[Ali, Lorraine 2015. ‘Q&A: Alejandro G. Iñárritu on Directing His Own Career’. - Los Angeles Times, 3 February. http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-alejandro-gonzalezinarritu-retrospective-20150203-story.html (14 August 2017).]Search in Google Scholar
[Anonymous 2009. ‘SIFF 09: Review of Beautiful Estonian Drama Sügisball’. - Quiet Earth, 23 June. http://www.quietearth.us/articles/2009/06/22/SIFF-09-Review-of-beautiful-Estonian-drama-Sgisball (14 August 2017).]Search in Google Scholar
[Aronson, Linda n.d. ‘The Six Sorts of Parallel Narrative’. - Linda Aronson. http://www.lindaaronson.com/six-types-of-parallel-narrative.html (14 August 2017).]Search in Google Scholar
[Azcona, Maria del Mar 2005. ‘Making Sense of a Multi-Protagonist Film: Audience Response Research and Robert Altman’s Short Cuts (1993)’. - Miscelánea: A Journal of English and American Studies 32, 11-22.10.26754/ojs_misc/mj.200510116]Search in Google Scholar
[Azcona, Maria del Mar 2008. ‘Love Is a Many-Person’d Thing: Multi-Protagonist Tales of Contemporary Desire’. - Bells: Barcelona English Language and Literature Studies 17, 1-13.]Search in Google Scholar
[Azcona, Maria del Mar 2010. The Multi-Protagonist Film. Malden, Oxford, Chichester: Wiley-Blackwell.]Search in Google Scholar
[Beal, Wesley 2009. ‘Theorising Connectivity: The Form and Ideology of the Network Narrative’. - Jonathan Glynne, Fiona Hackney, Viv Minton (eds.), Networks of Design: Proceedings of the 2008 Annual International Conference of the Design History Society (UK). Boca Raton: Universal-Publishers, 405-409.]Search in Google Scholar
[Berg, Charles Ramirez 2006. ‘A Taxonomy of Alternative Plots in Recent Films: Classifying the “Tarantino Effect”’. - Film Criticism 31, 2, 5-61.]Search in Google Scholar
[Bordwell, David 2006. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkley, Los Angeles, London: University of California Press.10.1525/9780520932326]Search in Google Scholar
[Bordwell, David 2008. Poetics of Cinema. New York, London: Routledge.]Search in Google Scholar
[Bordwell, David; Staiger, Janet; Thompson, Kristin 2005. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York, London: Routledge.]Search in Google Scholar
[Branigan, Edward 2002. ‘Nearly True: Forking Paths, Forking Interpretations. A Response to David Bordwell’s “Film Futures”’. - SubStance 97, 105-114.10.1353/sub.2002.0006]Search in Google Scholar
[Buckland, Warren 2009. ‘Introduction: Puzzle Plots’. - Warren Buckland (ed.), Puzzle Films: Complex Storytelling in Contemporary Cinema. New Jersey: Wiley-Blackwell, 1-12.10.1002/9781444305708.ch]Search in Google Scholar
[Cameron, Allan 2006. ‘Contingency, Order, and the Modular Narrative: 21 Grams and Irreversible’. - The Velvet Light Trap 58, Fall, 65-78.10.1353/vlt.2006.0024]Search in Google Scholar
[Carmago, Sandy 2002. ‘“Mind the Gap”: The Multi-Protagonist Film Genre, Soap’. - M/C Journal 5, 5. http://journal.media-culture.org.au/0210/Carmago.php (14 August 2017).10.5204/mcj.1981]Search in Google Scholar
[Ciafone, Amanda 2014. ‘The Magical Neoliberalism of Network Films’. - International Journal of Communication 8, 2680-2704.]Search in Google Scholar
[Dawson, Tom 2006. ‘Frozen Land (Paha maa) (2006)’. - BBC, 5 October. http://www.bbc.co.uk/films/2006/10/10/frozen_land_2006_review.shtml (14 August 2017).]Search in Google Scholar
