[
Butler, Isaac. “Fornes and Her Friends.” American Theater, 23 Mar. 2016, www.americantheatre.org/2016/03/23/maria-irene-fornes-with-a-little-help-from-her-friends.
]Search in Google Scholar
[
Butler, Judith. Precarious Life: The Powers of Mourning and Violence. Verso, 2004.
]Search in Google Scholar
[
The Cuban Rafter Phenomenon. University of Miami Libraries, 2014, balseros.miami.edu.
]Search in Google Scholar
[
Cummings, Scott. Maria Irene Fornes. Routledge, 2013.10.4324/9780203816219
]Search in Google Scholar
[
Cummings, Scott. “‘The Poetry of Space in a Box’: Scenography in the Work of Maria Irene Fornes.” The Theater of Maria Irene Fornes, edited by Marc Robinson, Johns Hopkins UP, 1999, pp. 174-85.
]Search in Google Scholar
[
Data from the UN Refugee Agency. The United Nations High Commissioner for Refugees, www.unhcr.org/refugee-statistics/. Accessed 20 Apr. 2022.
]Search in Google Scholar
[
Emergencies. The United Nations High Commissioner for Refugees, www.unhcr.org/emergencies.html. Accessed 20 Apr. 2022.
]Search in Google Scholar
[
Fernández Soto, Concha, and Francisco Checa Y Olmos, editors. Los mares de Caronte: diecisiete calas dramáticas sobre migraciones. Editorial Fundamentos, 2016.
]Search in Google Scholar
[
Fornés, María Irene. “Manual for a Desperate Crossing.” Letters from Cuba and Other Plays, PAJ Publications, 2007, pp. 83-136.
]Search in Google Scholar
[
Frankl, Viktor E. El hombre en busca de sentido. Herder, 2015.10.2307/j.ctvt7x6s4
]Search in Google Scholar
[
Global Report 2018 - The Americas Regional Summary. The United Nations High Commissioner for Refugees, June 2019, www.unhcr.org/publications/fundraising/5e4ff8ca7/unhcr-global-report-2018-americas-regional-summary.html.
]Search in Google Scholar
[
Halcyon Theatre. The Alcyon Festival 10. 21 Jan. – 27 Feb. 2010, halcyontheatre.org/productions/alcyone10.
]Search in Google Scholar
[
Isaacson, B.F. “Desperate Crossing and Letters from Cuba Exposes Immigrants Plight.” Utah Theatre Bloggers. Reviews, Utah Country, 20 Nov. 2020, utahtheatrebloggers.com/255558/desperate-crossing-letters-from-cuba-exposes-immigrants-plight.
]Search in Google Scholar
[
Lehmann, Hans-Thies. Postdramatic Theatre. Translated by Karen Jürs-Munby, Routledge, 2006.10.4324/9780203088104
]Search in Google Scholar
[
Marranca, Bonnie. “The State of Grace: Maria Irene Fornes at Sixty-two.” Ecologies of Theater, PAJ Publications, 2012, pp. 80-6.
]Search in Google Scholar
[
Moroff, Diane Lynn. Fornes: Theater in the Present Tense. U of Michigan P, 1996.10.3998/mpub.15337
]Search in Google Scholar
[
Robinson, Marc. “Introduction.” The Theater of Maria Irene Fornes, edited by Marc Robinson, Johns Hopkins UP, 1999, pp. 1-21.
]Search in Google Scholar
[
Ybarra, Patricia. “Havana Isn’t Waiting: Staging Travel During Cuba´s Special Period.” Performance in the Borderlands, edited by Ramón Rivera-Servera and Harvey Young, Palgrave Macmillan, 2011, pp. 58-81.10.1057/9780230294554_4
]Search in Google Scholar
