<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The paper examines a number of unrealized and unauthentic narrative events in Ernest Hemingway’s “The Snows of Kilimanjaro” which, despite not being part of the main story line, are still emotionally charged as well as thoroughly and instantly engaging. I argue that our involvement in such counterfactual scenarios might be explained by the fact that we don’t feel it to be necessary to choose between the multiple developments of the story. In connection with this, I formulate the question whether this emergent narrative diversity has an implicit effect on the act of reading. It seems that the introduction of the counterfactual stories heightens the immersion effect of the story.</p></abstract>

The paper examines a number of unrealized and unauthentic narrative events in Ernest Hemingway’s “The Snows of Kilimanjaro” which, despite not being part of the main story line, are still emotionally charged as well as thoroughly and instantly engaging. I argue that our involvement in such counterfactual scenarios might be explained by the fact that we don’t feel it to be necessary to choose between the multiple developments of the story. In connection with this, I formulate the question whether this emergent narrative diversity has an implicit effect on the act of reading. It seems that the introduction of the counterfactual stories heightens the immersion effect of the story.

From Memories To Counterfactuals: A Conceptual Journey In Ernest Hemingway’s “Snows Of Kilimanjaro”

Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The paper examines a number of unrealized and unauthentic narrative events in Ernest Hemingway’s “The Snows of Kilimanjaro” which, despite not being part of...

From Memories To Counterfactuals: A Conceptual Journey In Ernest Hemingway’s “Snows Of Kilimanjaro”

Publicado en línea: 27 nov 2015

Páginas: 103 - 109

DOI: https://doi.org/10.1515/rjes-2015-0013

Palabras clave
short story, conceptual journey, counterfactuality, immersion effect

© 2015 Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

From Memories To Counterfactuals: A Conceptual Journey In Ernest Hemingway’s “Snows Of Kilimanjaro”

Publicado en línea: 27 nov 2015

Páginas: 103 - 109

DOI: https://doi.org/10.1515/rjes-2015-0013

Palabras claveshort story, conceptual journey, counterfactuality, immersion effect

© 2015 Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Palabras clave
short story, conceptual journey, counterfactuality, immersion effect