[Deleyto, Celestino 2012. ‘Film Genres at the Crossroads: What Genres and Films Do to Each Other’. - Barry Keith Grant (ed.), Film Genre Reader IV. Austin: University of Texas Press, 218-236.10.7560/742055-019]Search in Google Scholar
[Deleyto, Celestino 2016. From Tinseltown to Bordertown: Los Angeles on Film. Detroit: Wayne State University Press.]Search in Google Scholar
[Doane, Mary Ann 2002. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA; London: Harvard University Press. Eesti filmi arengusuunad 2012-2020. http://filmi.ee/wordpress/wp-content/uploads/2015/05/EF_arengusuunad_2012-2020.pdf (21 August 2017).]Search in Google Scholar
[Foster, Tyler 2010. ‘Frozen Land aka Paha maa’. - DVD Talk, 4 August. http://www.dvdtalk.com/reviews/43627/frozen-land/ (14 August 2017).]Search in Google Scholar
[Fundin, Johan 2006. ‘Frozen Land’. - 10K Bullets, 27 November. http://10kbullets.com/reviews/frozenland/ (14 August 2017).]Search in Google Scholar
[Gronvall, Andrea n.d. ‘Frozen Land’. - Chicago Reader. http://www.chicagoreader.com/chicago/frozen-land/Film?oid=1049916 (15 August 2017).]Search in Google Scholar
[Hjort, Mette 2005. Small Nation, Global Cinema: The New Danish Cinema. Minneapolis, London: University of Minnesota Press. ]Search in Google Scholar
[IMF 2017a. Report for Selected Countries and Subjects. http://www.imf.org/external/pubs/ft/weo/2017/01/weodata/weorept.aspx?pr.x=77&pr.y=7&sy=2017&ey=2020&scsm=1&ssd=1&sort=country&ds=.&br=1&c=172&s=NGDPD%2CNGDPDPC%2CPPPGDP%2CPPPPC&grp=0&a= (21 August 2017).]Search in Google Scholar
[IMF 2017b. Report for Selected Countries and Subjects. http://www.imf.org/external/pubs/ft/weo/2017/01/weodata/weorept.aspx?pr.x=87&pr.y=9&sy=2016&ey=2022&scsm=1&ssd=1&sort=country&ds=.&br=1&c=939&s=NGDPD%2CNGDPDPC%2CPPPGDP%2CPPPPC&grp=0&a= (21 August 2017).]Search in Google Scholar
[Kinder, Marsha 2002. ‘Hot Spots, Avatars, and Narrative Fields Forever: Buñuel’s Legacy for New Digital Media and Interactive Database Narrative’. - Film Quarterly 55, 4, 2-15.10.1525/fq.2002.55.4.2]Search in Google Scholar
[Lanthier, Joseph Jon 2009. ‘Sügisball’. - Slant, 1 June. http://www.slantmagazine.com/film/review/sugisball (15 August 2017).]Search in Google Scholar
[Lübecker, Nikolaj 2015. The Feel-Bad Film. Edinburgh: Edinburgh University Press.10.3366/edinburgh/9780748697977.001.0001]Search in Google Scholar
[Manovich, Lev 1999. ‘Database as a Symbolic Form’. - Millennium Film Journal 34, Fall. http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_Frame-Set.html (15 August 2017).]Search in Google Scholar
[Maude, George 2010. Aspects of the Governing of the Finns. New York: Peter Lang.10.3726/978-1-4539-0061-1]Search in Google Scholar
[Megahey, Noel 2007. ‘Frozen Land’. - The Digital Fix, 10 May. http://film.thedigitalfix.com/content/id/64821/frozen-land.html (15 August 2017).]Search in Google Scholar
[Melzer, André; Hasse, Sebastian; Jeskulke, Oliver; Schön, Inga; Herczeg, Michael 2004. ‘The Interactive and Multi-Protagonist Film: A Hypermovie on DVD’. - International Conference on Entertainment Computing, 193-203.10.1007/978-3-540-28643-1_26]Search in Google Scholar
[Murray, Angus Wolfe 2006. ‘Frozen Land’. - Eye for Film, 12 October. http://www.eyeforfilm.co.uk/review/frozen-land-film-review-by-angus-wolfe-murray (15 August 2017).]Search in Google Scholar
