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Publicado en línea: 29 dic 2017
Páginas: 112 - 128
DOI: https://doi.org/10.1515/bsmr-2017-0015
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© 2018
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.
The article suggests that cinematic figures can be divided into two basic groups - barbarian and intellectual. The definition is based on the level of the figures’ intelligibility in the works of Jean-Luc Godard and Andrei Tarkovsky. As Claude Lévi-Strauss’ myth analysis shows, there are structural similarities between cinematic figures and myths, the article searches for a closer, more site-specific link, engaging fairy tales, i.e. local myths, as a more efficient way of observing the distinctive features of the figures in specific regions.