Zeitschriften und Ausgaben

Volumen 33 (2022): Heft 1 (September 2022)

Volumen 32 (2021): Heft 1 (December 2021)

Volumen 31 (2021): Heft 1 (October 2021)

Volumen 30 (2020): Heft 1 (December 2020)

Volumen 29 (2019): Heft 1 (December 2019)

Volumen 28 (2018): Heft 1 (October 2018)

Volumen 27 (2018): Heft 1 (April 2018)

Volumen 26 (2017): Heft 1 (October 2017)

Volumen 25 (2012): Heft 1 (October 2012)

Volumen 24 (2012): Heft 1 (April 2012)

Volumen 22-23 (2011): Heft 1 (October 2011)

Volumen 20-21 (2010): Heft 1 (October 2010)

Volumen 18-19 (2009): Heft 1 (October 2009)

Volumen 16-17 (2008): Heft 1 (October 2008)

Volumen 15 (2008): Heft 1 (April 2008)

Volumen 14 (2007): Heft 1 (April 2007)

Volumen 13 (2007): Heft 1 (October 2007)

Volumen 12 (2006): Heft 1 (October 2006)

Volumen 11 (2006): Heft 1 (April 2006)

Volumen 10 (2005): Heft 1 (October 2005)

Volumen 9 (2004): Heft 1 (October 2004)

Volumen 8 (2004): Heft 1 (April 2004)

Volumen 7 (2003): Heft 1 (October 2003)

Volumen 5-6 (2003): Heft 1 (April 2003)

Volumen 4 (2002): Heft 1 (October 2002)

Volumen 3 (2001): Heft 1 (October 2001)

Volumen 2 (2001): Heft 1 (April 2001)

Volumen 1 (2000): Heft 1 (October 2000)

Zeitschriftendaten
Format
Zeitschrift
eISSN
2183-0142
Erstveröffentlichung
20 Dec 2020
Erscheinungsweise
2 Hefte pro Jahr
Sprachen
Englisch

Suche

Volumen 29 (2019): Heft 1 (December 2019)

Zeitschriftendaten
Format
Zeitschrift
eISSN
2183-0142
Erstveröffentlichung
20 Dec 2020
Erscheinungsweise
2 Hefte pro Jahr
Sprachen
Englisch

Suche

8 Artikel
Uneingeschränkter Zugang

Phantasy-Ego, Image Consciousness and Aesthetic Experience : Phenomenological Approaches

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 5 - 8

Zusammenfassung

Uneingeschränkter Zugang

Sobre a elaboração progressiva dos pensamentos de Husserl acerca da fantasia e da consciência de imagem através da escrita

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 9 - 37

Zusammenfassung

Abstract

This paper consists in a study of the development of Husserl’s thought on the notions of phantasy and image consciousness. It shows how, following a first phase in which he still identified phantasy with image consciousness, Husserl gradually began to distinguish the two and define what is proper to each in an increasingly precise manner.

The paper then shows how Husserl came to view pure phantasy as a modification of perception. Concerning image consciousness, it shows how the status of the image-object and the nature of its reference to the image subject evolved throughout Husserl’s thought. The problems raised by this model are also discussed, in particular when it comes to cases where there is no image subject, e.g. in theatre. Finally, the paper shows how the development of these concepts in Husserl’s work involves a new conception of the notion of “phantasm” – one that goes hand in hand with rejection of the ‘content of apprehension-apprehension’ scheme.

