<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The year 1918 found Polish national music in a state of extreme neglect, to which had “contributed” — as far as Warsaw was concerned — the period of partitions as well as the time of the Prussian occupation (1915–1918). Attempts to catch up in the field of production and popularisation of national music made from late 1918 by Warsaw activists associated with the a disruption in the existing structure of the public following the influx into ruling party (National Democracy) came up against obstacles caused by Warsaw of impoverished Poles from the provinces, including Russia, as well as an intensification of conflicts between the Polish and Jewish populations. Programmes for a revival of the national music tradition focused primarily on practical actions aimed at improving the lot of Polish musicians by providing them with support from the state and educating a new Polish audience. The third aspect of these programmes was the organisation of a government campaign promoting Polish music abroad. The paper presents unknown sources from the daily Warsaw press of the first half of the 1920s illustrating Warsaw’s everyday musical life in these aspects.</p>
</abstract>

The year 1918 found Polish national music in a state of extreme neglect, to which had “contributed” — as far as Warsaw was concerned — the period of partitions as well as the time of the Prussian occupation (1915–1918). Attempts to catch up in the field of production and popularisation of national music made from late 1918 by Warsaw activists associated with the a disruption in the existing structure of the public following the influx into ruling party (National Democracy) came up against obstacles caused by Warsaw of impoverished Poles from the provinces, including Russia, as well as an intensification of conflicts between the Polish and Jewish populations. Programmes for a revival of the national music tradition focused primarily on practical actions aimed at improving the lot of Polish musicians by providing them with support from the state and educating a new Polish audience. The third aspect of these programmes was the organisation of a government campaign promoting Polish music abroad. The paper presents unknown sources from the daily Warsaw press of the first half of the 1920s illustrating Warsaw’s everyday musical life in these aspects.

Projects to Revive National Music in Warsaw in 1919–1926

Polski Rocznik Muzykologiczny

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{"article-title":"Projects to Revive National Music in Warsaw in 1919\u20131926"}

The year 1918 found Polish national music in a state of extreme neglect, to which had “contributed” — as far as Warsaw was concerned — the period of partitions...

Projects to Revive National Music in Warsaw in 1919–1926

Online veröffentlicht: 12. Feb. 2022

Seitenbereich: 13 - 32

DOI: https://doi.org/10.2478/prm-2021-0007

Schlüsselwörter
Polish music in the inter-war period, Warsaw Opera, Warsaw Philharmonic, popularisation of music, artistic propaganda

© 2021 Magdalena Dziadek, published by Sciendo

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.

Projects to Revive National Music in Warsaw in 1919–1926

Online veröffentlicht: 12. Feb. 2022

Seitenbereich: 13 - 32

DOI: https://doi.org/10.2478/prm-2021-0007

SchlüsselwörterPolish music in the inter-war period, Warsaw Opera, Warsaw Philharmonic, popularisation of music, artistic propaganda

© 2021 Magdalena Dziadek, published by Sciendo

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License.

Schlüsselwörter
Polish music in the inter-war period, Warsaw Opera, Warsaw Philharmonic, popularisation of music, artistic propaganda