Acceso abierto

Uncanny Colours of the Past. Phenomenological Notes on Remediation and Colourization of Black-and-White Footage

   | 06 dic 2023

Cite

Aumont, Jacques. 1996. One Session of the 1995 Amsterdam Workshop on Colour in Silent Cinema. In Disorderly Order . Colours in Silent Film, ed. Nico De Klerk, 50–61. Amsterdam: Stichting Nederlands Filmmuseum. Search in Google Scholar

Baron, Jaimie. 2014. The Archive Effect . Found Footage and the Audiovisual Experience of History. London, New York: Routledge. Search in Google Scholar

Bell, Desmond. 2004. Found Footage Filmmaking and Popular Memory. Kinema: A Journal for Film and Audiovisual Media (Spring). https://doi.org/10.15353/kinema.vi.1071 Last accessed 02. 08. 2023. Search in Google Scholar

Blos-Jáni, Melinda 2018. Sensing History. On the Uses of Medium-Specific Noise in Eastern European Found Footage. Acta Universitatis Sapientiae, Film and Media Studies vol. 15, no. 1: 137–163. Search in Google Scholar

Brunow, Dagmar. 2015. Remediating Transcultural Memory . Documentary Filmmaking as Archival Intervention. Berlin, Boston: De Gruyter. Search in Google Scholar

Deleuze, Gilles. 1986. Cinema 1 . The Movement-Image. Minneapolis: University of Minnesota Press. Search in Google Scholar

Deleuze, Gilles. 1989, Cinema 2 . The Time-Image. Minneapolis: University of Minnesota Press. Search in Google Scholar

Erll, Astrid. 2008. Literature, Film, and the Mediality of Cultural Memory. In Cultural Memory Studies: An International and Interdisciplinary Handbook, eds. Astrid Erll and Ansgar Nünning, 389–398. Berlin, New York: de Gruyter. Search in Google Scholar

Erll, Astrid. 2011. Travelling Memory. Parallax vol 17, no. 4: 4–18. Search in Google Scholar

Foucault, Michel. 1977. Nietzsche, Genealogy, History. In Language, Counter-Memory, Practice Selected Essays and Interviews, ed. Donald F. Bouchard, 139–164. Ithaca, New York: Cornell University Press. Search in Google Scholar

Grainge, Paul. 2018. Colouring the Past: Pleasantville and the Textuality of Media Memory. In Memory and Popular Film, ed. Paul Grainge, 202–219. Manchester, New York: Manchester University Press. Search in Google Scholar

Hall, Stuart. 1991. Reconstruction Work: Images of Post-War Black Settlement. In Family Snaps: The Meaning of Domestic Photography, eds. Jo Spence and Patricia, 152–164. Holland. London: Virago. Search in Google Scholar

Hepp, Andreas. 2016. Pioneer Communities: Collective Actors in Deep Mediatisation . Media Culture & Society, vol. 38, no. 6: 918–933. Search in Google Scholar

Hoskins, Andrew. 2001. New Memory: Mediating History, Historical Journal of Film. Radio and Television vol. 21, no. 4: 333–346. Search in Google Scholar

Hoskins, Adrew. 2016. Archive Me! Media, Memory, Uncertainty. In Memory in a Mediated World . Remembrance and Reconstruction, eds. Andrea Hajek, Christine Lohmeier, and Christian Pentzold, 13–35. London: Palgrave Macmillan. Search in Google Scholar

Hoskins, Andrew. 2018. The Restless Past: An Introduction to Digital Memory and Media. In Digital Memory Studies . Media Pasts in Transition, ed. Andrew Hoskins, 1–24. New York, London: Routledge. Search in Google Scholar

Hoskins, Andrew and Halstead, Huw. 2021. The New Grey of Memory: Andrew Hoskins in Conversation with Huw Halstead. Memory Studies vol. 14, no. 3: 675–685. Search in Google Scholar

Huyssen, Andreas. 1995. Twilight Memories: Marking Time in a Culture of Amnesia. London, New York: Routledge. Search in Google Scholar

Kittler, Friedrich. 2010. Optical Media: Berlin Lectures. Cambridge, Malden: Polity Press. Search in Google Scholar

Knopp Eszter. 2020. Határvonalon. Manipulált archív felvételek és a hiteles múltábrázolás kérdései az Akik már nem öregszenek meg (2018) című filmben [On the Borderline. Manipulated Archival Footage and Issues of the Authentic Representation of the Past in They Shall Not Grow Old (2018)]. Metropolis vol. 14, no. 1: 46–56. Search in Google Scholar

Landsberg, Alison. 2004. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. Columbia: Columbia University Press. Search in Google Scholar

Livingstone, Tom. 2019. Colourisation and the Archive: Repurposing World War One. Frames Cinema Journal 15 . https://framescinemajournal.com/article/colourisation-and-the-archive-repurposing-world-war-one/#_ednref22 Last accessed 02. 08. 2023. Search in Google Scholar

Margitházi, Beja. 2018. Embodying Sense Memory: Archive Image and Traumatic Experience in Son of Saul, Warsaw Uprising and Regina. Studies in Eastern European Cinema vol. 11, no. 1: 82–100. Search in Google Scholar

Nora, Pierre. 1989. Between Memory and History: Les Lieux de Mémoire. Representations no. 26: 7–24. Search in Google Scholar

Postman, Neil. 1970. The Reformed English Curriculum. In High School 1980: The Shape of the Future in American Secondary Education, ed. Alvin C. Eurich, 160–168. New York, Toronto, London and Tel Aviv: Pitman Publishing Corporation. Search in Google Scholar

Prince, Stephen. 1996. True Lies: Perceptual Realism, Digital Images, and Film Theory. Film Quarterly vol. 49, no. 3: 27–37. Search in Google Scholar

Rodowick, David Norman. 2007. The Virtual Life of Film. Cambridge, Massachusetts, London: Harvard University Press. Search in Google Scholar

Rothberg, Michael. 2009. Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Stanford, California: Stanford University Press. Search in Google Scholar

Sobchack, Vivian. 1996. Introduction: History Happens. In The Persistence of History: Cinema, Television, and the Modern Event, ed. Vivian Sobchack, 1–14. London, New York: Routledge. Search in Google Scholar

Tasevska, Tamara. 2020. The Colour of the Possible: Olafur Eliasson, and Gilles Deleuze’s ‘Colour-Image’ in Claire Denis’ High Life. Frames Cinema Journal 17. https://doi.org/10.15664/fcj.v0i17.2082. Last accessed 02. 08. 2023. Search in Google Scholar

Whiteclay Chambers II, John and Culbert, David. 1996. World War II, Film, and History. New York, Oxford: Oxford University Press. Search in Google Scholar

eISSN:
2066-7779
Idioma:
Inglés
Calendario de la edición:
2 veces al año
Temas de la revista:
Library and Information Science, Book Studies, Media and Press