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<p>“The Boys in the Band,” a play by American playwright Mart Crowley (1935-2020), represents a milestone in the representation of urban gay men in theater. By exploring on stage the lives of a group of male gay friends in the late 1960s, Crowley challenged social and dramaturgical norms and conventions. As an integral part of the narrative, New York City, specifically Manhattan Island, makes itself present in the text through direct and indirect references, whether on the level of plot, character construction, or the setting of the play itself. As a paradigmatic play in a moment of special prominence of the Gay Movement in the United States, soon after its premiere in 1968 and before the release of its first film adaptation, “The Boys in the Band” came to be seen differently by critics and activists under the influence of a historical event that also occurred in Manhattan, the Stonewall Riots. This article explores the various instances in which the play, especially in its first Off-Broadway staging, represents not only a gay New York City, but also how this same place made possible the existence of this story and these characters.</p>
</abstract>

“The Boys in the Band,” a play by American playwright Mart Crowley (1935-2020), represents a milestone in the representation of urban gay men in theater. By exploring on stage the lives of a group of male gay friends in the late 1960s, Crowley challenged social and dramaturgical norms and conventions. As an integral part of the narrative, New York City, specifically Manhattan Island, makes itself present in the text through direct and indirect references, whether on the level of plot, character construction, or the setting of the play itself. As a paradigmatic play in a moment of special prominence of the Gay Movement in the United States, soon after its premiere in 1968 and before the release of its first film adaptation, “The Boys in the Band” came to be seen differently by critics and activists under the influence of a historical event that also occurred in Manhattan, the Stonewall Riots. This article explores the various instances in which the play, especially in its first Off-Broadway staging, represents not only a gay New York City, but also how this same place made possible the existence of this story and these characters.

A Gay New York City in Mart Crowley’s “The Boys in the Band”

East-West Cultural Passage

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{"article-title":"A Gay New York City in Mart Crowley\u2019s \u201cThe Boys in the Band\u201d"}

“The Boys in the Band,” a play by American playwright Mart Crowley (1935-2020), represents a milestone in the representation of urban gay men in theater. By...

A Gay New York City in Mart Crowley’s “The Boys in the Band”

Publicado en línea: 10 abr 2022

Páginas: 26 - 52

DOI: https://doi.org/10.2478/ewcp-2021-0012

Palabras clave
“The Boys in the Band, ” Mart Crowley, representation, New York City, Off-Broadway, drama, Stonewall, Gay Movement, homosexuality, AIDS

© 2021 Renato Barreto Pereira, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

A Gay New York City in Mart Crowley’s “The Boys in the Band”

Publicado en línea: 10 abr 2022

Páginas: 26 - 52

DOI: https://doi.org/10.2478/ewcp-2021-0012

Palabras clave“The Boys in the Band, ” Mart Crowley, representation, New York City, Off-Broadway, drama, Stonewall, Gay Movement, homosexuality, AIDS

© 2021 Renato Barreto Pereira, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Palabras clave
“The Boys in the Band, ” Mart Crowley, representation, New York City, Off-Broadway, drama, Stonewall, Gay Movement, homosexuality, AIDS