[Alexander, Elizabeth. 2006. American Blue. Selected Poems. Highgreen: Bloodaxe Books.]Search in Google Scholar
[Baraka, Amiri. 1995. So the King Sold the Farmer. In Paul Vangelisti (ed.), Transbluesency. The Selected Poems of Amiri Baraka/LeRoi Jones (1961–1995), 263–266. New York: Marsilio Publishers.]Search in Google Scholar
[Hayden, Robert. [1962]. Middle Passage. In Frederick Glaysher (ed.), Collected Poems, 1985, 48–54. New York: Liveright.10.3998/mpub.7409]Search in Google Scholar
[Major, Clarence. 1998. The Slave Trade: View from the Middle Passage. In Configurations. New & Selected Poems 1958-1998, 300–319. Port Townsend, WA: Copper Canyon Press.]Search in Google Scholar
[Sanchez, Sonia. 1995. Wounded in the House of a Friend. Boston: Beacon Press.]Search in Google Scholar
[Arens, William 1979. The man-eating myth: Anthropology and anthropophagy. New York, NY: Oxford University Press.]Search in Google Scholar
[Boym, Svetlana. 2001. The future of nostalgia. New York, NY: Basic Books.]Search in Google Scholar
[Fanon, Frantz. 1967. Black skins, white masks. (Translated by Charles Lam Markmann.) New York, NY: Grove Press.]Search in Google Scholar
[Frye, Marilyn. 1983. The politics of reality: Essays in feminist theory. Trumansburg, NY: Crossing Press.]Search in Google Scholar
[Gates, Henry Louis, Jr. 1988. The signifying monkey. A theory of African-American literary criticism. New York, NY & Oxford: Oxford University Press.]Search in Google Scholar
[Glavey, Brian. 2016. The wallflower avant-garde: Modernism, sexuality, and queer ekphrasis. New York, NY: Oxford University Press.10.1093/acprof:oso/9780190202651.001.0001]Search in Google Scholar
[Hutcheon, Linda. 1994. Irony’s edge: The theory and politics of irony. London & New York, NY: Routledge.]Search in Google Scholar
[Holloway, Joseph E. & Winifred K. Vass. 1993. The African heritage of American English. Bloomington & Indianapolis, IN: Indiana University Press.]Search in Google Scholar
[Kammen, Michael. 1991. Mystic chords of memory: The transformation of tradition in American culture. New York, NY: Knopf.]Search in Google Scholar
[Menil Foundation, The. 1976. The image of the Black in western art. 4. vols. Cambridge, MA: Harvard University Press.]Search in Google Scholar
[Mitchell, W. J. T. 2012. Seeing through race. Cambridge, MA & London: Harvard University Press.10.4159/harvard.9780674065352]Search in Google Scholar
[Morrison, Toni. 1993. Playing in the dark. Whiteness and the literary imagination. New York, NY: Vintage Books.]Search in Google Scholar
[Porter, Joy. 2012. Land and spirit in native America. Santa Barbara, CA: Praeger.]Search in Google Scholar
[Selzer, Linda Furgerson. 1998. Reading the painterly text: Clarence Major’s “The Slave Trade: View from the Middle Passage”. African American Review 33(2). 209–229.10.2307/2901275]Open DOISearch in Google Scholar
[Spillers, Hortense J. 2003. Changing the letter: The yokes, the jokes of discourse, or, Mrs. Stowe, Mr. Reed. In Black, white, and in color: Essays on American literature and culture, 176–202. Chicago: The University of Chicago Press.]Search in Google Scholar
[Werner, Craig. 1986. New democratic vistas: Toward a pluralistic genealogy. In Joe Weixlmann & Chester J. Fontenot (eds.), Belief vs. theory in Black American literary criticism, 47–84. Greenwood, FL: The Penkevill Publishing Company.]Search in Google Scholar
[Young, Kevin. 2011. Ardency. A chronicle of the Amistad rebels. New York: Alfred A. Knopf.]Search in Google Scholar
