Visitor voices in the museum space: sharing art experiences as a dialogic mode in museum communication

1Achiam, M. (2016). The role of the imagination in museum visits. Nordisk Museologi, 16(1), 89–100.Search in Google Scholar

2Arnstein, S. R. (1969). A ladder of citizen participation. Journal of the American Institute of Planners, 35(4), 216–224.Search in Google Scholar

3Bakhtin, M. (1981). The dialogic imagination: Four essays. Austin: University of Texas Press.Search in Google Scholar

4Bakhtin, M. (1984). Problems of Dostoevsky’s poetics. Minneapolis: University of Minnesota Press.Search in Google Scholar

5Bakhtin, M. (1986). Speech genres & other late essays. Austin: University of Texas Press.Search in Google Scholar

6Bjerregaard, P. (2020). Introduction: Exhibitions as research. In P. Bjerregaard (Ed.), Exhibitions as research: Experimental methods in museums (pp. 1–16). Oxon: Routledge.Search in Google Scholar

7Black, G. (2012). Transforming museums in the twenty-first century. London: Routledge.Search in Google Scholar

8Carpentier, N. (2015). Differentiating between access, interaction and participation. Conjunctions: Transdisciplinary Journal of Cultural Participation, 2(2), 7–28.Search in Google Scholar

9Coombes, A. E. and Phillips, R. B. (2015). Introduction: Museums in transformation: Dynamics of democratization and decolonization. In S. Macdonald and H. R. Leahy (General Editors), The international handbooks of museum studies, vol. 4: Museum transformations (pp. xxxiii-lxiii). Oxford: Wiley Blackwell.Search in Google Scholar

10Dysthe, Olga (Ed.) (2003). Dialog, samspil og læring. Aarhus: Klim.Search in Google Scholar

11Dysthe, O. (2012). Teoretiske perspektiver på dialog og dialogbaseret undervisning. In O. Dysthe, N. Bernhardt and L. Esbjørn (Eds.), Dialogbaseret undervisning: Kunstmuseet som læringsrum (pp. 45–80). København: Skoletjenesten og Unge Pædagoger.Search in Google Scholar

12Eriksson, B., Rung, M. H. and Sørensen, A. S. (Eds.) (2019). Kunst, kultur og deltagelse. Aarhus: Aarhus Universitetsforlag.Search in Google Scholar

13Eriksson, B. (2019). Kulturel deltagelse. In B. Eriksson og B. Schiermer (Eds.), Ny kulturteori (pp. 197–227). København: Hans Reitzels Forlag.Search in Google Scholar

14Falk, J. (2009). Identity and the museum visitor experience. Walnut Creek: Left Coast Press.Search in Google Scholar

15Gunn, W. et al. (2013). Design anthropology: Theory and practice. New York: Bloomsbury Academic.Search in Google Scholar

16Hill, S.H., Roberts, D. and Ryan, K. (2016). Planning for Participatory Exhibitions. In McSweeney, K. and J. Kavanagh, Museum participation: New directions for audience collaboration (pp. 532–561). Edinburgh: Museums Etc.Search in Google Scholar

17Høffding, S., Rung, M. H. and Roald, T. (2020). Participation and receptivity in the art museum: A phenomenological exposition. Curator, 63(1), 69–81.Search in Google Scholar

18Jancovich, L. (2015). The participation myth. International Journal of Cultural Policy, 23(1), 1–15.Search in Google Scholar

19Jancovich, L. and Stevenson, D. (2020). Cultural participation: stories of success, histories of failure. Conjunctions: Transdisciplinary Journal of Cultural Participation, 7(1), 1–8. Doi: http://dx.doi.org./10.7146/tjcp.v7i2.121812 Search in Google Scholar

20Kelty, C. et al. (2015). Seven dimensions of contemporary participation disentangled. Journal of the Association for Information Science and Technology, 66(3), 474–488.Search in Google Scholar