Schlüsselwörter

  • Husserl
  • Phantasy
  • Image Consciousness
  • Representation
Uneingeschränkter Zugang

Phenomenology of Phantasy and Fiction: Some Remarks Towards a Unified Account

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 39 - 55

Zusammenfassung

Abstract

I offer an outline of an integrated phenomenological analysis of free fantasy and of fictional worlds. My main concern amounts to stress the scissions entailed in free fantasy and in the consciousness of fictional objects: a scission of the I, and a scission of the experience. Firstly, I offer a somewhat new characterization of the presence of the objects of free fantasy, which disconnects any possible relationship of those objects with a real perception as the leading form of an originally giving consciousness. My leading example is daydream. Secondly, I take the Husserlian analysis of neutralization as a conceptual tool to explain the consciousness of fictional worlds, against a new tendency for interpreting these worlds in light of the concept of “possible world”. The two approaches converge to a twofold characterization of the mode of being of fictions and of the modality of presence of the objects of fantasy.

Schlüsselwörter

  • Husserlian Phenomenology
  • Phantasy
  • Fiction
  • Neutralization
Uneingeschränkter Zugang

Towards a Phenomenological Analysis of Fictional Emotions

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 57 - 81

Zusammenfassung

Abstract

What are fictional emotions and what has phenomenology to say about them? This paper argues that the experience of fictional emotions entails a splitting of the subject between a real and a phantasy ego. The real ego is the ego that imagines something; the phantasy ego is the ego that is necessarily co-posited by any experience of imagining something. Fictional emotions are phantasy emotions of the phantasy ego. The intentional structure of fictional emotions, the nature of their fictional object, as well as the process of constituting the phantasy ego in representificational acts of consciousness are further elaborated to provide the groundwork for a phenomenological analysis of fictional emotions.

Schlüsselwörter

  • Imagination
  • Emotion
  • Phenomenology
  • Edmund Husserl
  • Ego-Splitting
Uneingeschränkter Zugang

Attention and the Subject of Depiction Some Remarks on Husserl’s Approach to the Function of Attention in Phantasy, Image Consciousness and Pictorial Experience

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 83 - 114

Zusammenfassung

Abstract

This study aims at exposing the phenomenological description of attention as presented by Husserl in his 1904-05 Göttingen-lecture Principal Parts of the Phenomenology and Theory of Knowledge, in its relevance for the study of so-called “intuitive re-presentations”, that is, phantasy and image-consciousness. Starting with the exposition of the fundamental traits of the intentional theory of attention, this study discusses the definition of attention in the terms of meaning [Meinen] and interest, which allows it to become an encompassing modification of all kinds of lived experiences that does not imply an alteration of their act-character (Husserl, 2004: 73). We refer to this character of attention as “plasticity”. In what follows, the study underlines these two definitions of attention and their importance for the understanding of phantasy and image-consciousness. Both kinds of re-presentations will be described stressing the role of attention in the “structuring” of the intentional act and in its affective basis. Finally, the study deals more specifically with the complex description of image consciousness from the viewpoint of the attentional meaning of the image subject.

Schlüsselwörter

  • Husserl
  • Attention
  • Phantasy
  • Image-consciousness
Uneingeschränkter Zugang

A Husserlian Approach to Aesthetic Experience: Existential Disinterest and Axiological Interest

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 115 - 133

Zusammenfassung

Abstract

As early as 1905, Husserl made clear that, when it comes to aesthetic consideration, our “interest” is not directed toward the existence of the object as such, but rather toward the object’s way of appearance. Husserl’s famous letter to Hofmannsthal (1907) goes as far as to suggest that any existential concerns are potentially even a menace to the purity of aesthetic experience. This position clearly echoes Kant’s account of aesthetic judgment presented in the third Critique, notably as regards the notion of disinterestedness. However, this is not tantamount to claiming that aesthetic attitude implies the suspension of all interest: this paper aims to show that it would be more appropriate to discuss it in terms of a change of interest: from an existential interest to an axiological one.

