Publicado en línea: 06 dic 2024
Páginas: 93 - 109
DOI: https://doi.org/10.2478/ewcp-2024-0006
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© 2024 Alexandra Mitrea., published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.
The article sets out to analyze the manner in which Yusef Komunjakaa addresses in his poetry one of the greatest military disasters in American foreign policy ‒ the war in Vietnam‒, which he himself experienced directly, as a war correspondent. I will investigate the poet’s reliance on strong, visceral images as Komunjakaa proceeded almost like a painter. I will also look into the role played by music, jazz in particular, in articulating a vision of the war which gives ample space to the reader to negotiate the images that engage all five senses. I will illustrate the fact that Komunjakaa’s war poetry is characterized by more than a mere documentary drive, as one can discover healing and renewal of the self behind the apocalyptic images that describe the war.