Uneingeschränkter Zugang

Ambivalent Identity: Kusama Yayoi’s Intersectional Body Art of the 1960s

   | 13. Aug. 2021

Zitieren

Applin, Jo. 2012. Yayoi Kusama. Infinity Mirror Room – Phalli’s Field. London: Afterall Books. Search in Google Scholar

Braitner, Lisa. 2020. “Kusama Yayois ambivalente Körper.” M.A. thesis, University of Vienna, Austria. Search in Google Scholar

Brody, Jennifer DeVere. 2008. Punctuation: Art, Politics, and Play. Durham and London: Duke University Press.10.1515/9780822389095 Search in Google Scholar

Bryan-Wilson, Julia. 2003. “Remembering Yoko Ono’s ‘Cut Piece’.” Oxford Art Journal, 26 (1), pp. 101–123. Search in Google Scholar

Concannon, Kevin. 2008. “Yoko Ono’s ‘Cut Piece’: From Text to Performance and Back Again.” PAJ: A Journal of Performance and Art, 30 (3), pp. 81–93. Search in Google Scholar

Forbes 2015. “Record Year for World’s Most Expensive Living Female Artist.” Forbes, February 19; online: https://www.forbes.com/sites/kathryntully/2015/02/19/record-year-for-worlds-most-expensive-living-female-artist/#897461513a3d (accessed: June 17, 2021). Search in Google Scholar

Foster, Gwendolyn Audrey. 2010. “Self-stylisation and Performativity in the Work of Yoko Ono, Yayoi Kusama and Mariko Mori.” Quarterly Review of Film and Video, 27, pp. 267–275. Search in Google Scholar

Fujin kurabu 婦人倶楽部. 1970. “Nan de, anta hadaka ni narunya – Hapuningu taidan / Endō Shūsaku; Kusama Yayoi なんで、あんた裸になるんや――ハプニング対談 / 遠藤周作; 草間 弥生 [Why Are You Fetting Naked? – Happening Talk between Endō Shūsaku and Kusama Yayoi].” May 1969; online: https://ndlonline.ndl.go.jp/#!/detail/R300000003-I2210544-00info:ndljp/pid/2210544 (accessed: January 10, 2021). Search in Google Scholar

Gautherot, Franck. 2002. “Kusama Enterprises.” In Les presses du réel and Janvier, eds., Yayoi Kusama (exhibition catalogue, Kunsthalle Vienna 2002). Vienna: Les presses du réel, Janvier, Studio Kusama, and Kunsthalle Vienna, pp. 37–41. Search in Google Scholar

Gimenez, Sophia. 2018. “Hot off the Press: Image-making, Eroticism, Counterculture, and Obscenity in Yayoi Kusama’s Underground Newspress.” M.A. thesis, University of California, United States. Search in Google Scholar

Glasmeier, Michael. 2002. “Das Ganze in Bewegung: Yayoi Kusama in Zeiten.” In Les presses du réel and Janvier, eds., Yayoi Kusama (exhibition catalogue, Kunsthalle Vienna 2002). Vienna: Les presses du réel, Janvier, Studio Kusama, and Kunsthalle Vienna, pp. 23–29. Search in Google Scholar

Jones, Amelia. 1998. Body Art: Performing the Subject. Minneapolis: University of Minnesota Press. Search in Google Scholar

Metres, Philip. 2007. “Bringing it All Back Home: From Anthology to Action.” In Behind the Lines: War Resistance Poetry on the American Homefront since 1941. Iowa City: University of Iowa Press, pp. 95–126. Search in Google Scholar

Munroe, Alexandra. 1989. “Obsession, Fantasy and Outrage: The Art of Yayoi Kusama.” In Bhupendra Karia, ed., Yayoi Kusama: A Retrospective. New York: Center for International Contemporary Arts, pp. 11–35. Search in Google Scholar

Munroe, Alexandra. 1994. “Revolt of the Flesh: Ankoku butoh and Obsessional Art.” In Alexandra Munroe, ed., Japanese Art After 1945: Scream Against the Sky. New York: Abrams, pp. 189–214. Search in Google Scholar

Museum of Modern Art. 2020. “Cleaning the Drapes.” House Beautiful: Bringing the War Home Series (1967–1972) by Martha Rosler. Art Institute Chicago. Online: https://www.moma.org/collection/works/150123 (accessed: June 17, 2021) Search in Google Scholar

N.N. 2002. “Figure 8.” In Les presses du réel and Janvier, eds., Yayoi Kusama (exhibition catalogue, Kunsthalle Vienna 2002). Vienna: Les presses du réel, Janvier, Studio Kusama, and Kunsthalle Vienna, p. 145. Search in Google Scholar