Schlüsselwörter

  • Aesthetic Experience
  • Depiction
  • Value
  • Disinterestedness
  • Expression
Uneingeschränkter Zugang

Art and Image in Henri Maldiney's Aesthetics

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 135 - 159

Zusammenfassung

Abstract

In the debate over the ontological structures of the entity that exists as being-in-the-world, the French philosopher Henri Maldiney focuses his theoretical developments on the unintentional and pre-predicative dimension of experience, where sensing (sentir) takes its origin, and based on which the Existentials of “encounter”, “surprise” and “rhythm”, that are key to understanding the aesthetic-artistic experience, are explained in the horizon of transpassibility and transpossibility. Given that that dimension is the privileged field of encounter with art, this paper will raise the question of the nexus of the articulation between art and image. This question will be developed through the opposition of form and image, of the reality of image and the image of reality, and the aesthetic vision and imaginative vision. In this analysis, we will rely upon the Heideggerian conception of Existence, as well as some of Husserl’s and the neuro-psychiatrist Erwin Straus’s researches into the passive dimension of experience, with the purpose of showing how Maldiney, starting from them, contributed in a singular and significant way to the deepening of that unintentional dimension of existence which he calls “pathic”.

Schlüsselwörter

  • Maldiney
  • Art
  • Image
  • Aesthetic Vision
  • Pathic Dimension
Uneingeschränkter Zugang

Book Reviews

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 163 - 170

Zusammenfassung

8 Artikel
Uneingeschränkter Zugang

Phantasy-Ego, Image Consciousness and Aesthetic Experience : Phenomenological Approaches

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 5 - 8

Zusammenfassung

Uneingeschränkter Zugang

Sobre a elaboração progressiva dos pensamentos de Husserl acerca da fantasia e da consciência de imagem através da escrita

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 9 - 37

Zusammenfassung

Abstract

This paper consists in a study of the development of Husserl’s thought on the notions of phantasy and image consciousness. It shows how, following a first phase in which he still identified phantasy with image consciousness, Husserl gradually began to distinguish the two and define what is proper to each in an increasingly precise manner.

The paper then shows how Husserl came to view pure phantasy as a modification of perception. Concerning image consciousness, it shows how the status of the image-object and the nature of its reference to the image subject evolved throughout Husserl’s thought. The problems raised by this model are also discussed, in particular when it comes to cases where there is no image subject, e.g. in theatre. Finally, the paper shows how the development of these concepts in Husserl’s work involves a new conception of the notion of “phantasm” – one that goes hand in hand with rejection of the ‘content of apprehension-apprehension’ scheme.

Schlüsselwörter

  • Husserl
  • Phantasy
  • Image Consciousness
  • Representation
Uneingeschränkter Zugang

Phenomenology of Phantasy and Fiction: Some Remarks Towards a Unified Account

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 39 - 55

Zusammenfassung

Abstract

I offer an outline of an integrated phenomenological analysis of free fantasy and of fictional worlds. My main concern amounts to stress the scissions entailed in free fantasy and in the consciousness of fictional objects: a scission of the I, and a scission of the experience. Firstly, I offer a somewhat new characterization of the presence of the objects of free fantasy, which disconnects any possible relationship of those objects with a real perception as the leading form of an originally giving consciousness. My leading example is daydream. Secondly, I take the Husserlian analysis of neutralization as a conceptual tool to explain the consciousness of fictional worlds, against a new tendency for interpreting these worlds in light of the concept of “possible world”. The two approaches converge to a twofold characterization of the mode of being of fictions and of the modality of presence of the objects of fantasy.

Schlüsselwörter

  • Husserlian Phenomenology
  • Phantasy
  • Fiction
  • Neutralization
Uneingeschränkter Zugang

Towards a Phenomenological Analysis of Fictional Emotions

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 57 - 81

Zusammenfassung

Abstract

What are fictional emotions and what has phenomenology to say about them? This paper argues that the experience of fictional emotions entails a splitting of the subject between a real and a phantasy ego. The real ego is the ego that imagines something; the phantasy ego is the ego that is necessarily co-posited by any experience of imagining something. Fictional emotions are phantasy emotions of the phantasy ego. The intentional structure of fictional emotions, the nature of their fictional object, as well as the process of constituting the phantasy ego in representificational acts of consciousness are further elaborated to provide the groundwork for a phenomenological analysis of fictional emotions.

