How to Describe and Measure Obstacles of Narrative Immersion in a Film?

Bjørner, Thomas (2015). ‘Data collection’. In: Bjørner, Thomas (ed.) Qualitative methods for consumer research: The value of the qualitative approach in theory and practice. Copenhagen: Hans Reitzels Forlag.Search in Google Scholar

Blanchet, Robert (2005). ‘Deep impact: Emotion and performativity in contemporary blockbuster cinema’. In: Thomsen, Christiajn W. & Krewani, Angela. (eds) Hollywood: Recent developments. Stuttgart: Axel Menges.Search in Google Scholar

Bordwell, David (1985). Narration in the Fiction Film. Madison, WI: University of Wisconsin Press.Search in Google Scholar

Bordwell, David & Thompson, Kristin (2010) Film Art. An Introduction. 9th ed. New York: McGraw-Hill.Search in Google Scholar

Brown, William (2012) Avatar: Stereoscopic Cinema, Gaseous Perception and Darkness. Animation: An Interdisciplinary Journal 7(3): 259-271.10.1177/1746847712456254Search in Google Scholar

Brown, Emily & Cairns, Paul (2004) ‘A grounded investigation of game immersion’. Proceedings from the SIGCHI conference on Human factors in computing systems (CHI ‘04) (pp. 1297-1300). New York: ACM Press.10.1145/985921.986048Search in Google Scholar

Busselle, Rick & Bilandzic, Helena (2008) ‘Fictionality and perceived realism in experiencing stories: A model of narrative comprehension and engagement’. Communication Theory 18(2): 255-280.10.1111/j.1468-2885.2008.00322.xSearch in Google Scholar

Busselle, Rick & Bilandzic, Helena (2009) ‘Measuring narrative engagement’. Media Psychology 12(4): 321-347.10.1080/15213260903287259Search in Google Scholar

Calleja, Gordon (2011) In-game: From Immersion to Incorporation. Cambridge: The MIT Press.10.7551/mitpress/8429.001.0001Search in Google Scholar

Carroll, Noël (2001) Beyond Aesthetics: Philosophical Essays. Cambridge: Cambridge University Press.10.1017/CBO9780511605970Search in Google Scholar

Coplan, Amy (2004) ‘Empathic engagement with narrative fictions’. The Journal of Aesthetics and Art Criticism 62(2): 141-152.10.1111/j.1540-594X.2004.00147.xSearch in Google Scholar

Csikszentmihalyi, Mihaly (1990) Flow: The Psychology of Optimal Experience. New York: Harper Perennial.Search in Google Scholar

Douglas, Jane Y. & Hargadon, Andrew (2001) ‘The pleasures of immersion and engagement: Schemas, scripts and the fifth business’. Digital Creativity 12(3): 153-166.10.1076/digc.12.3.153.3231Search in Google Scholar

Ermi, Laura & Mäyrä, Frans (2005) ‘Fundamental components of the gameplay experience: Analysing immersion’. In: de Castell, Suzanne & Jenson, Jennifer. (eds), Proceedings from the DiGRA conference: Changing views: Worlds in play (pp. 15-27). Vancouver, Canada.Search in Google Scholar

Green, Melanie C. & Brock, Timothy C. (2000) ‘The role of transportation in the persuasiveness of public narratives’. Journal of Personality and Social Psychology 79(5): 701-721.10.1037/0022-3514.79.5.701Search in Google Scholar

Green, Melanie C., Brock, Timothy C. & Kaufman, Geoff (2004) ‘Understanding media enjoyment: The role of transportation into narrative worlds’. Communication Theory 14(4): 311-327.10.1111/j.1468-2885.2004.tb00317.xSearch in Google Scholar

Grodal, Torben (1997) Moving Pictures. Oxford, UK: Clarendon Press.Search in Google Scholar

Grodal, Torben (2002) ‘The Experience of Realism in Audiovisual Representation’. In: Jerslev, Anne (eds) Realism and ‘Reality’ in Film and Media. Copenhagen: Museum Tusculanum Press.Search in Google Scholar

Grodal, Torben (2009) Embodied Visions: Evolution, Emotion, Culture and Film. New York: Oxford University Press.10.1093/acprof:oso/9780195371314.001.0001Search in Google Scholar

Gross, James J. & Levenson, Robert W. (1995) ‘Emotion elicitation using films’. Cognition and Emotion 9(1): 87-108.10.1080/02699939508408966Search in Google Scholar

