[
64 Million Artists. (2018). Cultural democracy in practice. London: Arts Council England.
]Search in Google Scholar
[
Arnstein, S. R. (1969). A ladder of citizen participation. Journal of the American Planning Association, 35(4), 216–224.
]Search in Google Scholar
[
Beck, J. (2018, November 26). The concept creep of ‘Emotional Labor’. The Atlantic. Retrieved from https://www.theatlantic.com/family/archive/2018/11/arlie-hochschild-housework-isnt-emotional-labor/576637/
]Search in Google Scholar
[
Belfiore, E. (2018). The hidden costs of the ‘reenchantement of art’. Learning in public published by the CAPP Collective as part of the EU funded project Transeuropean Collaborations in Socially Engaged Practice.
]Search in Google Scholar
[
Beradi, F. (2009). The soul at work. From alienation to autonomy. Los Angeles: Semiotext(e).
]Search in Google Scholar
[
Brook, P. (2009). The alienated heart: Hochschild’s ‘emotional labour’ thesis and the anticapitalist politics of alienation. Capital & Class, 33(2), 7–31.10.1177/030981680909800101
]Search in Google Scholar
[
Butler, J. (1997). Excitable speech: A politics of the performative. London: Routledge.
]Search in Google Scholar
[
Cultural Participation. (n.d.). What is failspace? Retrieved from https://www.culturalparticipation.co.uk/FailSpace
]Search in Google Scholar
[
Denzin, N., & Lincoln, Y. (Eds.). (2000). Handbook of Qualitative Research (2nd ed.). Thousand Oaks, CA: Sage.
]Search in Google Scholar
[
Denzin, N. (2001). The reflexive interview and a performative social science. Qualitative Research, 1(23), 23–46.10.1177/146879410100100102
]Search in Google Scholar
[
Donini, S., & Hope, S. (2016). Social art map: Mapping four art commissions in Swale & Medway, North Kent. Retrieved from https://sophiehope.org.uk/wp-content/uploads/SAM-Web-Copy-v3.pdf
]Search in Google Scholar
[
Druiff, E., & Hope, S. (2015). Social art map: An in depth study of 5 art commissions from 3 perspectives. Retrieved from https://eprints.bbk.ac.uk/19171/1/social%20art%20map%20A1%20sign%20off.pdf
]Search in Google Scholar
[
Goffman, E. (1959) (1980). The presentation of the self in everyday life. London: Penguin Books.
]Search in Google Scholar
[
Gill, R., & A. Pratt. (2008). In the social factory?: Immaterial labour, precariousness and cultural Work. Theory, Culture and Society, 25(7-8), 1–30.10.1177/0263276408097794
]Search in Google Scholar
[
Heyl, B.S. (2001). Ethnographic interviewing. In P. Atkinson, A. Coffey, S. Delamont, J. Lofland & L. Lofland (Eds.), Handbook of Ethnography (pp. 369–383). Thousand Oaks, CA: Sage.
]Search in Google Scholar
[
Hochschild, A. (1983) (2012). The managed heart. Commercialisation of human feeling. Berkeley, CA: University of California Press.10.1525/9780520951853
]Search in Google Scholar
[
Hope, S. (2011). Participating in the wrong way? Practice-based research in cultural democracy and the commissioning of art to effect social change [Unpublished doctoral dissertation]. Birkbeck, University of London.
]Search in Google Scholar
[
Holliday, R. (2000). We’ve been framed: Visualising methodology. The Sociological Review, 48(4), 503–521.10.1111/1467-954X.00230
]Search in Google Scholar
[
Jancovich, L. (2020, January 31). Front Row. BBC. Retrieved from https://www.bbc.co.uk/sounds/play/m000drnt
]Search in Google Scholar
[
Kester, G. (2004). Conversation pieces. Community and communication in modern art. Berkeley and Los Angeles, CA: University of California Press.
]Search in Google Scholar
[
Kleines Postfordistisches Drama. (2004). Kamera Laüft. Video, 32min. Retrieved from https://vimeo.com/363605836
]Search in Google Scholar
[
Laclau, E., & Mouffe, C. (1985). (2nd ed. 2002). Hegemony and socialist strategy: Towards a radical democratic politics. London: Verso.
]Search in Google Scholar
[
Leeson, L. (2017). Art: Process: Change – Inside a socially situated practice. London: Routledge.10.4324/9781315617527
]Search in Google Scholar
[
Mienczakowski, J. (2001). Ethnodrama: Performed research – Limitations and potential. In P. Atkinson, A. Coffey, S. Delamont, J. Lofland & L. Lofland (Eds.), Handbook of Ethnography (pp. 468–476). Thousand Oaks, CA: Sage.
]Search in Google Scholar
[
Mouffe, C. (2013). Agonistics. Thinking the world politically. London: Verso.
]Search in Google Scholar
[
Renov, M. (1996). Resolutions: Contemporary video practices. Minnesota: University of Minnesota Press.
]Search in Google Scholar
[
Schrag, A. (2015). Agonistic tendencies. The role of conflict within institutionally supported participatory practices [Unpublished doctoral dissertation]. Newcastle University.
]Search in Google Scholar
[
Tselika, E. (2015). Conflict transformation art. Practice led research examining the role of socially engaged art in resisting urban segregation, using Nicosia Cyprus as a case study [Unpublished doctoral dissertation]. Birkbeck College, University of London.
]Search in Google Scholar