21Kelty, C. (2020). The participant: A century of participation in four stories. Chicago: Univer sity of Chicago Press. Search in Google Scholar

22Kirshenblatt-Gimblett, B. (1998). Destination culture: Tourism, museums, heritage. Berkeley: University of California Press.Search in Google Scholar

23Kortbek, H., Schwartz, C., Sørensen, A. S. and Thobo-Carlsen, M. (2016). The participatory agenda: A postcritical, anticipatory intervention. The Nordic Journal of Cultural Policy, 19(1), 19–35. Doi: https://doi.org/10.18261/ISSN2000–8325–2016–01–0Search in Google Scholar

24Kulturministeriet [Danish Ministry of Culture] (2019). Den nationale brugerundersøgelse årsrapport 2019. Copenhagen: Kulturministeriet, Slots-og Kulturstyrelsen.Search in Google Scholar

25Lynch, B. T. and Alberti, S. J. M. M. (2010). Legacies of prejudice: Racism, coproduction and radical trust in the museum. Museum Management and Curatorship, 25(1), 13–35.Search in Google Scholar

26Lynch, B. (2011). Whose cake is it anyway? A study of the relationships between 12 UK museums and galleries and their community partners. Summary report, Paul Hamlyn Foundation.Search in Google Scholar

27Macdonald, S. and Basu, P. (2007). Introduction: Experiments in exhibition, ethnography, art and Science. In S. Macdonald and P. Basu (Eds.), Exhibition experiments (pp. 1–14), Oxford: Blackwell Publishing.Search in Google Scholar

28Marcus, G. E. and Fischer, M. (1986). Anthropology as cultural critique: An experimental moment in the human sciences. Chicago: University of Chicago Press.Search in Google Scholar

29Mckay, S. and Monteverde, S. (2003). Dialogic looking: Beyond the mediated experience. Art Education, 56(1), 40–45.Search in Google Scholar

30McLean, K. (2003). Visitor voices. The Journal of Museum Education, 28(3), 3–5.Search in Google Scholar

31McLean, K. and Pollock, W. (Eds.) (2007). Visitor voices in museum exhibitions. Washing ton DC: Association of Science-Technology Centers.Search in Google Scholar

32McSweeney, K. and Kavanagh, J. (2016). Museum participation: New directions for audience collaboration. Edinburgh: Museums Etc.Search in Google Scholar

33Nashashibi, S. M. (2003). Visitor voices in art museum: The visitor-written label. The Journal of Museum Education, 28(3), 21–25.Search in Google Scholar

34Pateman, C. (1970). Participation and democratic theory. Cambridge: Cambridge University Press.Search in Google Scholar

35Pierroux, P. and Qvale, A. (2019). Wall texts in collection exhibitions. Nordisk Museologi, (1), 39–50.Search in Google Scholar

36Rasmussen, C. H. (2016). Formidlingsstrategier. En grundbog om kulturinstitutioners formidling. Frederiksberg: Samfundslitteratur.Search in Google Scholar

37Roepstorff, A. (2011). Eksperimentel antropologi. Tidsskriftet Antropologi, (63), 137–152.Search in Google Scholar

38Rung, M. H. (2013). Negotiating experiences: Visiting Statens Museum for Kunst. PhD dissertation. Leicester: University of LeicesterSearch in Google Scholar

39Sternfeld, N. (2013). Playing by the rules of the game. CuMMA Papers, (1).Search in Google Scholar

40Simon, N. (2010). The participatory museum. Santa Cruz: Museum 2.0.Search in Google Scholar

41Simon, N. (2016). The art of relevance. Santa Cruz: Museum 2.0.Search in Google Scholar

42Særkjær, C. (2021). Experiment, dialogue, art: An experimental investigation into new forms of museum communication. PhD dissertation. Aarhus: Aarhus University.Search in Google Scholar

43Whitehead, C. (2012). Interpreting art in museums and galleries. Abingdon Oxon: Rout ledge.Search in Google Scholar