7

Visual effect of stripes in different folding techniques
Visual effect of stripes in different folding techniques

Fig. 8

Creative application of pattern deformation and folding method in trousers (made by the author)
Creative application of pattern deformation and folding method in trousers (made by the author)

Fig. 9

Comparison of different application effects of fabric stitching (handmade by author)
Comparison of different application effects of fabric stitching (handmade by author)

Fig. 10

Overall and local creative application in different fabrics (handmade by author)
Overall and local creative application in different fabrics (handmade by author)

Fig. 11

Process of making a two-colour combination sample (handmade by author)
Process of making a two-colour combination sample (handmade by author)

Fig. 12

Creative application of modular combination folding method in simple silhouette
Creative application of modular combination folding method in simple silhouette

Repeated combination form

Parallel structure Overlay structure
Combination mode Single direct moulding Backing sewing Sewing moulding Splicing moulding

Pleating retention of different fabrics

Fabric change Polyester Cotton PU coated fabric
Initial effect of ironing
Effect after washing

Effect of cell size on the moulding effect in stitching texture moulding

Size influence Basic lattice 2 cm*2 cm Conclusion Basic lattice 3 cm*3 cm Conclusion
Style Delicate style Rough style
Size of fabric Initial fabric 20 cm * 20 cmFinal work 12 cm*13.5cm Initial fabric 20 cm*20 cmFinal work 11 cm*13 cm

Style characteristics of Organza and polyester FDY fabric after ironing

Types of fabric Un-ironed lining Description Ironed lining Description
40g/m2 organza Irregular shape; light and soft effect Regular shape; can show the colour of adhesive lining
300g/m2 twill polyester Relatively regular shape; hierarchical effect Regular shape; sharper creases

Relationship between fabric thickness and folding spacing (example: snake belly origami)

Fabric paper mould size Initial fabric 255g/m2 Description Initial fabric lined with plain paper Description Initial fabric lined with hard resin lining Description
Paper mould spacing 6.5cm Proper paper mould spacing; creases and stripes match very well; dislocation-free Distance between paper moulds is appropriate; creases and stripes match well; slight dislocation Paper mould spacing is too small; creases and stripes do not match; there is dislocation
Paper mould spacing 6.8cm Paper mould spacing is too large creases and stripes do not match There is dislocation Distance between paper moulds is appropriate creases and stripes match well Slight dislocation Proper paper mould spacing creases and stripes match very well, dislocation-free

Effect comparison of direct folding technique in different fabrics

Fabric Folding time Crease sharpness Effect Conclusion
White cotton cloth 34s Not ironed: creases are clear and moulding is stable.After ironing: ironing effect is obvious and creases are clear. Low folding difficulty; moderate thickness of fabric after folding and ironing; shape is easy to fix; very suitable for direct folding when making small units.
Polyester fabric 43s Not ironed: creases are clear and moulding is stable.After ironing: ironing effect is obvious and creases are clear. Low folding difficulty; moderate thickness of fabric after folding and ironing; shape is easy to fix; very suitable for direct folding when making small units.
PU coated fabric 29s Not ironed: creases are relatively clear and moulding is stable.After ironing: ironing effect is not obvious, and creases are relatively clear. Low folding difficulty; the fabric is still thick after folding and ironing, and it is not easy to fix; more suitable for direct folding when making small units.
Organza 79s Not ironed: creases are not clear and moulding is unstable.After ironing: ironing effect is not obvious, and creases are not clear. High folding difficulty; after folding and ironing, the fabric is too thin and the shape is not easy to fix; not suitable for direct folding when making small units.
eISSN:
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Idioma:
Inglés
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6 veces al año
Temas de la revista:
Business and Economics, Business Management, Business Informatics, Process Management, Industrial Chemistry, Cellulose, Paper and Textiles, Polymer Science and Technology, Materials Sciences, Biomaterials and Natural Materials
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