[Näripea, Eva; Mazierska, Ewa 2016. ‘Transcending “Cold Intimacies” in Veiko Õunpuu’s Works’. - Baltic Screen Media Review 4, 61-87.10.1515/bsmr-2017-0004]Search in Google Scholar
[Paloheimo, Martti; Rouhunkoski, Mauri; Rutanen, Mirja 1974. Avameelselt abielust. Trans. Heino Mikk. Tallinn: Valgus.]Search in Google Scholar
[Parshall, Peter F. 2012. Altman and After: Multiple Narratives in Film. Lanham: The Scarecrow Press.]Search in Google Scholar
[Pessoa, Fernando 1998. The Tobacco Shop. Trans. Richard Zenith. New York: Grove Atlantic. http://www.ronnowpoetry.com/contents/pessoa/TobaccoShop.html (15 August 2017).]Search in Google Scholar
[Prieto, Rodrigo n.d. ‘Production Notes’. - 21 Grams. http://www.21-grams.com/content/prodnotesData.php (15 August 2017).]Search in Google Scholar
[Quart, Alissa 2005. ‘Networked’. - Film Comment 41, 4, 48-51.]Search in Google Scholar
[Rich, Nathaniel 2009. ‘Robert Altman’s Short Cuts: Stop Comparing It to Nashville’. - Slate, 27 January. http://www.slate.com/articles/arts/dvdextras/2009/01/robert_altmans_short_cuts.html (15 August 2017).]Search in Google Scholar
[Rizov, Vadim 2009. ‘Autumn Ball Creeps through the Marginalia of Baltic Consciousness’. - The Village Voice, 3 June. http://www.villagevoice.com/film/autumnball-creeps-through-the-marginalia-of-balticconsciousness-6391199 (15 August 2017).]Search in Google Scholar
[Silvey, Vivien 2009. ‘Not Just Ensemble Films: Six Degrees, Webs, Multiplexity and the Rise of Network Narratives’. - Forum: University of Edinburgh Postgraduate Journal of Culture and the Arts 8, Spring. http://www.forumjournal.org/article/view/621/906 (15 August 2017).10.2218/forum.08.621]Search in Google Scholar
[Silvey, Vivien 2012. Network Films: A Global Genre? PhD thesis. Australian National University. Canberra. http://hdl.handle.net/1885/10535 (15 August 2017).]Search in Google Scholar
[Simons, Jan 2008. ‘Complex Narratives’. - New Review of Film and Television Studies 6, 2, 111-126.10.1080/17400300802098263]Search in Google Scholar
[Smith, Evan 1999/2000. ‘Thread Structure: Rewriting the Hollywood Formula’. - Journal of Film and Video 51, 3/4, 88-96.]Search in Google Scholar
[Smith, Greg M. 2005. ‘Passersby and Politics: City of Hope and the Multiple Protagonist Film’. - Diane Carson, Heidi Kenaga (eds.), Sayles Talk: New Perspectives on Independent Filmmaker John Sayles. Detroit: Wayne State University Press, 117-133.]Search in Google Scholar
[Tabucchi, Antonio 1992. Dreams of Dreams and the Last Three Days of Fernando Pessoa. San Francisco: City Lights Books.]Search in Google Scholar
[Tolstoy, Leo 2006. The Forged Coupon, and Other Stories. Trans. Charles Wright. http://www.gutenberg.org/files/243/243-0.txt (15 August 2017).]Search in Google Scholar
[Tröhler, Margrit 2007. Offene Welten ohne Helden. Plurale Figurenkonstellationen im Film. Marburg: Schüren.]Search in Google Scholar
[Tröhler, Margrit 2010. ‘Multiple Protagonist Films: A Transcultural Everyday Practice’. - Jens Eder, Fotis Jannidis, Ralf Schneider (eds.), Characters in Fictional Worlds: Understanding Imaginary Beings in Literature, Film, and Other Media. Berlin, New York: de Gruyter, 459-477.10.1515/9783110232424.5.459]Search in Google Scholar
[Unt, Mati 1979. Sügisball. Stseenid linnaelust. Tallinn: Eesti Raamat.]Search in Google Scholar