This special issue of An archive of the conference programme and some material is at:
We begin unapologetically with what is in effect a cast of characters. Sara Lyndsey’s photographs capture our subject, the creative citizen, in their places of work and within their communities. They make for a striking set of images that bring our subject to life. They ask: “Are these creative citizens? What makes them so?” At the conference these images sat within a wider exhibition of material co-created between the research team and many of those featured in the photographs. Material included: a set of digital stories, community newspapers, immersive 3d digital environments, a comic book amongst other artifacts. The paper by Alexiou et al. offers detail on the process of co-creation that the research team undertook, in this instance with communities who are seeking to influence local planning decisions. In these examples, digital and social networking technologies aren’t a magic wand for improving social capital or ensuring the citizen voice is heard. Instead, to be effective they need to be: “embedded in the particular context and purposes of each group” argue the authors.
Three papers from PhD candidates who presented at the conference are useful insights into the value of creative media production and the activism of citizens both on and offline. Rachel-Ann Charles has a critical case study of a community media project in Trinidad and Tobago whereby young men “at risk” (of offending and suchlike) involve themselves in a variety of creative media forms that resulted in opportunities for self-expression but ultimately failed to realise the potential for enterprise that might have resulted in the social change hoped for.
The artist Samantha Jones describes how a community in Liverpool worked with an artist to use culture “as a new form of co-produced urban regeneration and model of local economics,” whilst the University of Helsinki’s Kinga Polynczuk-Alenius offers a study of an online community, centred around an environmental brand, that examines some of the assumptions around consumer choice being a useful political tool. She finds instead a “depoliticised alternative hedonism” that is more about self-expression than direct digital activism.
At the conference there were some key challenges put forward about the value and potential of
Such fuzziness is also a concern of James Milner from Hampshire College in Massachusetts, USA. He examines the
Finally we have an edited version of one of the keynote conference talks. Beyond the enjoyable autobiographical journey (amply illustrated) that they take us through, Ian Hargreaves and John Hartley Respectively, the Principal Investigator and the academic mentor for the ‘Media, Community and the Creative Citizen’ project.
Whilst this collection offers the reader just a slice of the work presented at the Creative Citizens conference, The formal outcomes of the research project, authored by team members, will be published as a book, Creative Citizens Unbound, edited by Ian Hargreaves and John Hartley, published in 2015 by Policy Press (Bristol UK).