[Aumont, Jacques. 2010. L’attrait de la lumière [The Attraction of the Light]. Paris: Éditions Yellow Now.]Search in Google Scholar
[Balázs, Béla. 2010. Early Film Theory - The Visible Man and The Spirit of Film. New York & Oxford: Berghahn Books.]Search in Google Scholar
[Bataille, Georges. 1986 [1957]. Eroticism, Death & Sensuality. San Francisco: City Lights Books.]Search in Google Scholar
[Bersani, Leo and Ulysse Dutoit. 1998. Caravaggio’s Secrets. Cambridge, MA, & London: The MIT Press.]Search in Google Scholar
[Beugnet, Martine. 2007. Cinema and Sensation, French Film and the Art of Transgression. Edinburgh: Edinburgh University Press.10.3366/edinburgh/9780748620425.001.0001]Search in Google Scholar
[Canguilhem, Georges. 1993 [1966]. Le normal et le pathologique [The Normal and the Pathological]. Paris: PUF. 4th edition.]Search in Google Scholar
[Deleuze, Gilles. 2003 [1981]. Francis Bacon: The Logic of Sensation. London & New York: Continuum.]Search in Google Scholar
[Dubois, Philippe. 1999. L’écriture figurale dans le cinéma muet des années 20 [Figural Writing in the Silent Cinema of the 20s]. In Figure, Figural, eds. François Aubral and Dominique Château, 245-274. Paris: L’Harmattan.]Search in Google Scholar
[Dyer, Richard. 2002. The Culture of Queers. London & New York: Routledge.]Search in Google Scholar
[Kristeva, Julia. 1982 [1980]. Powers of Horror: An Essay on Abjection, trans. Leon S. Roudiez. New York: Columbia University Press.Marks, Laura. 2000. The Skin of Film. Durham & London: Duke University Press.]Search in Google Scholar
[Mulvey, Laura. 2006. Death 24x Times a Second. London: Reaktion Books.]Search in Google Scholar
[Otero, Mariana. 2006. Scénario d’Histoire d’un secret. In Le style dans le cinéma documentaire - Réflexions sur le style, Entretiens et contributions [Style in Documentary Cinema - Reflexions on Style, Interviews and Contributions], eds. Guy Baudon, Anne Baudry, Jean-Louis Baudry [et al], 71-103. Paris: ADDOC/L’Harmattan.]Search in Google Scholar
[Pethő, Ágnes. 2010. Media in the Cinematic Imagination: Ekphrasis and the Poetics of the In-Between in Jean-Luc Godard’s Cinema. In Media Borders, Multimodality and Intermediality, ed. Lars Elleström, 211-222. New York: Palgrave Macmillan Press.10.1057/9780230275201_15]Search in Google Scholar
[Rancière, Jacques. 2004 [2000]. The Politics of Aesthetics - The Distribution of the Sensible. Translated with an Introduction by Gabriel Rockhill. London & New York: Continuum.]Search in Google Scholar
[Røsaak, Eivind. 2006. Figures of Sensation: Between Still and Moving Images. In The Cinema of Attractions Reloaded, ed. Wanda Strauven, 321-336. Amsterdam: Amsterdam University Press.]Search in Google Scholar
[Schaeffer, Jean-Marie. 2006. La chair est image [The Flesh is Image]. In Qu’est-ce qu’un corps? [What is a Body?] ed. Stéphane Breton, 58-81. Paris: Flammarion/ Musée du Quai Branly (Exhibition Catalogue.) ]Search in Google Scholar
[The Oxford English Dictionary, 2nd Edition, Volume V. 1991. Oxford: Clarendon Press.]Search in Google Scholar
