Zeitschriften und Ausgaben

Volumen 14 (2022): Heft 2 (December 2022)

Volumen 14 (2022): Heft 1 (June 2022)

Volumen 13 (2021): Heft 3 (December 2021)

Volumen 13 (2021): Heft 2 (December 2021)

Volumen 13 (2021): Heft 1 (June 2021)

Volumen 12 (2020): Heft 2 (December 2020)

Volumen 12 (2020): Heft 1 (June 2020)

Volumen 11 (2019): Heft 2 (December 2019)

Volumen 11 (2019): Heft 1 (June 2019)

Volumen 10 (2018): Heft 2 (December 2018)

Volumen 10 (2018): Heft 1 (June 2018)

Volumen 9 (2017): Heft 2 (December 2017)

Volumen 9 (2017): Heft 1 (June 2017)

Volumen 8 (2016): Heft 2 (December 2016)

Volumen 8 (2016): Heft 1 (June 2016)

Volumen 7 (2015): Heft 2 (December 2015)

Volumen 7 (2015): Heft 1 (June 2015)

Volumen 6 (2014): Heft 2 (December 2014)

Volumen 6 (2014): Heft 1 (June 2014)

Zeitschriftendaten
Format
Zeitschrift
eISSN
2450-8497
ISSN
1337-9291
Erstveröffentlichung
10 Jul 2014
Erscheinungsweise
2 Hefte pro Jahr
Sprachen
Englisch

Suche

Volumen 8 (2016): Heft 2 (December 2016)

Zeitschriftendaten
Format
Zeitschrift
eISSN
2450-8497
ISSN
1337-9291
Erstveröffentlichung
10 Jul 2014
Erscheinungsweise
2 Hefte pro Jahr
Sprachen
Englisch

Suche

5 Artikel
Uneingeschränkter Zugang

From the diasporic to the transnation: Catherine Temma Davidson’s The Priest Fainted

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 1 - 12

Zusammenfassung

Abstract

This paper analyses the depiction of the main female protagonists of Catherine Temma Davidson’s novel The Priest Fainted (1998) in the context of the symbolic formation of the hybrid identity of the main female character and narrator which is close to Bill Ascroft’s concept of the transnation. The author of this paper analyses Davidson’s depiction of three generations of female protagonists with a Greek cultural background and the way they symbolically represent the transition from a traditional diasporic identity (the narrator’s grandmother), through multicultural and transnational identity (her mother) up to the identity close to the concept of the transnation as defined by Bill Aschroft (the narrator herself). At the same time, the formation of such a cultural identity is understood as a symbolic formation of female independence and the rejection of a patriarchal society, religious bigotry and conservative values as represented, in the narrator’s and her mother’s view, by contemporary Greece.

Uneingeschränkter Zugang

Ethnic humour in a multicultural society

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 12 - 24

Zusammenfassung

Abstract

The coexistence of different cultures in specific pluralistic settings not only has positive but also negative impacts. Besides exchanging cultural contents within a multicultural environment, societies use humour as a form of social interaction, which reinforces cultural interrelationships as well as ethnical differences. However, humour differs from culture to culture and from individual to individual. On the one hand, it develops social cohesion, fosters positive relations and increases the self-identification of the individual in relation to other ethnic groups, but on the other hand, it functions as an acceptable and tolerated form of aggression in a particular society. The bipolar character of humour stems from its status and functions. It serves both as a social unifier and a social separator. The most common paradigms of humour in social discourse are ethnic jokes or cartoons that are often built on fixed ethnic/racial stereotypes leading to social categorization but also to fast and correct decoding of semantic information by an audience. Ethnic jokes are social thermometers, recording and measuring the level of sensitivity towards specific cultural groups. The main aim of this paper is to introduce ethnic humour and its key functions in the context of ongoing cultural interactions and changes.

Uneingeschränkter Zugang

Communication across cultures: ideological implications of Sam Selvon’s linguistic inventiveness

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 25 - 32

Zusammenfassung

Abstract

In the postcolonial context, language represents one of the crucial tools of cultural communication and is therefore often a subject of heated discussion. Since language constitutes the framework of cultural interaction, postcolonial authors often challenge the privileged position of Standard English within their writing by modifying and substituting it with new forms and varieties. The Trinidad-born writer Sam Selvon belongs to a handful of Caribbean authors who initiated linguistic experiments in the context of Caribbean literature and is considered one of the first Caribbean writers to employ dialect in a novel. His 1956 novel The Lonely Londoners reflects the possibilities of vernacular experimentation and thus communicates the specific experience of a particular cultural group in an authentic way.

Uneingeschränkter Zugang

The humanistic aspect of Alexander McCall Smith’s African detective fiction

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 33 - 40

Zusammenfassung

Abstract

The text presents some of the unusual features of Alexander McCall Smith’s popular African detective stories, in which cultural elements convey humanity and thus lower tension, the characteristic sign of detective fiction. Culture, in particular the African collectivist culture included in the core of these stories, creates a milieu that enables the writer to avoid murders, which are usually basic conflict-conveying vehicles in this genre. Although McCall Smith’s African books contain the conventional formal elements of detective stories, they also display a very low level of tension together with other peculiarities. This text tries to compare the structure and elements of classic detective stories with those from McCall Smith’s books to disclose their true essence.