Schlüsselwörter

  • Imagination
  • Emotion
  • Phenomenology
  • Edmund Husserl
  • Ego-Splitting
Uneingeschränkter Zugang

Attention and the Subject of Depiction Some Remarks on Husserl’s Approach to the Function of Attention in Phantasy, Image Consciousness and Pictorial Experience

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 83 - 114

Zusammenfassung

Abstract

This study aims at exposing the phenomenological description of attention as presented by Husserl in his 1904-05 Göttingen-lecture Principal Parts of the Phenomenology and Theory of Knowledge, in its relevance for the study of so-called “intuitive re-presentations”, that is, phantasy and image-consciousness. Starting with the exposition of the fundamental traits of the intentional theory of attention, this study discusses the definition of attention in the terms of meaning [Meinen] and interest, which allows it to become an encompassing modification of all kinds of lived experiences that does not imply an alteration of their act-character (Husserl, 2004: 73). We refer to this character of attention as “plasticity”. In what follows, the study underlines these two definitions of attention and their importance for the understanding of phantasy and image-consciousness. Both kinds of re-presentations will be described stressing the role of attention in the “structuring” of the intentional act and in its affective basis. Finally, the study deals more specifically with the complex description of image consciousness from the viewpoint of the attentional meaning of the image subject.

Schlüsselwörter

  • Husserl
  • Attention
  • Phantasy
  • Image-consciousness
Uneingeschränkter Zugang

A Husserlian Approach to Aesthetic Experience: Existential Disinterest and Axiological Interest

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 115 - 133

Zusammenfassung

Abstract

As early as 1905, Husserl made clear that, when it comes to aesthetic consideration, our “interest” is not directed toward the existence of the object as such, but rather toward the object’s way of appearance. Husserl’s famous letter to Hofmannsthal (1907) goes as far as to suggest that any existential concerns are potentially even a menace to the purity of aesthetic experience. This position clearly echoes Kant’s account of aesthetic judgment presented in the third Critique, notably as regards the notion of disinterestedness. However, this is not tantamount to claiming that aesthetic attitude implies the suspension of all interest: this paper aims to show that it would be more appropriate to discuss it in terms of a change of interest: from an existential interest to an axiological one.

Schlüsselwörter

  • Aesthetic Experience
  • Depiction
  • Value
  • Disinterestedness
  • Expression
Uneingeschränkter Zugang

Art and Image in Henri Maldiney's Aesthetics

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 135 - 159

Zusammenfassung

Abstract

In the debate over the ontological structures of the entity that exists as being-in-the-world, the French philosopher Henri Maldiney focuses his theoretical developments on the unintentional and pre-predicative dimension of experience, where sensing (sentir) takes its origin, and based on which the Existentials of “encounter”, “surprise” and “rhythm”, that are key to understanding the aesthetic-artistic experience, are explained in the horizon of transpassibility and transpossibility. Given that that dimension is the privileged field of encounter with art, this paper will raise the question of the nexus of the articulation between art and image. This question will be developed through the opposition of form and image, of the reality of image and the image of reality, and the aesthetic vision and imaginative vision. In this analysis, we will rely upon the Heideggerian conception of Existence, as well as some of Husserl’s and the neuro-psychiatrist Erwin Straus’s researches into the passive dimension of experience, with the purpose of showing how Maldiney, starting from them, contributed in a singular and significant way to the deepening of that unintentional dimension of existence which he calls “pathic”.

Schlüsselwörter

  • Maldiney
  • Art
  • Image
  • Aesthetic Vision
  • Pathic Dimension
Uneingeschränkter Zugang

Book Reviews

Online veröffentlicht: 05 Oct 2021
Seitenbereich: 163 - 170

Zusammenfassung

Planen Sie Ihre Fernkonferenz mit Scienceendo