<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>IN THIS PAPER, I DISCUSS THE AFFECTIVE POTENTIAL OF LAUGHTER IN THE HUGELY POPULAR COMEDY PODCAST SERIES; THE GUILTY FEMINIST. SPECIFICALLY, I EXPLORE HOW THE SOUNDS OF LAUGHTER – AS DISSEMINATED BY THE PODCAST – CAN LEAD TO EXPLOSIONS OF EMOTION IN THE PUBLIC SPHERE; SETTING THE BODY IN MOTION AND LEADING TO NEW WAYS OF THINKING, FEELING AND BEING. WHILE THESE PUBLIC EXPLOSIONS OF EMOTION CAN BE TRANSGRESSIVE, I POSTULATE THAT THEY CAN ALSO RELIEVE SOME OF THE TENSION CREATED BY THE NEGATIVE AFFECTS SWIRLING AROUND FEMINISM, WHICH, ACCORDING TO AHMED, “IS ALWAYS ASSUMED TO BE BRINGING OTHERS DOWN” (AHMED, 2010:65). USING GUATTARI’S IDEAS ON THE PRODUCTION OF SUBJECTIVATION, I ARGUE THAT THESE EXPLOSIONS CAN INTENSIFY THE EMERGENCE OF A GLOBAL, INTERSECTIONAL FEMINIST COMMUNITY, PROVOKING A CONSIDERATION OF HOW PODCASTS SUCH AS THE GUILTY FEMINIST COULD EXTEND OUR UNDERSTANDING OF THE USE OF TECHNOLOGY AND ONLINE ACTIVISM WITHIN CONTEMPORARY FEMINISMS.</p>
</abstract>

IN THIS PAPER, I DISCUSS THE AFFECTIVE POTENTIAL OF LAUGHTER IN THE HUGELY POPULAR COMEDY PODCAST SERIES; THE GUILTY FEMINIST. SPECIFICALLY, I EXPLORE HOW THE SOUNDS OF LAUGHTER – AS DISSEMINATED BY THE PODCAST – CAN LEAD TO EXPLOSIONS OF EMOTION IN THE PUBLIC SPHERE; SETTING THE BODY IN MOTION AND LEADING TO NEW WAYS OF THINKING, FEELING AND BEING. WHILE THESE PUBLIC EXPLOSIONS OF EMOTION CAN BE TRANSGRESSIVE, I POSTULATE THAT THEY CAN ALSO RELIEVE SOME OF THE TENSION CREATED BY THE NEGATIVE AFFECTS SWIRLING AROUND FEMINISM, WHICH, ACCORDING TO AHMED, “IS ALWAYS ASSUMED TO BE BRINGING OTHERS DOWN” (AHMED, 2010:65). USING GUATTARI’S IDEAS ON THE PRODUCTION OF SUBJECTIVATION, I ARGUE THAT THESE EXPLOSIONS CAN INTENSIFY THE EMERGENCE OF A GLOBAL, INTERSECTIONAL FEMINIST COMMUNITY, PROVOKING A CONSIDERATION OF HOW PODCASTS SUCH AS THE GUILTY FEMINIST COULD EXTEND OUR UNDERSTANDING OF THE USE OF TECHNOLOGY AND ONLINE ACTIVISM WITHIN CONTEMPORARY FEMINISMS.

The Guilty Feminist Army

PHD CANDIDATE AT MANCHESTER METROPOLITAN UNIVERSITY

Conjunctions

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

A Podcast for a Refreshed Politics of Feminism

IN THIS PAPER, I DISCUSS THE AFFECTIVE POTENTIAL OF LAUGHTER IN THE HUGELY POPULAR COMEDY PODCAST SERIES; THE GUILTY FEMINIST. SPECIFICALLY, I EXPLORE HOW THE...

The Guilty Feminist Army

Online veröffentlicht: 03. Apr. 2021

Seitenbereich: 1 - 16

DOI: https://doi.org/10.7146/tjcp.v6i1.117257

Schlüsselwörter
AFFECT, LAUGHTER, BODY, FEMINISM, FOURTH WAVE, GUATTARI, SUBJECTIVATION, TECHNOLOGY, ONLINE, ACTIVISM

© 2019 Natalie Diddams, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The Guilty Feminist Army

Online veröffentlicht: 03. Apr. 2021

Seitenbereich: 1 - 16

DOI: https://doi.org/10.7146/tjcp.v6i1.117257

SchlüsselwörterAFFECT, LAUGHTER, BODY, FEMINISM, FOURTH WAVE, GUATTARI, SUBJECTIVATION, TECHNOLOGY, ONLINE, ACTIVISM

© 2019 Natalie Diddams, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Schlüsselwörter
AFFECT, LAUGHTER, BODY, FEMINISM, FOURTH WAVE, GUATTARI, SUBJECTIVATION, TECHNOLOGY, ONLINE, ACTIVISM