[Altman, Rick (1999) Film/Genre. London: BFI.10.5040/9781838710491]Search in Google Scholar
[Ang, Ien (1991) Desperately Seeking the Audience. London. Routledge.10.4324/9780203321454]Search in Google Scholar
[Asp, Kent (2004) Svenskt TV-utbud 2003. Stockholm: Granskningsnämnden för radio och TV.]Search in Google Scholar
[Bakøy, Eva & Trine Syvertsen (eds) (2001) Sjekking på TV. Offentlig ydmykelse eller bare en lek. En studie av Reisesjekken – programformat, delttakere, produsenter, sponsorer og publikum. Oslo: Unipub.]Search in Google Scholar
[Barnouw, Erik (1975/1982) Tube of Plenty. The Evolution of American Television (second edition). Oxford: Oxford University Press.]Search in Google Scholar
[Berger, Arthur Asa (1992) Popular Culture Genres. Theories and Texts. Newbury Park, London & New Delhi: Sage.10.4135/9781483325316]Search in Google Scholar
[Björkman, Anders (2002) ‘TV4 gjorde valvaka i kortbyxor’, Expressen 16/9 2002.]Search in Google Scholar
[Bolin, Göran (2002) ‘In the Market for Symbolic Commodities. Swedish Lottery Game Show ’Bingolotto’ and the Marketing of Social and Cultural Values’, Nordicom Review vol. 23:1-2, pp. 177-204.]Search in Google Scholar
[Bolin, Göran (2004) ‘The Value of Being Public Service. The Shifting of Power Relations in Swedish Television Production’, Media, Culture & Society vol. 26:2, pp. 277-287.10.1177/0163443704041178]Search in Google Scholar
[Bolin, Göran (2006) ‘Visions of Europe. Cultural Technologies of Nation States’, International Journal of Cultural Studies, vol 9(2), pp. 189-206.10.1177/1367877906064030]Search in Google Scholar
[Bolin, Göran & Michael Forsman (2002) Bingolotto: produktion, text, reception, Huddinge: MKV (Mediestudier vid Södertörns högskola 2002:1).]Search in Google Scholar
[Bourdon, Jérôme (2000) ‘Live Television is Still Alive: On Television as an Unfulfilled Promise’, Media, Culture & Society, vol. 22, pp. 531-556.10.1177/016344300022005001]Search in Google Scholar
[Brants, Kees & Els De Bens (2000) ‘The Status of TV Broadcasting in Europe’, in Jan Wieten, Graham Murdock & Peter Dahlgren (eds) Television Across Europe. London: Sage, pp. 7-22.10.4135/9781446220344.n2]Search in Google Scholar
[Caldwell, John Thornton (1995) Televisuality. Style, Crisis, and Authority in American Television. New Brunswick, N.J.: Rutgers University Press.]Search in Google Scholar
[Cawelti, John G. (1976) Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture. Chicago: University of Chicago Press.10.7208/chicago/9780226148700.001.0001]Search in Google Scholar
[Curran, James (ed.) (2000) Media Organisations in Society. Oxford: Arnold.]Search in Google Scholar
[Dahl, Hans Fredrik & Rolf Høyer (2003) Spillet om TV2. Da Norge fikk kommersielt fjernsyn. Oslo. N.W.Damm & Søn.]Search in Google Scholar
[Ellis, John (1992) Visible Fictions. Cinema, Television, Video (2nd edition). London & New York: Routledge]Search in Google Scholar
[Ellis, John (2000) Seeing Things. Television in the Age of Uncertainty. London & New York: I.B. Tauris.10.5040/9780755604784]Search in Google Scholar
[Ericson, Staffan (ed.) (2002) Hello Europe! Tallinn Calling! Eurovision Song Contest 2002 som mediehändelse. Huddinge: MKV (Mediestudier vid Södertörns högskola 2002:3).]Search in Google Scholar
[Feuer, Jane (1983) ‘The Onset of Live Television: Ontology as Ideology’, in E. Ann Kaplan (ed.) Reading Television. Los Angeles: AFI, pp. 12-22.]Search in Google Scholar
[Feuer, Jane (1987/1990) ‘Genre Study and Television’, in Robert C. Allen (ed.) Channels of Discourse, Reassembled. Television and Contemporary Ccriticism. London: Routledge, pp. 113-133.]Search in Google Scholar
[Fiske, John (1987) Television Culture. London & New York: Routledge.]Search in Google Scholar
