Acceso abierto

Spectral Resemblances and Elusive Connections: A Practice-led Research Dialogue between Poetry and Digital Imagery


Cite

Aichelle, Kathryn Porter. Paul Klee: Poet/Painter. Rochester, NY: Camden House, 2006.Search in Google Scholar

Alexander, Michael. The Poetic Achievement of Ezra Pound. Berkeley: University of California Press, 1981.Search in Google Scholar

Appollinaire, Guillaume. Calligrammes. Bilingual edition, Trans. Anne Hyde Greet. Berkeley: University of California Press, 1980.Search in Google Scholar

Barry, Ann Marie Seward. Visual Intelligence: Perception, Image, andManipulation in Visual Communication. Albany, N.Y.: State University of New York Press, 1997.Search in Google Scholar

Beach, Christopher. The Cambridge Introduction to Twentieth-century AmericanPoetry . Cambridge: Cambridge niversity Press , 2003.10.1017/CBO9780511610110Search in Google Scholar

Beasley, Rebecca. Ezra Pound and the Visual Culture of Modernism. Cambridge: Cambridge University Press, 2007.Search in Google Scholar

Berman, Art. Preface to Modernism. Illinois: University of Illinois Press, 1994.Search in Google Scholar

Beveridge, Judith. The Domesticity of Giraffes. Wentworth Falls: Black Lightning Press, 1987.Search in Google Scholar

Bohn, Willard. Modern Visual Poetry. Cranbury, N.J.: Associated University Presses, 2001.Search in Google Scholar

Bly, Robert. Silence in the Snowy Fields: Poems. Middletown, C.T.: Wesleyan University Press, 1962.Search in Google Scholar

Bremner, Craig. “Later Readings Review.” Anita Fitton, Later Readings. Canberra: University of Canberra, 2009. n. pag.Search in Google Scholar

Cahill, James. The Lyric Journey: Poetic Painting in China and Japan. Harvard: Harvard University Press, 1996.Search in Google Scholar

Dallow, Peter. “Representing Creativeness: Practice Based Approaches to Research in Creative Arts.” Art, Design & Communication in HigherEducation 2.1-2: 49-66.10.1386/adch.2.1.49/0Search in Google Scholar

Davidson, Michael. Ghostlier Demarcations: Modern Poetry and the MaterialWorld. Berkeley: University of California Press, 1997.10.1525/9780520313194Search in Google Scholar

Dayan, Peter. Art as Music, Music as Poetry, Poetry as Art: from Whistler toStravinsky and Beyond. Surrey: Ashgate Publishing, 2011.Search in Google Scholar

Eliot, T.S. Selected Poems. London: Faber, 1976.Search in Google Scholar

Elkins, James. Why Are Our Pictures Puzzles? On the Modern Origins ofPictorial Complexity. London: Routledge, 1999.Search in Google Scholar

Fenollosa, Ernest and Ezra Pound. The Chinese Written Character as a Mediumfor Poetry. New York: Fordham University Press, 2008.10.1515/9780823238347Search in Google Scholar

Fitton, Anita. “Cave Swimming.” npublished digital image, 2011.Search in Google Scholar

Fitton, Anita. “Plumber.” npublished digital image, 2011.Search in Google Scholar

Fitton, Anita. “The Pond.” npublished digital image, 2011.Search in Google Scholar

Fitton, Anita and Paul Hetherington, “Spectral Resemblances: Project Criteria and Research Question.” npublished Word document, 2011.Search in Google Scholar

Flint, F.S. “Imagisme.” Poetry: A Magazine of Verse 1.6. March 2013: 198-200.Search in Google Scholar

Gamboni, Dario. Potential Images: Ambiguity and Indeterminacy in Modern Art. London: Reaktion Books, 2002.Search in Google Scholar

Gombrich, E.H. Art and Illusion: A Study in the Psychology of PictorialRepresentation. London: The Folio Society, 2000.Search in Google Scholar

Halter, Peter. The Revolution in the Visual Arts and the Poetry of William CarlosWilliams. New York: Cambridge University Press, 1994.Search in Google Scholar

Herbert, George. The English Poems of George Herbert. Ed. C.A. Patrides. London: Dent, 1977.Search in Google Scholar

Hetherington, Paul. Six Different Windows. Crawley, WA: UWA Publishing, 2013.Search in Google Scholar

