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<p>This paper claims that through a feminist rewriting of the Bible, Michèle Roberts’s novel The Wild Girl (1984) articulates the ambivalences and insecurities that emerged in the British Women’s Liberation movement after its initial period of great energy, hopefulness and enthusiasm of the 1970s. By rewriting the biblical insistence on female rivalry and competition, and revising biblical “gynotypes” and “fragmented women”, the novel not only exposes the patriarchal discourses of the Bible, but also critically revisits the WLM’s utopian visions of unity, and re-imagines the ways in which women can cooperate while preserving their differences. When juxtaposed with more recent women’s rewritings, often driven by (and catering to) market economy and consumer culture, Roberts’s novel is a useful remainder of the still consequential need to “look back in order to move forward” (Plate 406). The novel’s small-scale, grass-roots level sisterhood, never altogether free from tensions, is a quietly optimistic vision of women’s bonds, a “secret gospel” proclaiming the good news about the precarious and changeable relationship among women, and about the need of its incessant reworking.</p>
</abstract>

This paper claims that through a feminist rewriting of the Bible, Michèle Roberts’s novel The Wild Girl (1984) articulates the ambivalences and insecurities that emerged in the British Women’s Liberation movement after its initial period of great energy, hopefulness and enthusiasm of the 1970s. By rewriting the biblical insistence on female rivalry and competition, and revising biblical “gynotypes” and “fragmented women”, the novel not only exposes the patriarchal discourses of the Bible, but also critically revisits the WLM’s utopian visions of unity, and re-imagines the ways in which women can cooperate while preserving their differences. When juxtaposed with more recent women’s rewritings, often driven by (and catering to) market economy and consumer culture, Roberts’s novel is a useful remainder of the still consequential need to “look back in order to move forward” (Plate 406). The novel’s small-scale, grass-roots level sisterhood, never altogether free from tensions, is a quietly optimistic vision of women’s bonds, a “secret gospel” proclaiming the good news about the precarious and changeable relationship among women, and about the need of its incessant reworking.

“Passing a looped and knotted string between their hands”. The Bible, the Women’s Liberation Movement and Women’s Bonds in Michèle Roberts’s <italic>The Wild Girl</italic>

The Angelus Silesius University of Applied Sciences

Prague Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

“Passing a looped and knotted string between their hands”. The Bible, the Women’s Liberation Movement and Women’s Bonds in Michèle Roberts’s 

This paper claims that through a feminist rewriting of the Bible, Michèle Roberts’s novel The Wild Girl (1984) articulates the ambivalences and insecurities...

“Passing a looped and knotted string between their hands”. The Bible, the Women’s Liberation Movement and Women’s Bonds in Michèle Roberts’s The Wild Girl

Online veröffentlicht: 05. Okt. 2021

Seitenbereich: 23 - 41

DOI: https://doi.org/10.2478/pjes-2021-0002

Schlüsselwörter
Women’s Liberation Movement, feminism, biblical rewriting, Michèle Roberts, feminist utopia, consciousness-raising groups, gynotype

© 2021 Ewa Rychter, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

“Passing a looped and knotted string between their hands”. The Bible, the Women’s Liberation Movement and Women’s Bonds in Michèle Roberts’s The Wild Girl

Online veröffentlicht: 05. Okt. 2021

Seitenbereich: 23 - 41

DOI: https://doi.org/10.2478/pjes-2021-0002

SchlüsselwörterWomen’s Liberation Movement, feminism, biblical rewriting, Michèle Roberts, feminist utopia, consciousness-raising groups, gynotype

© 2021 Ewa Rychter, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Schlüsselwörter
Women’s Liberation Movement, feminism, biblical rewriting, Michèle Roberts, feminist utopia, consciousness-raising groups, gynotype