N.N. 2021. “Why Yayoi Kusama wrote to Richard Nixon.” Phaidon. Online: https://de.phaidon.com/agenda/art/articles/2017/october/02/why-yayoi-kusama-wrote-to-richard-nixon/ (accessed: June 17, 2021). Search in Google Scholar

Nixon, Mignon. 2012. “Anatomic Explosion on Wall Street.” October, 142, pp. 3–25. Search in Google Scholar

Nixon, Mignon. 2019. “What’s Love Got To Do, Got To Do With It? Feminist Politics and America’s War in Vietnam.” In Melissa Ho, ed., Artists Respond: American Art and the Vietnam War, 1965–1975. Princeton: Smithsonian American Art Museum and Princeton University Press, pp. 325–347. Search in Google Scholar

Pècoil, Vincent. 2002. “Today Your Love, Tomorrow the World.” In Les presses du réel and Janvier, eds., Yayoi Kusama (exhibition catalogue, Kunsthalle Vienna 2002). Vienna: Les presses du réel, Janvier, Studio Kusama, and Kunsthalle Vienna, pp. 13–21. Search in Google Scholar

Shōgakukan 小学館. 1969. “Kusama Yayoi wa naze Nyū Yōku de nugu ka・Geshū ichiman doru no hapunisuto no geijutsu to sei to dasan 草間弥生はなぜニューヨークで脱ぐか・月収1万ドル のハプニストの芸術と性と打算 [Why is Kusama Yayoi Getting Naked in New York? Art, Sex, and Calculation of the Happening Performer with a Monthly Income of 10,000 dollars].” September, pp. 58–61. Online: https://ndlonline.ndl.go.jp/#!/detail/R300000003-I3379155-00 (accessed: June 17, 2021). Search in Google Scholar

Shūkan bunshun 週刊文春. 1969. “Hadaka no joō o seijinbunseki shitara – Kusama Yayoi wa jitsu wa dansei ken’o (Fāsā konpurekkusu) ハダカの女王を精神分析したら- 草間弥生は実は男性 嫌悪(ファーザー・コンプレックス) [When the Naked Queen Goes Psychoanalysis – Kusama Yayoi Truly Suffers from Misandry (Father Complex)].” May, pp. 139–140. Online: https://ndlonline.ndl.go.jp/#!/detail/R300000003-I3375283-00 (accessed: June 17, 2021). Search in Google Scholar

Shūkan gendai 週刊現代. 1970. “Waratte kudasai・Kinpatsu danjo sennin giri no ko no kurō・ zenpei o sawagasu hadaka no joō Kusama Yayoi to Rokkī Aoki no taiatari chindanshū 笑って ください・金髪男女千人斬りのこの苦労・全米を騒がす裸の女王・草間弥生とロッキー青木の 体当たり珍談集 [Please Laugh; the Hard Work of Sleeping with a Lot of Blondes; the Merry Anecdote-Meet up of the Naked Queen that Agitates All of America; Kusama Yayoi and Rocky Aoki].” July, pp. 66–69. Online: https://ndlonline.ndl.go.jp/#!/detail/R300000003-I3371581-00 (accessed: June 17, 2021). Search in Google Scholar

Würrer, Stefan. 2015. “The Woman Behind the Dots: On Yayoi Kusama’s Literary Work.” In Lærke Rydal Jørgensen, ed., Yayoi Kusama: In Infinity (exhibition catalogue, Louisiana Museum of Modern Art, Humlebæk 2015–2016). Humlebæk, pp. 74–79. Search in Google Scholar

Yamamura, Midori. 2015. Yayoi Kusama: Inventing the Singular. Cambridge: MIT Press. Search in Google Scholar

Yomiuri Shimbun 読売新聞. 1970. “Sekkusu kakumei no kishu (Hapuningu no joō Kusama Yayoi) セックス革命の旗手・(ハプニングの女王草間弥生) [Flag Bearer of the Sexual Revolution (Queen of Happenings, Kusama Yayoi)].” March, p. 29. Online: https://ndlonline.ndl.go.jp/#!/detail/R300000003-I1814130-00 (accessed: June 11, 2021). Search in Google Scholar

Yoshimoto, Midori. 2005. Into Performance: Japanese Women Artists in New York. New Brunswick: Rutgers University Press. Search in Google Scholar

Zelevansky, Lynn. 1998. “Driving Image: Yayoi Kusama in New York.” In Thomas Frick, ed., Love Forever: Yayoi Kusama 19581968. Los Angeles: County Museum of Art, pp. 10–41. Search in Google Scholar

eISSN:
2521-7038
Sprache:
Englisch
Zeitrahmen der Veröffentlichung:
Volume Open
Fachgebiete der Zeitschrift:
Kulturwissenschaften, Allgemeine Kulturwissenschaften, Literaturwissenschaft, allgemein, Sozialwissenschaften, andere