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Screening Landscapes: Film between the Picturesque and the Painterly

   | 03 abr 2021

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Inherently connected to movement and to a sequential spatial experience in time, the picturesque has been considered as a precursor of the cinematic. In addition, the idea of the picturesque is closely connected to Heinrich Wölfflin’s notion of das Malerische or “the painterly,” which stands for a dynamic style of painting characterized by qualities of colour, stroke, and texture rather than of contour or line. Based on the keynote lecture delivered at the conference, The Picturesque: Visual Pleasure and Intermediality in-between Contemporary Cinema, Art and Digital Culture (Sapientia Hungarian University of Transylvania, 25–26 October, 2019), 1 the essay disentangles the complex network of connections between image and landscape, painting and film, the picturesque and the painterly.

eISSN:
2066-7779
Idioma:
Inglés
Calendario de la edición:
2 veces al año
Temas de la revista:
Library and Information Science, Book Studies, Media and Press