Uneingeschränkter Zugang

On the dehumanizing universe of Henry Miller’s Tropic of Cancer: the code of obscenity and its interaction with other elements

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 41 - 54

Zusammenfassung

Abstract

The following article shows why Henry Miller’s novel Tropic of Cancer should not be labelled as a pornographic nor dehumanizing novel through the prism of a scientific and nonsentimental approach. The author of the article argues that even though Henry Miller creates in his novel a certain project of dehumanization, the article explains how usage of poetic language prevents Tropic of Cancer being a sexist insult to woman as often claimed by the feministic discourse of the 1980s and 1990s. Reacting to the popular and standardized interpretational traditions, the article contributes to the discourse about the dehumanizing aspects of Henry Miller’s novel by analysing the code of obscenity present in the materia of literary text. The code of obscenity is put into context with other features of materia of Miller’s text in order to explain how its specific “energy” functions. The author of the article applies the thinking of influential Russian literary scholars such as Mikhail Bakhtin and Yuri Lotman on the autonomous world of a literary text.

5 Artikel
Uneingeschränkter Zugang

From the diasporic to the transnation: Catherine Temma Davidson’s The Priest Fainted

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 1 - 12

Zusammenfassung

Abstract

This paper analyses the depiction of the main female protagonists of Catherine Temma Davidson’s novel The Priest Fainted (1998) in the context of the symbolic formation of the hybrid identity of the main female character and narrator which is close to Bill Ascroft’s concept of the transnation. The author of this paper analyses Davidson’s depiction of three generations of female protagonists with a Greek cultural background and the way they symbolically represent the transition from a traditional diasporic identity (the narrator’s grandmother), through multicultural and transnational identity (her mother) up to the identity close to the concept of the transnation as defined by Bill Aschroft (the narrator herself). At the same time, the formation of such a cultural identity is understood as a symbolic formation of female independence and the rejection of a patriarchal society, religious bigotry and conservative values as represented, in the narrator’s and her mother’s view, by contemporary Greece.

Uneingeschränkter Zugang

Ethnic humour in a multicultural society

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 12 - 24

Zusammenfassung

Abstract

The coexistence of different cultures in specific pluralistic settings not only has positive but also negative impacts. Besides exchanging cultural contents within a multicultural environment, societies use humour as a form of social interaction, which reinforces cultural interrelationships as well as ethnical differences. However, humour differs from culture to culture and from individual to individual. On the one hand, it develops social cohesion, fosters positive relations and increases the self-identification of the individual in relation to other ethnic groups, but on the other hand, it functions as an acceptable and tolerated form of aggression in a particular society. The bipolar character of humour stems from its status and functions. It serves both as a social unifier and a social separator. The most common paradigms of humour in social discourse are ethnic jokes or cartoons that are often built on fixed ethnic/racial stereotypes leading to social categorization but also to fast and correct decoding of semantic information by an audience. Ethnic jokes are social thermometers, recording and measuring the level of sensitivity towards specific cultural groups. The main aim of this paper is to introduce ethnic humour and its key functions in the context of ongoing cultural interactions and changes.

Uneingeschränkter Zugang

Communication across cultures: ideological implications of Sam Selvon’s linguistic inventiveness

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 25 - 32

Zusammenfassung

Abstract

In the postcolonial context, language represents one of the crucial tools of cultural communication and is therefore often a subject of heated discussion. Since language constitutes the framework of cultural interaction, postcolonial authors often challenge the privileged position of Standard English within their writing by modifying and substituting it with new forms and varieties. The Trinidad-born writer Sam Selvon belongs to a handful of Caribbean authors who initiated linguistic experiments in the context of Caribbean literature and is considered one of the first Caribbean writers to employ dialect in a novel. His 1956 novel The Lonely Londoners reflects the possibilities of vernacular experimentation and thus communicates the specific experience of a particular cultural group in an authentic way.

Uneingeschränkter Zugang

The humanistic aspect of Alexander McCall Smith’s African detective fiction

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 33 - 40

Zusammenfassung

Abstract

The text presents some of the unusual features of Alexander McCall Smith’s popular African detective stories, in which cultural elements convey humanity and thus lower tension, the characteristic sign of detective fiction. Culture, in particular the African collectivist culture included in the core of these stories, creates a milieu that enables the writer to avoid murders, which are usually basic conflict-conveying vehicles in this genre. Although McCall Smith’s African books contain the conventional formal elements of detective stories, they also display a very low level of tension together with other peculiarities. This text tries to compare the structure and elements of classic detective stories with those from McCall Smith’s books to disclose their true essence.

Uneingeschränkter Zugang

On the dehumanizing universe of Henry Miller’s Tropic of Cancer: the code of obscenity and its interaction with other elements

Online veröffentlicht: 30 Dec 2016
Seitenbereich: 41 - 54

Zusammenfassung

Abstract

The following article shows why Henry Miller’s novel Tropic of Cancer should not be labelled as a pornographic nor dehumanizing novel through the prism of a scientific and nonsentimental approach. The author of the article argues that even though Henry Miller creates in his novel a certain project of dehumanization, the article explains how usage of poetic language prevents Tropic of Cancer being a sexist insult to woman as often claimed by the feministic discourse of the 1980s and 1990s. Reacting to the popular and standardized interpretational traditions, the article contributes to the discourse about the dehumanizing aspects of Henry Miller’s novel by analysing the code of obscenity present in the materia of literary text. The code of obscenity is put into context with other features of materia of Miller’s text in order to explain how its specific “energy” functions. The author of the article applies the thinking of influential Russian literary scholars such as Mikhail Bakhtin and Yuri Lotman on the autonomous world of a literary text.

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