<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>This paper intends to offer a first sketch of a pluralist account of contemporary phenomenologies “of” literature. It does so (1) by distinguishing two phenomenological “families” — hermeneutical phenomenology and constitutive phenomenology —, illustrated by two different authors — Ricœur and Husserl —, each of which relies on a distinctive account of the notion of “phenomenon”— <italic>qua</italic> hidden entity providing the ground for what shows itself first and foremost, and <italic>qua</italic> intended unity of a multiplicity of conscious experiences —; (2) by fleshing out the two conceptions of “imagination” — productive imagination and <italic>phantasia</italic> — these accounts of the “phenomenon” give rise to; and finally, (3) by underlining the way in which these two phenomenological accounts lead to alternative ways of apprehending the specific phenomenon of fictional imagination — narrative literary imagination vs. reproductive <italic>phantasia</italic> of the narrative work — thus specifying two relevant senses in which the tasks of a “phenomenology <italic>of</italic> literature” could be understood. Such a complex path should enable us to justify the following claim: while hermeneutical phenomenology “of” literature aims at uncovering literature itself <italic>as</italic> a form of phenomenology, a constitutive phenomenology “of” literature rather understands its task as a way to clarify the fundamental concepts of a whole host of theoretical and practical disciplines <italic>about</italic> literature. Hence the ambiguity of the genitive “phenomenology <italic>of</italic> literature”, which could be read either as ascribing phenomenology <italic>to</italic> literature itself (subjective genitive), or as turning phenomenology <italic>towards</italic> literature (objective genitive). In its conclusion, this paper will tentatively assess the resources of a Husserl-inspired constitutive phenomenology of literature.</p>
</abstract>

This paper intends to offer a first sketch of a pluralist account of contemporary phenomenologies “of” literature. It does so (1) by distinguishing two phenomenological “families” — hermeneutical phenomenology and constitutive phenomenology —, illustrated by two different authors — Ricœur and Husserl —, each of which relies on a distinctive account of the notion of “phenomenon”— qua hidden entity providing the ground for what shows itself first and foremost, and qua intended unity of a multiplicity of conscious experiences —; (2) by fleshing out the two conceptions of “imagination” — productive imagination and phantasia — these accounts of the “phenomenon” give rise to; and finally, (3) by underlining the way in which these two phenomenological accounts lead to alternative ways of apprehending the specific phenomenon of fictional imagination — narrative literary imagination vs. reproductive phantasia of the narrative work — thus specifying two relevant senses in which the tasks of a “phenomenology of literature” could be understood. Such a complex path should enable us to justify the following claim: while hermeneutical phenomenology “of” literature aims at uncovering literature itself as a form of phenomenology, a constitutive phenomenology “of” literature rather understands its task as a way to clarify the fundamental concepts of a whole host of theoretical and practical disciplines about literature. Hence the ambiguity of the genitive “phenomenology of literature”, which could be read either as ascribing phenomenology to literature itself (subjective genitive), or as turning phenomenology towards literature (objective genitive). In its conclusion, this paper will tentatively assess the resources of a Husserl-inspired constitutive phenomenology of literature.

Phénoménologies « de » la littérature – phénomène, imagination, fictions littéraires

Phainomenon

This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License.

This paper intends to offer a first sketch of a pluralist account of contemporary phenomenologies “of” literature. It does so (1) by distinguishing two...

Phénoménologies « de » la littérature – phénomène, imagination, fictions littéraires

Online veröffentlicht: 17. Mai 2021

Seitenbereich: 15 - 68

Eingereicht: 19. Aug. 2021

Akzeptiert: 13. Sept. 2021

DOI: https://doi.org/10.2478/phainomenon-2021-0012

Schlüsselwörter
phenomenology, literature, imagination, Husserl, Ricœur

© 2021 Claudio Majolino et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License.

Phénoménologies « de » la littérature – phénomène, imagination, fictions littéraires

Online veröffentlicht: 17. Mai 2021

Seitenbereich: 15 - 68

Eingereicht: 19. Aug. 2021

Akzeptiert: 13. Sept. 2021

DOI: https://doi.org/10.2478/phainomenon-2021-0012

Schlüsselwörterphenomenology, literature, imagination, Husserl, Ricœur

© 2021 Claudio Majolino et al., published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License.

Schlüsselwörter
phenomenology, literature, imagination, Husserl, Ricœur