[
(Unless otherwise indicated, translations from the French are my own.)
]Search in Google Scholar
[
Anberrée, A. (2015). Transformations du rapport offre-demande dans les organisations publiques et parapubliques de diffusion culturelle: Le rôle de la participation des publics. Thèse. Université de Nantes.
]Search in Google Scholar
[
Arnstein, S. R. (1969). A ladder of citizen participation. Journal of the American Institute of Planners, 35(4), 216–224.10.1080/01944366908977225
]Search in Google Scholar
[
Back, L. (2007). The Art of Listening. Berg Publishers.
]Search in Google Scholar
[
Balfour, M. (2009). The politics of intention: Looking for a theatre of little changes. RiDE Research in Drama Education: The Journal of Applied Theatre and Performance, 14(3).
]Search in Google Scholar
[
Bauman, Z. (2001). Community. Seeking Safety in an Insecure World. Polity Press.
]Search in Google Scholar
[
Belfiore E. (2002). Art as a means of alleviating social exclusion: Does it really work? A critique of instrumental cultural policies and social impact studies in the UK, International Journal of Cultural Policy, 8(1), 91–106.10.1080/102866302900324658
]Search in Google Scholar
[
Bishop, C. (2012). Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso.
]Search in Google Scholar
[
Blanche, R. (2014). Towards a shared responsibility for quality in the participatory arts: Key insights into conditions underpinning quality. Journal of Arts and Communities, 6(2-3), 145–164.10.1386/jaac.6.2-3.145_1
]Search in Google Scholar
[
Bourriaud, N. (1998). Esthétique relationnelle. Les presses du réel.
]Search in Google Scholar
[
Braets, E. (2012). Les projets participatifs dans l’espace public: La réconciliation de l’art et du social? Mémoire, IEP de Grenoble. Master 2, Direction des projets culturels.
]Search in Google Scholar
[
Carrel, M. (2013). Faire participer les habitants? Citoyenneté et pouvoir d’agir dans les quartiers populaires. ENS Éditions.
]Search in Google Scholar
[
Chatzimanassis, A. (2013). Démocratisation de la culture et démocratie culturelle à partir de l’exemple québécois. Politique de la Culture, Carnet de recherches du Comité d’histoire du ministère de la Culture, https://chmcc.hypotheses.org/675
]Search in Google Scholar
[
Delgado, M. (2011). (trad. français 2016: Brendl Chloé). L’espace publique comme idéologie. CMDE.
]Search in Google Scholar
[
Djakouane, A., & Segré, G. (2017). La réception du spectacle vivant: Un défi pour les sciences sociales. Terrains/Théories.10.4000/teth.970
]Search in Google Scholar
[
Encore Heureux, Architects. (2018). Lieux Infinis. Construire des bâtiments ou des lieux? Catalogue Pavillion Française, 16th Venice Biennial of Architecture. Edition: B42.
]Search in Google Scholar
[
Freire, P. (1970). Pedagogy of the Oppressed. (2010 edition). Continuum.
]Search in Google Scholar
[
Gallop, J. (2002). Anecdotal Theory. Duke University Press.
]Search in Google Scholar
[
Haedicke, S. C. (2016). Interrupting a Legacy of Hatred. RIDE: The Journal of Applied Theatre And Performance, Vol. 21 (No. 2), 161–175.
]Search in Google Scholar
[
Halvorsen, S. (2017). Decolonising Territory: Dialogues with Latin American knowledges and grassroots politics, seminar, School of Geography. Queen Mary University, London.
]Search in Google Scholar
[
Harpin, A., & Nicholson, H. (Eds.). (2017). Performance and Participation. Practices, Audiences, Politics. Palgrave.
]Search in Google Scholar
[
Harvie, J. (2013). Fairplay: Art, Performance and Neoliberalism. Palgrave MacMillan.
]Search in Google Scholar
[
Hope, S. (2011). Participating in the ‘Wrong’ Way? Practice based research into cultural democracy and the commissioning of art to effect social change. [Unpublished doctoral thesis]. Birkbeck, University of London.
]Search in Google Scholar
[
Jancovich, L. (2017). The Participation Myth, International Journal of Cultural Policy, 23(:1), 107–-121.10.1080/10286632.2015.1027698
]Search in Google Scholar
[
Kepel, G. (2012). Banlieue de la République. Société, politique et religion à Clichy-sous-Bois et Montfermeil. Editions Gallimard.