Haccoun, Jeremy [Director] (2006). Paradox [Film]. USA: JH Productions.Search in Google Scholar

Hemenover, Scott H. & Schimmack, Ulrich (2007) ‘That’s disgusting!..., but very amusing: Mixed feelings of amusement and disgust’. Cognition and Emotion 21(5): 1102-1113.Search in Google Scholar

Jennett, Charlene, Cox, Anna L., Cairns, Paul, Dhoparee, Samira, Epps, Andrew, Tijs, Tim & Walton, Alison (2008) ‘Measuring and defining the experience of immersion in games’. International Journal of Human- Computer Studies 66(9): 641-661.10.1016/j.ijhcs.2008.04.004Search in Google Scholar

Johnson-Laird, Philip N. (1983) Mental models. Cambridge: Cambridge University Press.Search in Google Scholar

Jones, Mike (2007) ‘Vanishing Point: Spatial Composition and the Virtual Camera’. Animation: An Interdisciplinary Journal 2(3):225-271.10.1177/1746847707083420Search in Google Scholar

Kant, Immanuel (2007 [1793]) Critique of Judgment. Translated by JC Meredith. Revised, edited and introduced by N Walker: Oxford University Press.Search in Google Scholar

Lee, Kwan Min (2004) ‘Presence explicated’. Communication Theory 14(1): 27-50.10.1111/j.1468-2885.2004.tb00302.xSearch in Google Scholar

Murdoch, Iris (1959) ‘The Sublime and the Good’. Chicago Review 13(3): 42-55.10.2307/25293537Search in Google Scholar

Murray, Craig D., Fox, Jesse & Pettifer, Stephen (2007) ‘Absorption, dissociation, locus of control and presence in virtual reality’. Computers in Human Behavior 23(3): 1347-1354.10.1016/j.chb.2004.12.010Search in Google Scholar

Nedelcu, Marius (2013) ‘Expanded Image Spaces. From Panoramic Image to Virtual Reality, Through Cinema’. Close Up: Film and Media Studies, 1(1): 44-53.Search in Google Scholar

Oatley, Keith (2002) ‘Emotions and the story worlds of fiction’. In: Green Melanie C., Strange Jeffrey J., & Brock, Timothy C. (eds) Narrative Impact: Social and Cognitive Foundations. Mahwah, NJ: Lawrence Erlbaum, 39-70.Search in Google Scholar

O’Brien, Heather.L. & Toms, Elaine G. (2008) ‘What is user engagement? A conceptual framework for defining user engagement with technology’. Journal of the American society for Information Science and Technology 59(6): 938-955.10.1002/asi.20801Search in Google Scholar

Power, Pat (2009) ‘Animated expressions: Expressive style in 3D computer graphic narrative animation’. Animation: An Interdisciplinary Journal 4(2): 107-129.10.1177/1746847709104643Search in Google Scholar

Qin, Hua, Rau, Pei-Luen Patrick & Salvendy, Gavriel (2009) ‘Measuring player immersion in the computer game narrative’. International Journal of Human-Computer Interaction 25(2): 107-133.10.1080/10447310802546732Search in Google Scholar

Recuber, Tim (2007) ‘The Rationalization and Reenchantment of Cinematic Space’. Space and culture, 10(3): 315-330.10.1177/1206331207304352Search in Google Scholar

Ryan, Marie-Laure (2001) Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore, MD: Johns Hopkins University Press. Smith, Murray (1995) Engaging Characters: Fiction, Emotion and the Cinema. Oxford: Clarendon Press.Search in Google Scholar

Tan, Ed S. (1996) Emotion and the Structure of Narrative Film. Mahwah, NJ: Lawrence Erlbaum Associates, Inc.Search in Google Scholar

Tan, Ed S. (2008) ‘Entertainment is Emotion: The Functional Architecture of the Entertainment Experience’. Media Psychology 11(1): 28-51.10.1080/15213260701853161Search in Google Scholar

Visch, Valentine T., Tan Ed S. & Molenaar, Dylan (2010) ‘The emotional and cognitive effect of immersion in film viewing’.Cognition and Emotion 24(8): 1439-1445.10.1080/02699930903498186Search in Google Scholar

Witmer, Bob G. & Singer, Michael J. (1998) ‘Measuring presence in virtual environments: A presence questionnaire’. Teleoperators and Virtual Environments 7(3): 225-240. 10.1162/105474698565686Search in Google Scholar