[Forsman, Michael (2002) ‘Direktsändning som teknologi och kulturell form. ESC och konstruktionen av liveness’, in Staffan Ericson (ed.) Hello Europe! Tallinn Calling! Eurovision Song Contest 2002 som mediehändelse. Huddinge: MKV (Mediestudier vid Södertörns högskola 2002:3) pp. 69-80.]Search in Google Scholar
[Genette, Gérard (1987/1997) Paratexts. Cambridge: Cambridge University Press.]Search in Google Scholar
[Hall, Stuart (1973) Encoding/Decoding in the Television Discourse. Stencilled occasional paper from CCCS nr. 7, Birmingham: Birmingham University/CCCS.]Search in Google Scholar
[Heat, Steven & Gillian Skirrow (1977) ‘Television: A World in Action’, Screen, vol. 18:2, pp. 7-59.10.1093/screen/18.2.7]Search in Google Scholar
[Hirsch, Paul M. (1977) ‘Occupational, Organisational, and Institutional Models in Mass Media Research: Toward an Integrated Framework’, in Paul M. Hirsh, Peter V. Miller & F. Gerald Kline (eds) Strategies for Communications Research (Sage annual reviews of communications research vol. 6), Beverly Hills: Sage.]Search in Google Scholar
[Kozloff, Sarah Ruth (1987/1990) ‘Narrative Theory and Television’, in Robert C. Allen (ed.) Channels of Discourse, Reassembled. Television and Contemporary Criticism. London: Routledge, pp. 42-73.]Search in Google Scholar
[Lacey, Nick (2000) Narrative and Genre. Key Concepts in Media Studies. Houndmills: Macmillan.10.5040/9781350392847]Search in Google Scholar
[Marriott, Stephanie (2000) ‘Election Night’, Media, Culture & Society, vol. 22, pp. 131-148.10.1177/016344300022002001]Search in Google Scholar
[Morse, Margaret (1986) ‘The Television News Personality and Credibility: Reflections on News in Transition’, in Tania Modleski (red) Studies in Entertainment. Critical Approaches to Mass Culture. Bloomington & Indianapolis: Indiana University Press, pp. 55-79.]Search in Google Scholar
[Oldenburg, Ann (2005) ‘Pan-to-Pan Combat. Competitive Cooking Before a Live Audience is a Hot Niche on TV’, USA Today, May 6, pp. 1E-3E.]Search in Google Scholar
[Paterson, Richard (2001) ‘Work Histories in Television’, Media, Culture & Society. vol. 23, pp. 495-520.10.1177/016344301023004005]Search in Google Scholar
[Robins, Kevin & James Cornford (1992) ‘What is ‘Flexible’? About Independent Producers?’, Screen vol. 33:2, pp. 190-200.]Search in Google Scholar
[Skovmand, Michael (1992) ‘Barbarous TV International. Syndicated Wheels of Fortune’, in Michael Skovmand & Kim Christian Schrøder (eds) Media Cultures. Reappraising Transnational Media, London & New York: Routledge, pp. 84-103.]Search in Google Scholar
[Syvertsen, Trine (1996) ‘TV2 i Norge 1992-1995. Strategi och programpolitikk i en moderne hybridkanal’, in Olof Hultén, Henrik Søndergaard & Ulla Carlsson (eds) Nordisk forskning om public service. Radio och TV i allmänhetens tjänst. Göteborg: Nordicom, pp. 61-78.]Search in Google Scholar
[Syvertsen, Trine (1997) Den store TV-krigen. Norsk allmennfjernsyn 1988-96. Oslo: Fagbokforlaget.]Search in Google Scholar
[Søndergaard, Henrik (1994) DR i TV-konkurrencens tidsalder. København: Samfundslitteratur.]Search in Google Scholar
[Wieten, Jan, Graham Murdock & Peter Dahlgren (eds) (2000) Television Across Europe. London: Sage.]Search in Google Scholar
[Ytreberg, Espen (1999) Allmennkringkastingens autoritet. Endringer i NRK Fjernsynets tekstprodusjon 1987-1994. Oslo: Institutt for medier og kommunikation.]Search in Google Scholar
[Åker, Patrik (2002) ‘Mediehändelsens plats’, in Staffan Ericson (ed.) Hello Europe! Tallinn Calling! Eurovision Song Contest 2002 som mediehändelse. Huddinge: MKV, (Mediestudier vid Södertörns högskola 2002:3), pp. 15-22.]Search in Google Scholar