]Search in Google Scholar
[
Koch, R., & Latham, A. (2013). On the hard work of domesticating a public space, Urban Studies, 50(1), 6–21.10.1177/0042098012447001
]Search in Google Scholar
[
Lextrait, F. (2001). Projets, aventures, friches, squats, fabriques: de nouveaux espaces publics en construction. Mouvements, 4(17), 65–69.10.3917/mouv.017.0065
]Search in Google Scholar
[
McAvinchey, C. (Ed.). (2014). Performance and Community, Commentary and Case Studies. Bloomsbury.
]Search in Google Scholar
[
Mackey, S. (2016). Performing location: Place and applied theatre. In J. Hughes & H. Nicholson (Eds.), Critical Perspectives on Applied Theatre (pp. 107–126). Cambridge University Press.10.1017/CBO9781107587977.006
]Search in Google Scholar
[
Massey, D. (1991). A global sense of place. Marxism Today. June, 24-29.
]Search in Google Scholar
[
Matarasso, F. (1997). Use or ornament? The social impact of participation in the arts. Comedia.
]Search in Google Scholar
[
Miles, A., & Ebrey, J. (2017). The village in the city: Participation and cultural value on the urban periphery. Cultural Trends, 26(1), 58–69.10.1080/09548963.2017.1274360
]Search in Google Scholar
[
Phelan, P. (1993). Unmarked. The Politics of Performance. Routledge.
]Search in Google Scholar
[
Saez, G. (2008). Politique culturelle et éducation populaire. Interactions constantes, constant malentendu, L’Observatoire - La revue des politiques culturelles.
]Search in Google Scholar
[
Saez, J-P. (2012). De la participation, L’Observatoire - La revue des politiques culturelles.
]Search in Google Scholar
[
Schiff, C. (2015). Beurs & Blédards. Les nouveaux arrivants face aux Français issus de l’immigration. Le Bord de l’Eau.
]Search in Google Scholar
[
Smith, C. (1998). Creative Britain. Faber and Faber.
]Search in Google Scholar
[
Stevenson, D., Balling, G., & Kann-Rasmussen, N. (2017). Cultural participation in Europe: Shared problem or shared problematisation? International Journal of Cultural Policy, 23(1), 89–106.10.1080/10286632.2015.1043290
]Search in Google Scholar
[
Stevenson, D. (2019). The cultural non-participant: Critical logics and discursive subject identities. Arts and the Market, 9(1).10.1108/AAM-01-2019-0002
]Search in Google Scholar
[
Thompson, J. (2009). Performance Affects. Applied Theatre and the End of Effect. Palgrave Macmillan.10.1057/9780230242425
]Search in Google Scholar
[
Truong, F. (2018). trans. Ackerman, S. Radicalized Loyalties: Becoming Muslim in The West. Polity Press.
]Search in Google Scholar
[
Weeks, J. (2000). Making Sexual History. Polity Press.
]Search in Google Scholar
[
White, T., & Hede, A-M. (2008). Using narrative inquiry to explore the impact of art on individuals. The Journal of Arts Management, Law, and Society, 38(1), 19–36.10.3200/JAML.38.1.19-36
]Search in Google Scholar
[
Zask, J. (2011). Participer, Essai sur les formes démocratiques de la participation. Editions Le Bord De l’Eau.
]Search in Google Scholar
[
Arts Council England. (2010). Adult Participatory arts. Thinking it through. Retrieved from https://www.artscouncil.org.uk/sites/default/files/download-file/adult_participatory_arts.pdf
]Search in Google Scholar
[
DCMS, (2016). The Culture White Paper. Retrieved from https://www.gov.uk/government/publications/culture-white-paper
]Search in Google Scholar
[
DCMS, (2018/19). Taking Part Survey: England, Adult Report. Retrieved from https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/873111/Taking_Part_Survey_Adult_Report_2018_19_-_March_2020.pdf
]Search in Google Scholar
[
Belfiore, E., Gibson, L., Gilmore, A., James, F., Miles, A., Milling, J., & Schaefer, K. (2012-2018). Understanding Everyday Participation - Articulating Cultural Values (AHRC project). Retrieved from http://www.everydayparticipation.org/about/
]Search in Google Scholar