Hetherington, Paul. “Cave Swimming.” npublished poem, 2012.Search in Google Scholar

Hughes, Glenn. Imagism & the Imagists: A Study in Modern Poetry. Stanford: Stanford University Press, 1931.Search in Google Scholar

Hühn, Peter and Jens Kiefer. The Narratological Analysis of Lyric Poetry:Studies in English Poetry from the 16th to the 20th Century. Berlin: Walter de Gruyter, 2005.10.1515/9783110897623Search in Google Scholar

Jones, Peter. Imagist Poetry. London: Penguin, 1976.Search in Google Scholar

Little, William, H.W. Fowler, and Jessie Coulson. The Shorter Oxford EnglishDictionary on Historical Principles. 3rd ed. Rev. and ed. C.T Onions; completely reset with etymologies rev. by G.W.S Friedrichsen. Oxford: Oxford at the Clarendon Press, 1973.Search in Google Scholar

Loizeaux, Elizabeth Bergmann. Twentieth-Century Poetry and the Visual Arts. Cambridge: Cambridge University Press, 2010.Search in Google Scholar

McCorkle, James. “The Inscription of Postmodernism in Poetry.” InternationalPostmodernism: Theory and Literary Practice. Eds. Johannes William Bertens and Douwe Fokkema. Netherlands: John Benjamins, 1997.Search in Google Scholar

Nadal, Ira B. The Cambridge Companion to Ezra Pound. Cambridge: Cambridge University Press, 1999.10.1017/CCOL0521431174Search in Google Scholar

Nelson, Howard. Robert Bly: An Introduction to the Poetry. New York: Columbia University Press, 1984.Search in Google Scholar

Potter, Claire. Swallow. Melbourne: Five Islands Press, 2010.Search in Google Scholar

Pound, Ezra. Personae: Collected Shorter Poems of Ezra Pound. London: Faber & Faber, 1952. Pound, Ezra. “The Serious Artist.” The New Freewoman 1. 9 (1913): 161-63. Web. 21 September 2011. <http://dl.lib.brown.edu/repository2/ repoman.php?verb=render&id=1303308737203252&view=pageturner>.Search in Google Scholar

Pound, Ezra. “Vorticism.” the Fortnightly Review 96, 1 September 1914: 461-471; also The Fortnightly Review. Web. 18 March 2013 <http://fortnightlyreview.co.uk/vorticism/>.Search in Google Scholar

Rainey, Lawrence, ed. Modernism: An Anthology. Oxford: Blackwell Publishing, 2005.Search in Google Scholar

Rozik, Eli. “The Common Deep Structure of Verbal and Iconic Metaphors.” Interart Poetics: Essays on the Interrelations of the Arts and Media. Eds.Search in Google Scholar

Ulla Britta Lagerroth, Hans Lund and Erik Hedling. Amsterdam: Edition Rodopi B.V., 1997.Search in Google Scholar

Ruthven, K.K. A Guide to Ezra Pound’s Personae (1926). Berkeley: University of California Press, 1893.Search in Google Scholar

Sandqvist, Mona. “Alchemy and Interart.” Interart Poetics: Essays on theInterrelations of the Arts and Media. Eds. Ulla Britta Lagerroth, Hans Lund and Erik Hedling. Amsterdam: Edition Rodopi B.V., 1997.Search in Google Scholar

Scofield, Martin. T.S. Eliot: The Poems. Cambridge: Cambridge University Press, 1997.Search in Google Scholar

Smith, Cathy. “Between-ness: Theory and Practice Within the Margins of Excess.” IDEA Journal 2003: 131-144.10.37113/ideaj.vi0.240Search in Google Scholar

Smithson, Robert. Robert Smithson: The Collected Writings. Berkeley: University of California Press, 1996.Search in Google Scholar

Stoichita, Victor I. A Short History of the Shadow. London: Reaktion Books, 1999.Search in Google Scholar

Tryphonopoulos, Demetres P. and Stephen J. Adams, eds. The Ezra PoundEncyclopedia. Westport, CT: Greenwood Press, 2005.Search in Google Scholar

Williams, William Carlos. Selected Poems. Ed. Charles Tomlinson. Harmondsworth: Penguin, 1976. Search in Google Scholar

eISSN:
1841-964X
ISSN:
1841-964X
Idioma:
Inglés